Minor Pentatonics: Coltrane Perspectives_Part1

Подписаться 62 тыс.

Просмотров 20 тыс.

50% 1

*Download Lesson PDF, notation & tabs for this video at:
jazzguitar.richiezellon.com/p...
*Take your playing to the next level with the Bebop Guitar Improv Series online: bebopguitar.richiezellon.com
*Subscribe for more free jazz guitar lessons:
/ @richiezellon

Видеоклипы

Опубликовано:

5 июл 2024

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист

Посмотреть позже

Комментарии : 32

@markdeffebach8112 Год назад

Another way to look at the first example is to realize that the minor pentatonic is its relative major pentatonic when started on its second note (the 2nd note being the minor 3rd is the root of the relative major pentatonic scale). The major pentatoni scale is actually the major 69 arpeggio. So for any ii V I, you start with major pentatonic on the b7 over ii, major pentatonic over natural 7 (tritone of V) on to major pentatonic over the I chord.

@davidniekamp6617 11 месяцев назад

Nice lesson! From a fellow jazz student

@thedude4594 Год назад

A rock guitarist subscribed 🤘

@JohnQuincyPublicShow Год назад

Thanks Richie! What I've been looking for.

@effsixteenblock50 Год назад

As always, a great video from Ritchie! One of the great things about using pentatonics in this way is that motifs are really easy to come up with due to their "box" shape. Thanks Ritchie!

@RichieZellon Год назад

Absolutely! You can use many of your blues motifs and even throw in some string bends for a fusion vibe! Oops...the purists are going to hate me for saying that...😂

@tomculhane6648 Год назад

Great lesson, Ritchie! Thanks

@ricklanders Год назад

This is a great breakdown of the solo - so helpful with the printed music underneath and your identification of the call and response and rest patterns. It's so amazing how Miles is such a genius with the absolute simplest of phrases! It's really uncanny how he does that. Thanks Richie!

@RichieZellon Год назад

Thanks Rick, Glad you enjoyed it!

@chromosomegun5845 Год назад

I always play my favorite rock tune next to my typewriter too. Love your stuff!

@marekfalda95 Год назад

EXACTLY what I need. I think You just unlocked for me huge part of what I love about Coltrane sound: "the unbleasly blues" I may call it. Huge thanks!

@RichieZellon Год назад

You're very welcome!😊

@randyhetlage9202 Год назад

great content. Thanks.

@Le_Mer Месяц назад

Fantastic teacher!

@RichieZellon Месяц назад

Thanks 😊

@wcbibb Год назад

This is exactly what I want to learn.

@jasoncasper16 Год назад

This is so awesome!!! Thank you!

@RichieZellon Год назад

Glad you enjoyed it Jason!

@Picker286 Год назад

I was in the middle of practicing, and stumbled onto this video. Great stuff! It'll take awhile to assimilate, but you've got some very useful materials in here.

@RichieZellon Год назад

Thanks Sam!

@GoneSailingCA Год назад

Thanks, very interesting

@TheTwangKings Год назад

That demo at 1:50 is smokin'!! That's what I want to sound like.

@gregleroy1 Год назад

👍👍👍

@zenmaster6780 Год назад

New to your channel but I love it. Is reading music mandatory to jazz? I’m new to the genre and have played a lot of other styles without reading music. We know where the notes are at on the neck

@RichieZellon Год назад

Thanks! Reading music is not a must in order to be an improviser. However, understanding theory is! So even if you can't sightread, both knowing the notes on the staff and learning how to read rhythms are crucial skills if you want to learn the theory properly. Reading and writing music are communication and learning resources without which you will be limited in the sophisticated world of jazz. As limiting as not knowing how to read and write in our world of spoken words.