You list only Bristol bands, so you've missed out on the output from Mo'Wax and Ninja Tune? All still going and evolving, and influencing. Just not what hipsters and journalists score points for talking about anymore. UNKLE still going strong, and check out Jilk. From the artists you listed I think you might like em.
MASSIVE ATTACK - THE KINGS OF TRIP HOP! Massive Attack are an English trip hop collective formed in 1988 in Bristol by Robert "3D" Del Naja, Adrian "Tricky" Thaws, Andrew "Mushroom" Vowles and Grant "Daddy G" Marshall. The debut Massive Attack album Blue Lines was released in 1991, with the single "Unfinished Sympathy" reaching the charts and later being voted the 63rd greatest song of all time in a poll by NME. 1998's Mezzanine (containing the top 10 single "Teardrop") and 2003's 100th Window charted in the UK at number one. Both Blue Lines and Mezzanine feature in Rolling Stone's list of the 500 Greatest Albums of All Time. The group has won numerous music awards throughout their career, including a Brit Award-winning Best British Dance Act, two MTV Europe Music Awards, and two Q Awards. They have released five studio albums that have sold over 13 million copies worldwide. Throughout their history, Massive Attack have been supporters and activists for political, human rights and environmental causes. The discography of British trip hop band Massive Attack consists of five studio albums, three compilation albums, five remix albums, one soundtrack album, five extended plays, eighteen singles and twenty-seven music videos. The group was founded in 1988 by musicians Robert "3D" Del Naja, Adrian "Tricky" Thaws, Grantley "Daddy G" Marshall, and Andrew "Mushroom" Vowles in Bristol, England. Prior to the formation of Massive Attack, all four were members of British sound system The Wild Bunch. Massive Attack's debut album Blue Lines was released in 1991, and was a pioneering force in the forming of the fusion genre dubbed trip hop. Blue Lines peaked at number 13 on the UK Albums Chart, and was certified Double Platinum in the United Kingdom. The album spawned four singles, three of which charted in the top 100 of the UK Singles Chart. In 1994, Massive Attack released their second album, Protection, which peaked at number 4 in the UK. In 1998, the group released their third album, Mezzanine, which peaked at number 1 in the UK and Australia, and was the group's first release to chart in the United States. 100th Window was released in 2003, peaking at number 1 in the UK and three other countries. In 2006, Massive Attack released Collected, a compilation of the group's singles and music videos. The compilation charted in seven countries, and was certified platinum in the UK. Their fifth studio album Heligoland was released in 2010. It peaked at number 6 in the UK and was certified Gold. And I have the great honor of having in my discography the five studio CD-albums of this band from Bristol, including, of course, the CD-album of the first greatest hits collection of this wonderful band that inspired a musical genre that was very successful during the nineties and early 2000s. Therefore, I have the CD-album BLUE LINES (1991) remastered, just one unit. Then I have only one unit of the wonderful work entitled PROTECTION (1994). I still have the group's biggest commercial success, originally released in 1998, MEZZANINE. There are four copies of this CD-album! It follows 100TH WINDOWS (2003), only one drive also in CD format. I still have two copies, always in CD-album format, of the greatest hits collection released in 2006, COLLECTED. And finally, at least until now, and also on CD-album, Massive Attack's fifth studio work, HELIGOLAND (2010). Altogether there are ten CD-albums! I hope Massive Attack will continue to edit new music in the future. Honestly, I miss them. I consider myself a big fan of this group because of their musical genre. I keep good music and good artists in my heart, as I buy their records! Heligoland is the fifth studio album by English electronic music duo Massive Attack, released on 8 February 2010 by Virgin Records. Named after a German archipelago, it was their first studio album in seven years, following 100th Window (2003). It has been certified Gold by the British Phonographic Industry (BPI). The record primarily features vocals from Horace Andy, as well as a number of guest vocalists: Tunde Adebimpe of TV on the Radio, Damon Albarn of Blur and Gorillaz, Hope Sandoval of Hope Sandoval and the Warm Inventions and Mazzy Star, Guy Garvey of Elbow and Martina Topley-Bird. Further contributions include guitar by Adrian Utley of Portishead (on "Saturday Come Slow"), keys from Portishead collaborator John Baggott (most notably on "Atlas Air"), keys and synth bass from Damon Albarn ("Splitting the Atom" and "Flat of the Blade" respectively), guitar (various tracks) and bass ("Girl I Love You") by Neil Davidge, bass by Billy Fuller of Beak (various tracks) and drumming from both the late Jerry Fuchs and regular Massive Attack session and touring drummer Damon Reece. Dan Brown and Stew Jackson (Robot Club) co-wrote "Paradise Circus", played guitar on and co-wrote "Saturday Come Slow", and part-programmed and engineered those tracks. Tim Goldsworthy contributed additional production (specific tracks unstated). Most tracks were mixed by Mark "Spike" Stent and mastered by Tim Young at Metropolis Studios, as with previous records. Unlike previous records, there are no personal acknowledgements on the inlay. Most tracks were co-produced by Neil Davidge and Robert Del Naja; Grant Marshall only contributed production