In medieval and early Renaissance English polyphonic music, the practice of gymel entails briefly splitting one voice part into two parts of equal range, each singing separate melodies. The two voices frequently engage in a complex polyphonic passage, starting and ending together in perfect harmony. Occasionally, though not constantly, the other voices temporarily cease. Although the exact origin of gymel is uncertain, it appears to have emerged in the mid-14th century. However, the earliest written records of gymels date back to around 1430.
Monism is the belief that all things in the universe are of one essential substance. It is a belief in several religions and philosophical systems, including Hinduism and Stoicism.
Monisms (14 Gymels for piano and electronika) by David Ezra Okonşar are a series of compositions that delve into the concept of monism through the medium of music. Each piece is based on a unified content (themes) and is characterized by a single, continuous movement. The intention behind this work is to vividly convey the interconnectedness and unity of various belief systems through the powerful medium of musical expression. These compositions are designed to inspire reflection and contemplation on the profound similarities and intriguing differences between diverse cultural and spiritual traditions.
The piano takes the lead in these compositions, with the electronika (i.e. Synthesizer parts) derived from it, creating a unique blend of traditional and modern sounds. The end result is not just a fusion of past and present, but a captivating harmony that promises a truly immersive and enchanting experience for the listener.
Okonşar, in this series, created a collection of pieces that seamlessly combine elements of classical and electronic music, showcasing his innovative approach to composition. The pieces are meant to transport the listener to a new musical exploration and discovery realm.
24 июн 2024
