Martin Hayes' acoustic concert in ancient monastery, Asturias, Spain

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Experience this concert of an unforgettable evening at Monasterio de San Salvador, Celoriu, Asturias, Spain with world-renowned Irish fiddler Martin Hayes and special guest Asturian piper José Manuel Tejedor. In a rare, totally acoustic performance, this concert was a gift from Hayes to the heart of Asturias and an act of generous patronage towards Llar, an Asturian cultural movement, marking a unique celebration of music and community.
At its core, LLAR stands as a testament to the power of cultural regeneration, where music, dance, and storytelling become the catalysts for environmental awareness and a harmonious future. LLAR is dedicated to the revival and celebration of Asturian cultural heritage, connecting global audiences to Asturian cultural traditions and supporting Asturian musicians on the world stage. Our commitment extends to running Masterclasses (Llar2024) nurturing youth, teaching programmes and artist residencies.
We aim to build community that reaches beyond borders. Your involvement is vital to our success. Inspired by Martin Hayes, our first patron, we invite you to be part of this vibrant cultural awakening. Explore how you can support and sustain the spirit of Asturian music with LLAR. llarfolk.com
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Revive esta nueche inolvidable nel Monasteriu de San Salvador, Celoriu (Asturies), col vigulineru irlandés de fama mundial Martin Hayes y el gaiteru asturianu José Manuel Tejedor como invitáu especial. Nuna actuación pocu habitual totalmente acústica, esti conciertu foi un regalu de Hayes al corazón d'Asturies y un actu de xenerosu mecenazgu hacia Llar, un movimientu cultural asturianu, conformando una celebración única de la música y la comunidá.
Na so esencia, LLAR ye un testimoniu del poder de la rexeneración cultural, onde la música, el baille y la tradición oral conviértense en catalizadores de la conciencia medioambiental y d'un futuru harmoniosu. LLAR dedícase a la recuperación y celebración del patrimoniu cultural asturianu, conectando al públicu global coles tradiciones culturales asturianes y apoyando a los músicos asturianos na escena mundial. El nuestru compromisu estindese a la organización de cursos y clases maxistrales (Llar2024), el fomentu de la música na mocedá, programes d'enseñanza y residencies d'artistes.
El nuestru oxetivu ye construir una comunidá que trespase llendes. La to participación ye vital pal nuestru éxitu. Inspiraos por Martin Hayes, el nuestru primer mecenes, invitámoste a formar parte d'esti despertar cultural. Explora cómo puedes sofitar l'espíritu de la música asturiana con LLAR.
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Revive esta noche inolvidable en el Monasterio de San Salvador, Celoriu (Asturies, España), con el violinista irlandés de fama mundial Martin Hayes y el gaitero asturiano José Manuel Tejedor como invitado especial. En una actuación poco habitual totalmente acústica, este concierto fue un regalo de Hayes al corazón de Asturias y un acto de generoso mecenazgo hacia Llar, un movimiento cultural asturiano, conformando una celebración única de la música y la comunidad.
En su esencia, LLAR es un testimonio del poder de la regeneración cultural, donde la música, la danza y la tradición oral se convierten en catalizadores de la conciencia medioambiental y de un futuro armonioso. LLAR se dedica a la recuperación y celebración del patrimonio cultural asturiano, conectando al público global con las tradiciones culturales asturianas y apoyando a los músicos asturianos en la escena mundial. Nuestro compromiso se extiende a la organización de cursos y clases magistrales (Llar2024), el fomento de la música en la juventud, programas de enseñanza y residencias de artistas.
Nuestro objetivo es construir una comunidad que traspase fronteras. Tu participación es vital para nuestro éxito. Inspirados por Martin Hayes, nuestro primer mecenas, te invitamos a formar parte de este vibrante despertar cultural. Explora cómo puedes impulsar y apoyar el espíritu de la música asturiana con LLAR.

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19 авг 2024

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Комментарии : 17

@erikm8372 5 дней назад

07:50 ohhhh that’s music to my ears when Paddy Fahey’s jig starts! Love that tune so much!

@johnkoester1733 3 месяца назад

Thank you for this. I have never heard my favorite fiddler play better. I am glad he is among such warm people as well.

@Llarfolk 3 месяца назад

Thanks so much John! It was a true honor to be able to work with Martin and witness such a concert

@manekiserxu3024 5 месяцев назад

Virtuosismu y finura como ello solu.