to "Splitting The Atom", "Paradise Circus" and "Saturday Come Slow", but co-wrote every track. The album is dedicated to the memory of Blue Lines co-producer, Jonny Dollar. The album's release was preceded by the release of the Splitting the Atom EP on October 4, 2009. During its development, the album was often referred to in the media as "LP5" (a reference to this being their fifth studio album) or "Weather Underground" (Robert Del Naja's early working title). The artwork, as with every Massive Attack album since Protection, is a collaboration between Tom Hingston and Del Naja, this time based on Del Naja's paintings. For an advertisement campaign on the London Underground, local traffic authority Transport for London insisted the cover image featured on advertising posters be altered so as not to resemble "street art", obliging the artists to remove drips and fuzz from the original image; this was intended to conform with their policy to not encourage graffiti. Many other guest vocalists recorded sessions in the time after 100th Window but did not end up being featured on the album. These include: Stephanie Dosen, Yolanda Quartey of Phantom Limb - effectively Robot Club's band) and Jhelisa (Anderson, who had previously recorded in 2002 in the studio for material that was not included on 100th Window); and, mostly before the release of Collected - Mike Patton, Aku and Akwetey Orraca-Tetteh and Devang Shah of Dragons of Zynth, Elizabeth Fraser, Terry Callier, Fredo Viola, Debbie Clare, Beth Orton and Dot Allison. Mos Def and Leslie Feist were named as artists scheduled for recording sessions back in 2004. Backing tracks from Grant Marshall's side of Massive Attack's writing (mainly facilitated by and done with Robot Club) are known to have been sent to Alice Russell, and prepared for Sharon Jones, Patti Smith and David Bowie during the era but collaboration did not come to fruition, nor did talks with Tom Waits or Tricky, in terms of featuring as guest vocalists on the record. Post-punks Mark Stewart and Keith Levene were pictured inside Del Naja's 100 Suns studio in 2009, but played no part on the album. The track "Girl I Love You", one of multiple tracks featuring Horace Andy, is a drastically reworked version of a song originally written by Andy during his solo career.
SPLITTING THE ATOM [Verse 1; Daddy G] The bed it was warm nettles and ferns The evening it chokes the candle it burns This disguise covers bitter lies Repeating the joke the meaning it dies Pass me a coat I'm not afraid to leave I'm letting you know I know what you need I'll turn you around this beautiful town And then you'll believe it when your eyes then deceive you [Refrain: Horace Andy] It's easy, don't let it go It's easy, don't let it go It's easy, don't let it go Don't lose It [Verse 2: Daddy G] Its getting colder outside your rented space They shadowbox and they paper chase It never stops and we'll never learn No hope without dope the jobless return The bankers have bailed the mighty retreat The pleasure it fails at the end of the week You take it or leave or what you receive To what you receive is eternited leave [Refrain: Horace Andy] Its easy, dont let it go Its easy, dont let it go Its easy, dont let it go Don't lose it [Verse 3: 3D] Incandescent light at doors In adolescent menopause In little clicks you got the music stops The needle sticks and the penny drops The summer's gone before you know The muffled drums of relentless flow You're looking at stars that give you vertigo The sun's still burning and dust will blow Honey scars I'll keep you near Our blood is gold nothing to fear We killed the time and I love you dear A kiss of wine we'll disappear The last of the last particles Divisible invisible The last of the last particles Divisible invisible Featuring Horace Andy Produced By Grantley “Daddy G” Marshall, Neil Davidge & Robert “3D” del Naja Written By Grantley “Daddy G” Marshall, Neil Davidge, Damon Albarn & Robert “3D” del Naja Album HELIGOLAND (2010)
The baby was born Nettles and ferns The evening it chokes The candle it burns This disguise covers bitter lies Repeating the joke The meaning it dies Pass me a coat I'm not afraid to leave I'm letting you know I know what you need I'll turn you around This beautiful town And then you'll believe it when your eyes then deceive you It's easy, don't let it go It's easy, don't let it go It's easy, don't let it go Don't Lose It It's getting colder outside Your rented space They shadow box and they paper chase It never stops And we'll never learn No hope without dope The jobless return The bankers have bailed The mighty retreat The pleasure it fails At the end of the week You take it or leave Or what you receive To what you receive Is eternited leave It's easy, don't let it go It's easy, don't let it go It's easy, don't let it go Don't lose it Incandescent light at doors In adolescent menopause In little clicks you got the music stops The needle sticks and the penny drops The summer's gone before you know The muffled drums of relentless flow You're looking at stars that give you Vertigo The sun's still burning and dust will blow Honey scars I'll keep you near Our blood is gold nothing to fear We killed the time and I love you dear A kiss of wine we'll disappear The last of the last particles Divisible invisible The last of the last particles Divisible invisible
