Thanks for switching Leslie. My first acoustic was an Ibanez. I played all 10 that were in the shop and picked out the one I liked best. I still miss that guitar. I’ll have to check out this acoustic electric beastie, and ask if Andy McKee can teach me to beat the bajeseus out of it properly.
I really liked how that magnetic pickup sounded. 😊 When I was younger 😂 the common term we used for artificial harmonics "on the streets" was flageolet. I looked up some cool kids (you mentioned Polyphia 👀) who brought a modern twist to the techniques. My first reaction to the music was that it was heavily influenced by classical guitar repertoire and playing style, which is nothing wrong with that, with a modern approach to it in terms of sound and composing. Great job Henning! PS. : I was flabbergasted by this Weekend's content 😂... "because quality". I'm still confused by it 😂.
I loved this video! I have never laughed so much while watching a review of a guitar. I was laughing with you, (not at you) as you fooled around and had fun. I enjoyed it that much I finally subscribed to your channel. I really enjoyed this review. Keep them coming and don't be afraid to have fun.
piezo transducers have come such a long way - still remember the 70's fighting a Barcus Berry chiclet pickup on the bridge's treble side and hope the putty didn't fall off during a song.
I'm a big Zappa fan . I put Barcus Barry Hot Dots in both my bridge and fingerboard on a self build. It wasn't twice as good, it was ten times as good , as the bridge alone. I think some builders are doing that now except not w Hot Dots obviously.
As far as plugging an output chord: fool me once, shame on you. Fool me twice, shame on me. Fool me three, four, five times… look in a mirror for the problem, it’s not Ibanez. The two pickups going out individually sounds awesome 👍
Knock on wood! This high end guitar is for people who have not heard of the drum programming course, or are at a campfire ;‐) I had a Jampack for 10 years until the bridge came off. Just in the middle of Covid I wanted to upgrade to a nice $400 full acoustic dreadnought, but both Ibanez and Yamaha had no stock in shops of the type I was looking for (natural top, no cutaway, neck binding, no pickup), so finally I chose a Tanglewood Java and I'm happy with that. I still have an Ibanez 12 string, which was bang for bucks, considering I will only play it now and then.
Direct into a small home studio, I can see its uses... Although, I have never seen you handle a 12 string, much less talk about them. So could I be so bold to make a request for you to fondle one in the future. Hope all is well. Much Aloha to you and the Mrs. Oh, "Why do we hate our keys?" "Their always tryin to start something" 😁
You have an amazing studio man. It is immaculate & clean. Here's my question, how do you keep the temps from building up when playing your amps all closed in like that? Thanks in advance :-)
Jetzt noch d-en Magneten durch ein Aura-Pedal und diese Piezo-Pappe - die man vor allem bei Aufschlagen auf die Saiten und in den Höhen hört - verschwindet. Mach ich mit dem Fishman Rare Earth Mic so. Und man kann den Magneten auch schön durch eine Solo-Distortion hauen, ohne das das Mic bzw. der Kontaktabnehmer koppelt, weil der nicht mit verstärkt wird.
Hi Henning... I've tried so many acoustic guitars and never connected... till my Washburn WCG55CEO, solid Koa top,back,and sides Fishman. For $800 used,like new, what is it about Koa have You ever Played one next to a Sitka?? Troy from Atlantic City
Other than flamenco, whenever someone starts tapping and banging on a guitar, I just want to take it away from them... ...not to save the guitar, but just to stop the annoyance.
I have the 300 one. Awesome guitar! Never had a problem with the outputs. Never! 😂 I had a Taylor acoustic before and it only had the out that doubled as a strap button so I am very used to that. And just so you know, it comes with a little sticker when you buy it.😉