@Llarfolk 5 месяцев назад

Too un luxu pa nós poder disfrutar de la so música! 🥰

@diegocalvorodriguez 4 месяца назад

que hallazgo mas lindo, viene bien para estos días libres

@Llarfolk 4 месяца назад

Muchas gracias! sí, es una maravilla!

@byronmcquainable 4 дня назад

Thank you for sharing. Did I miss where the piper joins him?

@EgoitzFernandez-uq2to Месяц назад

A true blessing. Thank you, Muchas gracias, Eskerrik asko to both LLarfolk and Martin.

@maruxa.curuxa 6 месяцев назад

Qué bestia, que maravilla 💘

@Llarfolk 5 месяцев назад

Una nueche pal recuerdu! 😄

@lindafowler4302 2 месяца назад

Astonishly good. Martin - I’m endeavoring to learn the Irish folk style of playing, although I am classically trained. Yours is the gold standard. Bravo. This concert is quite sublime. Thank you.

@erikm8372 5 дней назад

Well, as I am a fiddler (since 2000), and also bilingual, I can safely say Irish music is definitely a "language". Really, any folk or "trad" musical style is a living language and form of social expression. It’s just "spoken" musically rather than with the human voice, except for the many trad songs with lyrics. The tunes are the stories being told. It’s a slightly different approach than with classical music, written on sheet music with every dynamic, inflection or crescendo dictated to you. Irish & other folk music largely involves a ton of ear training. It becomes your best friend…your ear! Ha, it’s to the point now where I can hear an Irish fiddler, or Scottish, etc., and know exactly what notes are being played just by the sound. I may not get the tune immediately, but that comes with time. Basically, I know where the fingers are on the instrument. I guess that comes with playing any stringed instrument long enough? 🤔 As far as learning tuhes by ear, there’s a great app called Amazing Slow a downer, I fully recommend it for changing keys of recordings and slowing the speed down. It really helps practice. And some musicians also record in unconventional sharp or flat tunings, or on flat-pitched instruments (Bb flutes, C whistles, etc), so it helps for that, too. But, long story short, it’s imperative to listen to it nearly constantly, especially in the beginning few years! What Irish musicians besides Martin Hayes do you like? You should check out the Kane sisters, or Liz and Yvonne Kane. They have a bunch of stuff on RU-vid. They’re from Galway, which is just an hour or so north of where Martin is from in County Clare. Very similar repertoire, steadier pace, slower and more deliberate playing. Longer bow strokes and long phrases, lots of flat keys and G minor tunes. As opposed to other regions where the repertoire may be different, such as the northern counties having more Scottish influence, and playing mainly in the keys of D, A, A/E Dorian, B minor, etc. They also play quicker with one-note bow strokes, compared to the fluid, almost legato styles on the central west coast (like Martin Hayes). Fiddlers "down south", in Counties Cork, Limerick or Kerry, often play more polkas (2/4) and slides (12/8) in their repertoire, and have their own bowing patterns, as well. That’s in addition to all the local, regional reels (4/4), jigs (6/8) and hornpipes (swung 4/4), which you’ll find everywhere, and local variations on old standards. Hence why it’s a language! Dialects! 😆 I am a naturally obsessive person, I suppose, if you haven’t realized that yet.. but the fiddle is one obsession that I haven’t gotten over in 25 years almost. So that says something! 👏🏽 But you should just always be finding which artists, bands, tunes and compositions you like and what calls to you! There’s a veritable rabbit-hole one can go down with each individual musician, where they’re from, not to mention each tune, composition, composer, etc., and everything associated with this tradition. At the end of the day, it is a language and the more immersed you are, the more frequently you immerse yourself, the more fluent you become. If you want to talk more you can email me seanamhach@yahoo.com Erik 😊

@lindafowler4302 2 дня назад

@@erikm8372 Erik…thanks so much for such a carefully considered reply., and so much information. I sometimes feel like I need another lifetime to learn all this stuff! We went to a fab session in Stroud last night, and the Irish fiddling was stunningly good. They must have reeled off (pun not intended) around 25 jigs in a row in one set, all from memory and not a note dropped anywhere. My main pre-occupation at the moment is with authentic folk bowing, and trying not to be a prissy orchestral player, the LH work is not so difficult.