Masterclass on Schubert: Enigmatic Restraint, Beauty and Tenderness of the Impromptu in G-flat major

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Masterclass on Schubert: In this video I briefly address many things: how to manage tension, a non-intuitive approach to phrasing, what might help to make a delicate but powerful crescendo, how to balance between an enigmatic restrain and a rich expressiveness
Check out the recording of this piece: • Schubert: Impromptu No...
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5 окт 2024

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Комментарии : 23

@saltburner2 7 месяцев назад

No one plays this better than Horowitz - especially the live Vienna performance. When first published, it was transposed up a semitone into G. The publisher thought all those accidentals would frighten off amateurs. But Schubert knew what he was doing: it is easier to play in G flat.

@RolandHuettmann 3 года назад

To hear the music before playing is something -- as you said it -- is to be attendet to. Too often the student, me, is absorbed in one's own movements instead of listening, anticipating,, estimating what shall come to the ears next. This really is a great lesson to all students you are presenting here. And Schubert's melodies touch the soul, especially when played with so much care.

@argi0774 5 месяцев назад

Listening is of course a good first step but that should never lead to imitating someone else's interpretation. Always find your own one. There is absolutely no authority in that.

@cjanebell Год назад

Best of the best! So many wonderful insights and such good advice. Thank you, Denis!

@chenyung5624 2 года назад

Thank you. I have found many tutorials from RU-vid, but your brilliant insights is the exact one I am looking for.

@СветланаСавкова-д6р 3 года назад

Даже не зная языка , интересно и увлекательно!👍👏

@DenZhdanovPianist 3 года назад

К сожалению, на субтитры уходит столько времени сверх всего прочего, что пока пришлось отказаться. Может, найду какой-то быстрый способ...

@СветланаСавкова-д6р 3 года назад

@@DenZhdanovPianist Думаю, можно просто сделать русскую озвучку и ссылку внизу видео. Мои коллеги подписались и им будет это интересно. Желаю Удачи и миллион подписчиков!

@tchorn2026 2 месяца назад

@@DenZhdanovPianist Пожалуйста, хотелось бы и русскоязычным услышать Ваш анализ этого прекрасного произведения Шуберта. С меня подписка и наилучшие пожелания Вашему каналу.

@alejandroexposito9806 7 месяцев назад

Why hold the 5th finger(melody) if most times the pedal is being used.?

@DenZhdanovPianist 7 месяцев назад

For a better control in phrasing, however sometimes if you are truly masterful and confident you can rely on the pedal indeed. But generally speaking, a habit of holding long notes physically is great, because when you are physically attached to a key you are more likely to listen to this sound consciously. It also increases your freedom of using various pedal gradations within a bar.

@jf-ls9ic Год назад

Thank you for sch an insightful video. I’ve been struggling painfully on keeping the inner parts quiet and even while holding the top notes melodic and singing. Would you share any practice tactics on improving this ？ thanks a lot .

@DenZhdanovPianist Год назад

Thanks! I have an older video on this channel, which is called how to whisper on piano

@erikhorvath4297 Год назад

I am learning this piece it is literally magical, but playing it as a 3 grade student who is not majoring in piano but classical singing,it is pretty difficult mainly the third page where the "real" drama begins, because doing those thrills when you must play a whole symphony(it gives me the feeling of a symphony) next to these it is just pain in the ass like it is both physically and mentally demanding part🤦

@DenZhdanovPianist Год назад

Yes it is definitely above grade 3 way too much😨