MODERN OCCULTISM with Mitch Horowitz and Colin Dickey 

In his most sweeping historical work, occult scholar and widely known voice of esoteric ideas Mitch Horowitz presents a lively, intellectually serious historical exploration of modern occultism, from astrology and alchemy to the dawn of Theosophy and modern witchcraft-and the spiritual revolutions that followed.
Copies of MODERN OCCULTISM are available for purchase through the Mark Twain Store; proceeds benefit The Mark Twain House & Museum. Books will be shipped after the event. We regret that we are NOT able to ship books outside the United States as it is cost-prohibitive to do so.
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About the Author: Mitch Horowitz is a historian of alternative spirituality and one of today’s most literate voices of esoterica, mysticism, and the occult. Mitch is a writer-in-residence at the New York Public Library and the PEN Award-winning author of books including Occult America, One Simple Idea, The Miracle Club, Daydream Believer, Uncertain Places, and the forthcoming Modern Occultism. Mitch’s books have been translated into French, Arabic, Chinese, Italian, Spanish, Korean, and Portuguese. His work is censored in China.  
About the Moderator: Colin Dickey is a writer, speaker, and academic, and has made a career out of collecting unusual objects and hidden histories all over the country. He’s the author of multiple books, including Under the Eye of Power: How Fear of Secret Societies Shapes American Democracy, Ghostland: An American History in Haunted Places and The Unidentified: Mythical Monsters, Alien Encounters, and Our Obsession with the Unexplained. A regular contributor to the New Republic and Lapham’s Quarterly, he is also the coeditor of The Morbid Anatomy Anthology. With a PhD in comparative literature from the University of Southern California, he is an associate professor of creative writing at National University. 
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Programs at The Mark Twain House & Museum are made possible in part by support from CT Humanities; the Connecticut Department of Economic and Community Development, Office of the Arts; Ensworth Charitable Foundation, Bank of America, N.A., Trustee; the Greater Hartford Arts Council’s United Arts Campaign; The Hartford; The Mark Twain Foundation; The National Endowment for the Humanities; and Travelers.