Misty tutorial in C ✰ Jazz Piano College ✰ marked safe for beginners 

Thanks Maestro: I think that what is really great about your tutorials for beginners is that they don't sound like beginners' stuff 😊 (they sound like one more nice song I can learn...). Thanks again and a nice week to everybody 😊.

Tony you are simply the best! I wanted to say many things but you are the one who is condensed in this word, THE BEST.

Tony, that was just fabulous! In a single lesson you've significantly raised my level. I look forward to applying these techniques to many other songs. Keep up the fantastic work you do!

Thanks for another one. I've been playing jazz guitar forever but recently started with piano so I know the theory but the voicing info is really helpful. For example, in trying to understand "open voicings", your videos have been great for showing me when I would want to use that.

🎹 Thank You for this tutorial Tony! I just played this song on my Yamaha YPG-235 Keyboard! Style: #59: Traditional Piano 1! Tempo: 80!

You left few Easter Eggs of great learning for me in this video. Thank you!

THANK you so much ..not even a beginner level...but your demonstration is so inspiring and generous...!!!

I got the former sheet of Misty from you. I love it. Thank you for doing a follow up ❤️👌

Nice, John! Thank you for share this usic in C. This way, you make us know anny diferent musics by the simple form at the same time. Here in Brasil, we us to say some joke, something like: C is ou daily sound. So we can play annything in anny other space chords. Good job! 🇧🇷 😎

I love all your video for jazz piano beginners

Love you much....for jazz beginners

Thank you so much Maestro!

love your all work Tony. I’m ur big fan from china.

Very good.. ..tank you Tony

Thank you for the fantastic tutorial... Hopefully, you could produce a new tutorial for an advanced Misty ballad in the key of C...

Obrigada por nos ensinar. Amei.

Thanks a lot, this is really nice one. I really appreciate your work there, in C its very nice

Peaches and cream, thanks for sharing. Tried moving melody up maj 3rd and sounded almost same till Fmaj landing on that 3rd its like the Cs maj 7. Fun. Ah yes! Did not notice before about if the m/maj has the 9th then adding the bass note you got that Bb13 in your palm .. haha

Subscribed!

I’m guitar player but this is good to learn thx so much

Hi Tony Thank you for the nice songs…

Love this!

Thank You Master!

Good and helpful for beginners

Amazing. Thank you!

Outstanding

Thank you for the lesson. Have you heard the Johnny "Guitar" Watson version?

Brazil thanks

Fajna instrukcja

good lesson... I suscribed

I enjoyed it 😂

Hi Winston, hope you are well. I am an intermediate classical piano student, however I opted for the genre, as I have other goals. My doubt is about the REAL BOOK by HAL LEONARD standards, I managed to rescue references and I have seen bad and good comments. On the contrary, at Berklee College, first semester of jazz piano, they ask the students for the REAL BOOK SIXTH EDITION. Is it legitimate and does it make sense to buy the REAL BOOK SIXTH EDITION?

whats your favorite key(s)

Hi Tony I've been following you for a couple of years now & your videos still give me a headache. It's how you play fast & loose with the voicings. I got my head round rootless chords but now I find you don't need a bass note you can play a melody note instead. This is mind-blowing because you are really just tossing away your. Anchor. I tried to transcript the voicings but then I thought, this is pointless ... a C 7 could be c6 c minor or e minor. I considered myself intermediate until I saw this. Impossible to learn. I get the tensions 9, 11, 13 but no one explains why these are flatted or sharpened. Ok flat 5 is the blue note but otherwise it seems arbitrarily random I'm sure it isn't. Then you go f sharp minor 7 becomes b flat 7 with no b! Ya get meh?

You said “flat 9” for the B7 in the B section but you played the sharp 9. I heard sharp 9 and needed to check the video and look at your fingers to make sure I wasn’t imagining.

Sorry for saying that, but would have been more educational speaking first of principle of minimal movement, when playing chords. Jumping left hand is a bad habit of beginners.

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Not just Bb7 but from Fm6 as what barry harris said

Heres the problem tony, music ^ math are very badly taught. Students givr up thinking they have a problem. The opposite is true, the teaching is really crap ^ obviously no teacher will admit this. However I teach english ^ if a student came to me saying they cant learn english because they are a bit thick i wouldnt give them 30s of my time. So what is going on. =-- Both Math ^ music have a meta language ^ i believe this causes huge problems. *e.g. secondary dominants, or even the phrase dominant, or perfect ... what do these terms really mean( fourth, fith sixth 9, 11, 13 flat sharp are easy as we know basic arithmetics/ As an aside I saW adam macness's video on voicings ^ he called these notes pretty notes. Adding a 5 9, 11, 13 to a chord gives a much richer soung on top of a 1,3 7 BASS. IRRISPECTIVE OF ANY theory this is the critical point .. listen if it sounds good it works theoretical congruence notwithstsndiing You need to access this language before you begin. I worked my way through this *its in C( just ignoring the meta language ... C7 C6 CM7 ...its C on the root. You can change the other notes just keep C on the bottom. ^ thus I was able to navigate through the very opaque lesson/ Another factor in Math is transformation. Chords have duality a CM in one situation can transform to a C6 ore even an e minor. Transformation is a tough concept because chords are no longer absolute, they are contextual. This is the antithesis of classical tuition, but very important in terms of jazz. This often is never explained hence the confusion. So when you mark something safe for beginners, you must address these meta language problems else it becomes opaque.

Misty tutorial in C++ 🤣🤣🤣