The baby was born nettles and ferns The evening it chokes, the candle it burns, this disguise covers Bitter lies, repeating the joke, the meaning it dies Pass me a coat I'm not afraid to leave I'm letting you know, I know what you need I'll turn you around, this beautiful town And then you'll believe it when your eyes then deceive you It's easy, don't let it go It's easy, don't let it go It's easy, don't let it go Don't lose It There was one redemption I can't open, repeat the joke Its getting colder outside your rented space They shadow box and they paper chase it never stops And we'll never learn no hope without dope The jobless return, the bankers have bailed The mighty retreat, the pleasure it fails At the end of the week, you take it or leave or what you receive To what you receive Is eternited leave It's easy, don't let it go It's easy, don't let it go It's easy, don't let it go Don't lose it Incandescent light at doors, in adolescent menopause In little clicks you got the music stops, the needle sticks and the penny drops The summer's gone before you know, the muffled drums of relentless flow You're looking at stars that give you vertigo, the sun's still burning and dust will blow Honey scars I'll keep you near, our blood is gold nothing to fear We killed the time and I love you dear, kiss oh wine we'll disappear The last of the last particles, divisible invisible The last of the last particles, divisible invisible The last of the last particles, divisible invisible I see you, you're too near I see you, lucky me
SPLITTING THE ATOM [Verse 1; Daddy G] The bed it was warm nettles and ferns The evening it chokes the candle it burns This disguise covers bitter lies Repeating the joke the meaning it dies Pass me a coat I'm not afraid to leave I'm letting you know I know what you need I'll turn you around this beautiful town And then you'll believe it when your eyes then deceive you [Refrain: Horace Andy] It's easy, don't let it go It's easy, don't let it go It's easy, don't let it go Don't lose It [Verse 2: Daddy G] Its getting colder outside your rented space They shadowbox and they paper chase It never stops and we'll never learn No hope without dope the jobless return The bankers have bailed the mighty retreat The pleasure it fails at the end of the week You take it or leave or what you receive To what you receive is eternited leave [Refrain: Horace Andy] Its easy, dont let it go Its easy, dont let it go Its easy, dont let it go Don't lose it [Verse 3: 3D] Incandescent light at doors In adolescent menopause In little clicks you got the music stops The needle sticks and the penny drops The summer's gone before you know The muffled drums of relentless flow You're looking at stars that give you vertigo The sun's still burning and dust will blow Honey scars I'll keep you near Our blood is gold nothing to fear We killed the time and I love you dear A kiss of wine we'll disappear The last of the last particles Divisible invisible The last of the last particles Divisible invisible Featuring Horace Andy Produced By Grantley “Daddy G” Marshall, Neil Davidge & Robert “3D” del Naja Written By Grantley “Daddy G” Marshall, Neil Davidge, Damon Albarn & Robert “3D” del Naja Album HELIGOLAND (2010)
I don't know, but here in RU-vid the both versions was uploaded this year. But the original releases in 2008-9 I don't know wich one was released first, but is hightly possible this version was really released after the corrida, or original version.
I'm talking about the music video not the music. It's clearly visible that in both videos the song is absolutly the same, but the video isn't! Just think a little bit.
The clip is really great (the music is perfect... nothing to say)... but it's such a pity i can't find it anywhere on the net in a better quality than 720p. I would love to see it in a greater definition.
That Feel - when you had listened that track LIVE on UPARK festival - Kyiv UKRAINE 27.07.2018 Thank you so much - Massive Attack! That was insane, just awesome concert! Please come to Ukraine again!
(Sing Along My People Of The Atom) The baby was born Nettles and ferns The evening it chokes The candle it burns This disguise covers bitter lies Repeating the joke The meaning it dies Pass me a coat I'm not afraid to leave I'm letting you know I know what you need I'll turn you around This beautiful town And then you'll believe it when your eyes then deceive you It's easy, don't let it go It's easy, don't let it go It's easy, don't let it go Don't lose it It's getting colder outside Your rented space They shadow box and they paper chase It never stops And we'll never learn No hope without dope The jobless return The bankers have bailed The mighty retreat The pleasure it fails At the end of the week You take it or leave Or what you receive To what you receive Is eternited leave It's easy, don't let it go It's easy, don't let it go It's easy, don't let it go Don't lose it Incandescent light at doors In adolescent menopause In little clicks you got the music stops The needle sticks and the penny drops The summer's gone before you know The muffled drums of relentless flow You're looking at stars that give you Vertigo The sun's still burning and dust will blow Honey scars I'll keep you near Our blood is gold nothing to fear We killed the time and I love you dear A kiss of wine we'll disappear The last of the last particles Divisible invisible The last of the last particles Divisible invisible
If I were on my death bed and told I could listen to only one last artist, all the other bullshit and so-called favourites would be cast aside and I'd go smiling to M-A
does anybody know the story behind the two music-videos? the one by Salier, this one posted and the other one with the corrida, which ends with the death of the bull? I can't find any explanation about this double videos. thank you
