Tout est d'une beauté stupéfiante dans ses deux minutes, la musique de Lully pleine de rythme, de candeur et de la simple joie du mouvement. Le grâce tournoyante et la précision des danseurs dans leur posture et dans leur synchronicité. La fluidité des étoffes qui suivent leurs mouvements. Le public qui ne peut contenir sa joie avant la fin du morceau. J'ai l'impression que l'on y touche quelque de primordial dans notre condition d'êtres sensibles, on pourrait y voir la célébration de la vie elle-même, comme si tout était réconcilié l'espace d'un éphémère et inestimable instant
la belle musique baroque française dans toute sa grandeur, et un très joli ballet. Il me semble entendre le son d'un théorbe ou d'une mandore....superbe !
Oui, Rameau, la sua produzione è vastissima, sono riuscita a procurarmi solo Hippolyte et Aricie, ma delle Indes Galantes conosco solo qualche brano. E qualche sonata al clavicembalo ; i suoi CD non si trovano. Trovo giusto che dopo secoli di dimenticanza abbia avuto l'attenzione del pubblico. Comunque lo stile dei due musicisti è molto simile, ascoltandoli mi sento trasportata alla corte del Re Sole 🌞
Cela peut paraitre stupide ou carrément nounouille mais chaque fois que je regarde cet extrait j'ai des larmes d'émotion que je ne saurai expliquer qui me montent aux yeux...🙄🤗😪
I am in awe of how still they remained in the opening. I didn't see any movement whatsoever, I thought it was a picture! Remaining that still in such positions itself is must take a lot of control and dedication. Bravo!
I''m afraid it is actually a still.. You can see the dancer most to the left, whose right foot is already raised, and his cloak already is motion by it. Indeed, the inclined angles of several of the cloaks of the performers suggest the very same: if the footage were moving, their cloaks would be bound by the laws of physics to move also
I never like music videos with a still picture (or a slide gallery) during the whole video. So I was about to click away but then they started dancing. But as has been remarked: it's a still those first few seconds...
@@Smallpotato1965 And people in San Francisco have their own forms of entertainment too, right? I think this is a wonderful an sweet thought (entertainment as a relief), but I think ballet in this form was mostly for people in court. Everything was centered around the king, so I imagine the entertainment was mostly for him. Oh, the horror of making a misstep at court, dancing with the king! The stress was probably for the dancers, but then again, they weren't the ones living in poverty...
One could imagine the youthful Louis XIV dancing the more limited role of the golden figure, the center of the ballet, as he is the center of the country.
@@e10e20 A quel tempo er farsi strada non c'era altra scelta se non sistemarsi alla corte di qualche potente. Gli italiani all'estero c'erano anche allora 👋
On the very last second of this video, we can see the conductor. He looks like very much Hervé Niquet, so the orchestra may well be Le Concert Spirituel.
From the website link posted by Les Malins Plaisirs: “Les Amants Magnifiques, comédie-ballet en cinq actes de Molière et Lully par Les Malins Plaisirs, Le Concert Spirituel et la compagnie de danse L’Éventail.” The orchestra is led by Hervé Niquet. The dancer portraying Apollon is Artur Zakirov. (Scroll down in the comments for the link to the full performance of Les Amants Magnifiques.)
Tu peux voir la vidéo "Les Amants Magnifiques" en entier ici. www.dailymotion.com/video/x5v59le Mise en scène "moderne" et discutable à mon avis. La danse sur le Menuet des Trompettes est tout à la fin.
@@brulaboundieu6664 Bonjour. Je remarque qu'il est impossible d'avoir accès à la vidéo entière, son auteur l'ayant rendue privée... Dommage... Ainsi, personne ne peut la visionner...
