The lyrics seem to imply that Twoey is at least willing to give Seymour a chance to walk away. Whether it's a small part of them that's still fond of him, some twisted sense of honor, or just a simple "I've got bigger fish to fry" sentiment, I can't say, but "You wanna see tomorrow? You'd better step aside!" definitely seems to be a warning as much as a taunt.
Not at all. A-II was big and strong enough to fend on their own and Seymour although be tried he wasn't good enough- Tuey was toying him with making him think he stood a chance and it was the complete opposite
Well, I don't think Audrey II was gonna spare him out of gratitude, maybe because he still see use in Seymour, but even if Seymour had backed down he would have died in the inevitable plant apocalypse that was incoming lol
Honestly might be the only GOOD version. The play and it's ending might be worse than the bad ending in the film, at least that had good visuals, and the Roger Corman version is obviously pretty cheesey
Seymour: 'Every household in America'! That's what you had in mind, isn't it? Audrey II: No shit, Sherlock! Seymour: We're not talking about one hungry plant here; we're talking about world conquest! Audrey II: And I wanna thank you! Seymour: You ate the only thing I ever loved! Audrey II: [Laughs] Seymour: You're a monster, and so am I! It's gotta end! It's gotta stop right here!
Better wait a minute, better hold the phone! Better mind you’re manners! Better change that tone! Don’t you threaten me son, you got alot of gull! We’re doing things my way, or we don’t do things at ALLLLLL
@@creativescpsidontcare1104 UH HUH!! YOU IN TROUBLE NOW!! BABY!!! … Ya don't know what you're messin' with. You got no idea You don't know what you're lookin' at When you're lookin' here Ya don't know what you're up against, No, no way, no how You don't know what you're messin' with, But I'm gonna tell you now!
Oh, Get this straight! I am a mean green mother from outer space and I’m bad! (Green green bad!) I’m a mean green mother from outer space and it looks like you’ve been had! I’m a mean green mother from outer space, so get off my back’ and get outta my face! Cause I’m Mean and Green! And I am bad!
Oh! I’m bad! Yeah! …Wanna save your skin,boy? You wanna save your hide? You wanna see tomorrow? You better step aside! Better take a tip,boy! Want some good advice? You better take it easy, ‘Cause you’re walkin’ on thin ice!
You don’t know what you messin’ with, no you never did! You don’t know what you lookin’ at but that’s tough tatty kid!The lion don’t sleep tonight, and if you pull it’s tail it roars! You say ‘that ain’t fair!’ You say ‘That ain’t nice!’ Know what I say up yours!
Objectively the best version of the song. It has the insane build-up before the climax the theatrical version omitted, lasts even longer than the version on the official soundtrack, and doesn't have some of the unnecessarily changed lyrics that version introduced
But it still cuts off two verses from the rap section that weren't in either cut of the movie, but are included on the karaoke version. I assume the full rap is stage-only.
I still don't believe the guys who wrote Aladdin, Beauty and the Beast and the Little Mermaid also wrote this... not to mention directed by Frank Oz... Miss Piggy, Yoda, Grover, Fozzy...
Willing to be kind, but only for as long as it gets them what they want, at which point they drop you like a hot potato... yeah, there's a logic to that.
Chris PlaysHD This is from the Director’s Cut ending, released as part of the 2012 Blu-ray. This is my best effort at an isolated music track of that scene.
Hmm... okay, @@Chrisplaysrequiem. It's safe to say you've never heard of "Little Shop Of Horrors" until just recently, and more than likely never saw the movie (before making this comment, anyways).
I honestly don't like this song very much. It's trying too hard to justify itself - like it's addressing the audience, not Seymour. the joke works better if you commit to the bit and don't break kayfabe. Also, it's a retcon: in the original, Audrey II was a mutant, not an alien.
@@madanotap6492 I mean, you can interpret it that way, I'm just drawing attention to the fact that it puts the story in a very different context, effectively changing the themes. In the 1960 creature feature, Seymour didn't _find_ the plant, he _made_ it. One is about hubris and being careful what you wish for, the other is about an invasive species and being careful about whom you trust.
@@notoriouswhitemoth I mean, you listed ‘it’s a retcon’ amongst other reasons you didn’t like it and also... that’s just not correct. As a force in the movie, the plant isn’t the thing you’re supposed to be careful about (even as a metaphor for invasive species) it’s the metaphorical thing that’s going to happen if you allow your vices to get out of hand, your greed, lust and hubris. Like they say at the end ‘Don’t feed the plants’ the origins of the plant change very little
