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MASTER THE CODA of SCHUMANN FANTASY‘s 2nd movement + My Horror Performance With This Piece!Storytime

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Today I share my exercises for Schumann‘s Coda of the 2nd movement of his Fantasy in C major. To me, this is a very challenging bit of piano repertoire and in addition to my piano tutorial, I also share my personal performance horror story with it, my experience and how I overcame it. Hope you enjoy! :)
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Website: danae-doerken.com
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Опубликовано:

29 авг 2024

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Комментарии : 35

@richardforshaw8479 2 года назад

Fearful piece! Your tenacity and determination to conquer this technically is a testament to you. Absolutely brilliant!😊

2 года назад

Thanks so much! :)

@NN-rn1oz 2 года назад

You are a courageous woman.

2 года назад

😉🤗🙏🏻

@DerJungere 2 года назад

Muchas gracias por la inspiracion que me diste!! es muy bueno escuchar a otros pianistas saber que siempre hay que trabajar y estudiar y que no vienen magicamente las cosas!!saludos desde Argentina

2 года назад

🙏🏻🙏🏻

@stefanufer608 3 года назад

Noch ein faszinierendes Video! Thank you for responding to requests for a video about this part of the Schumann Fantasy. Even Horowitz once got muddled in this coda so that says a lot for how difficult it is!

3 года назад

Thank you! Yes, this passage really is uncomfortable 🙈😂

@Sokolovpianist249 3 года назад

I think it is so great and inspiring that you also share these kinds of experiences with us. You are a very inspiring teacher. Thank you!

3 года назад

I am so glad to hear this, thank you!

@goodenoughaccompanis 3 года назад

Such valuable insight!!! Thank you so much for sharing this. Your personal story is very inspiring (I can relate, for sure) and I would absolutely love for you to share more stories from your personal experience! ❤

3 года назад

Thanks for watching! 🙏🏻 I will make sure to share more of my personal stories and onstage experience with different pieces. 🤗

@timthompson1603 3 года назад

Two thumbs up, Donae! Very practical advice, as always. I played this piece when I was a young man over 40 years ago, but I don't have the nerves or the stamina for it today.

3 года назад

That sounds wonderful, I find that it is such a special experience to play this masterpiece. 😊

@batboy242 3 года назад

Thank you Danae, I find a lot of help even at the beginner level, you thought are very helpful!

3 года назад

So happy to hear this! :) Thanks!!

@manueladevilliers5301 Год назад

A very encouraging lesson. Thank you for sharing your knowledge and experience.

Год назад

So glad you enjoyed it! Thanks for watching :)

@kammanagement4203 3 года назад

Aamazing share ...

3 года назад

☺️☺️

@peterthomson1156 Год назад

Hi Danae Thank you for your video. I am currently studying the Schumann Fantasy and your practice methods are really helping me get to grips with this incredible coda. I love this work so much so thank you for your help with my study. Take care and I look forward to seeing further videos. Peter Thomson

Год назад

Thank you!! All the best with this incredible piece of music 🤗

@lchtrmn Год назад

What a fantastic find. This coda is a sort of personal obsession of mine and have taken note how many pianists over the years have mounted it. You're giving a practical method of "getting it under your belt" must be a great help to aspiring artists. One other aspect of the impact of the coda is the actual transition from the repeat section (and its rather sonorous cadence)) to the coda itself. Once the A' section concludes should there be a breath before the coda? should it follow in a continuous flow? tempo change? dynamic change?. I find this critical transitionary moment as critical to the emotional effect as the precision and technique of the coda itself. Many years ago I heard Pollini play this and the energy from the A' cadence continued in a single phrase to the coda. Breathtaking. Your coaching and methodology goes a long way to helping a pianist to dive into the coda in any emotional context.

@semperreg 2 года назад

Very interesting and a good teacher. In that king of coda, I'll do the cold shot but with one shot only. Distracting is useless in my opinion.This is the kind difficulty that you do not divide into exercice . All you suggest, I will not do for that kind of passage. What I could do is notice the technical demand and work to it in a complété différent exercice, concentrating on the sound, not the technic. No technical point should stop you. I could also sing the passage. Schumann did a not of Lied.

2 года назад

I love your suggestion of singing the passage, this is great!

@ddgyt50 3 года назад

These are wonderful videos. I wish I had learned how to properly practice when I was young. By the way, I just listened to Kissin, Kempff, Arrau, Richer, Perahia, and Horowitz play this coda. Perahia and Kempff massacred it while Richter and Arrau made it through with only a minor mistake, both of whom I think were recorded and not live. Horowitz's approach was unique to say the least.

3 года назад

So interesting, I think I am going to head over and listen to those recordings in comparison myself right now. 😉 Thanks for watching! 🙏🏻

@Michael-vh4ou 3 года назад

Hi Danae, Thank you for these great and educational videos. May I ask you: How do you do that in this movement with your fingering in the positions where your right and left hands have to interlock. As noted, or do you grab the chords more comfortably in your hands?

3 года назад

I actually play it as noted and place my left hand slightly over my right hand. 🙂 thanks so much for watching!