I remember my high school band teacher went over these with us and I never really payed attention since we didn’t really need the theory, but now that I’m learning bass I actually need it
You just made a very valid point at 7:00. It's been bugging me for a while. So in case when I'm playing a natural minor, the 5th degree scale as far as I know, relates to a phrygian mode which a minor mode. I was always confused as to why the harmony works in a way if the root is Am, the 5th degree is often a major chord being an E. Now what you just mentioned sort of confirms my suspicion why E is a major 5 if the root position is minor A. Is this the case? Thanks bass brother.
I eat those lessons like "Wiener Schnitzel", can't get enough of it. TalkingBass.net is my menue. Very well teached and understandable even for german speaking like me.
Hi mark nice lesson btw i would like to aske some questions: 1. Where do i can apply melodic minor or harmonic? 2. Can we convert natural minor with those scale/ Or dominant scale while phrasing? 3. Is there any melodic major or harmonic major scale? Thank you mark
Thanks for demystifying minors keys. Can I default to any one of the minors keys when jamming? e.g. if someone says a song/riff is in C minor, can I simply use the relative major scale (D Sharp Major) and play the notes in that scale? Or do I have to know whether it's a Harmonic or Melodic minor scale? Thanks again.