Mixing Guitars & Bass - Andrew Scheps 

lmfaooooo

hahahahahahahha!

🤣🤣🤣🤣🤣

He doesn't even have human ears, that's the secret.

I was laughing for about 3 min to this 😂 never noticed it. It is like an absorber stuck on both his ears. Wouldn't say his mixes sound too sharp though :D So must do something right haha

Apparently quite a few = more than 100. Good thing they don't take up space in the studio and disk space is pretty inexpensive these days.

@@Wayne_Robinson yeah that'd definitely be tough to achieve with analog lolol

Yeah man, great recording yields a great mixing session.

Digitec whammy pedal

It sounds like the guitar player is using delay, a uni-vibe and a fuzz pedal all together.

​@@ultimadum7785 I actually tracked this tune and that's spot on. We recorded that part DI through a lunchbox Neve 511 pre and squashed the hell out of it with an 1176 compressor. I don't recall what brand the fuzz pedal was, it was just an unmarked black box that made crazy fuzz sounds haha but yeah the way that Dunlop uni-vibe undulated really vibed out that part, especially as it hangs through the verse.

@@robnagelhoutmusic Rob! So cool you tracked this! I'm curious about the guitar on the section at 1:46. That fuzz is amazing.. do you know what it was or what style of fuzz it is? I play bass primarily, I saw that you play too on your channel. Thinking that fuzz could be amazing on bass or on stereo guitars like what's on this track.

@@benhenze Hey Ben, thanks so much! Appreciate the follow. That tone is actually just blasting through our guitar player's Bogen J330 Projector amp and into a 4x10 cab. It may have a boost pedal, but otherwise it's just straight in. That thing got some crazy tones! The fuzz that I was using on bass at the time of this record was a Zvex Mastotron (idk if I used it on this song, but any fuzz parts that I did on the album was that). I definitely recommend it for bass and guitar fuzz if you're looking for something.

I guessed big muff pi, thought it had a pumpkins vibe not a rat can of wasps buzz....

As is always the case...

@@gopolarisstudio almost always

@@charliestubbs6151 Personally I think what we're hearing in this video is much more squashed than the final product. Everything is pumping quite a lot. Maybe that sounds more exciting

Depends on your speakers. Mid ranged priced HiFi its ok good studio monitors ADAMS then yes I agree with you phone headphones then the finished track is better on Marshalls (pair of cabs (stereo) with pairs of G12T-75s and V30s) through QSC RMX power amps the sound on the video is a million times better. Its impossible to mixdown for all listeners/speakers, production is a middle ground and someone looses out. Modern mixing is 60% headphones and 40% others but a full flac mix will do HiFi just fine if you have a decent system. I find HoFO boring for anything half heavy and like my Marshalls/Celestions topped off with G12H-100 for higher end and Celestions B10s for Bass

I think the marketing should be for everyone. Not segmented just for mix engineer

I get that sound with an octafuzz plugged straight into DI

no. he prefers the Waves one.

Or the rule could also be "Begin with killer tracks." :P

My guess is single coil guitars thru a variety of fuzz pedals. Probably even DI'd instead of mic'd

Germanium fuzz pedal, i have one that sounds very similar

Not in a 32 bit floating world they're not. As long as it's all scaled back before final output it's all good. (UNLESS that plugin is designed to actually overload at a certain level)

Michael Costa hi Mike! :)

But hows it sound?