Mozart: Dalla sua pace | Don Giovanni • Matthew Rose Masterclass • BPYAP • Snape Maltings

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Matthew Rose works with Josh Lovell (Don Ottavio - tenor) and Michael Leach (piano) on emphasising Italianate vowels and language, an exercise in singing facing the wall to practice structure and to practice introspection - 'the only person you are telling is yourself.'
Filmed at Aldeburgh Festival 2018, as part of a series of masterclasses on the Britten-Pears Young Artist Programme with John Fisher, Julia Faulkner and Matthew Rose.
Find out more about courses: brittenpearsarts.org/take-par...

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Опубликовано:

14 мар 2019

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Комментарии : 42

@edwardhart5466 4 года назад

Such a wonderful venue for the study of becoming a professional performer well done Snape we owe so much to B, B

@alessandrolotti3182 4 года назад

voce fin troppo potente per il genere mozartiano, ma se viene in Italia a cantare compro i biglietti ! Bravo !

@delibeslakme6451 2 года назад

Hermosa voz!!!!! figura imponente!!!!

@marijarencarhorvat1099 4 года назад

The student has a warm and beautiful lyric tenor voice and could easily sing Don Ottavio. His first attempt was much better than the corrected one because after the correction he loses legato and sings louder, in other words loses good things that he archieved. The aria is beautiful,soft and gentle. It needs to be calm, and the key to do this is italian technique.

@tonton13680 4 года назад

Bravo !!

@passionlyricpassionlyric6572 4 года назад

What a wonderful voice!!!!

@20dty Год назад

Ja genau! So soll Mozart gesungen werden 👏 liebe Grüße aus Österreich

@raulalmeida8793 3 года назад

BRAVO!

@stefanofabbiani4400 Год назад

Bravo!!!! 👏👏👏👏

@Sacha_Kudli 3 года назад

He’s good !!

@joaocampelo3725 5 лет назад

Wonderful voice!

@saltburner2 2 года назад

The voice is only a vehicle, not an end in itself. Singers of the past knew this, today it is often forgotten.

@bodyweightcalisthenicshome Год назад

I'm learning this for a festival in England, if i could do 1% as well I'd be a very happy man.

@sook-huipark7207 3 года назад

He's amazing!! Such a beautiful voice Can someone tell me his name? I only want to hear more of his singing on RU-vid

@robertoraneri2028 4 года назад

Josh lowell. I have to remember his name. Would you sing in some Italian theatre in the future? I surely will come to hear your live performance. Thankyou for your recordings.

@joshlovelltenor1823 Год назад

I make my debut in Milan next month in The Tempest by Ades

@alexgomez2 Год назад

Beautiful voice. Just a suggestion, it’s not necessary to over roll the Rs. “Morrrrrrte mi da”

@sarastroposa5198 3 года назад

JOSH: Listen to the Luigi Alva version... caress the aria... you have the voice and technique... take it down a notch and add more color and feeling... Ottavio is rhapsodizing about his GF.

@williejosephs2120 2 года назад

Needs more feeling

@skyhunk 4 года назад

Beautiful pianissimo! Very well done (the voice is very nice), but I'm left wondering why I'm not as moved by this performance as by those of others -- Fritz Wunderlich, Leopold Simoneau, e.g. but of course they both raised the bar to a level that's difficult for others to attain.

@Verist4 3 года назад

It is a sacrilege to put this guy and Wunderlich or even Simoneau for that matter in the same sentence. This guy has zero depth and very bad technique. He is another Juan Diego Florez but worst. Nasal and constricted. Problem with today's singers is that they want to sing opera with totally undeveloped voices. He shoud go back to scales and songs and learn to sing properly with chest voice and discard the whole singing in mask crap. He would perhaps become a decent leggiero tenor then.

@Bumblebeebeebee 3 года назад

Always easy to criticize beginners... some of the so-called voice experts here are more kind of singer‘s enemies. Sad.

@ferminsalaberri 2 года назад

well, despite the general misunderstanding of bel canto I think it's great that the voice sound somewhat freer and louder just after concentrating on proper vowel production still... what can you do in a 15 min. masterclass when the singer even talks in a weird and annoying falsetto voice...

@princesssilke 3 года назад

You are super cute, intelligent and FUN! No matter.. you know NOW, not to leave out CORRECT BREATH to keep your voice IN CONTROL! So, the correct space in this video had not been achieved! Keep MOZART a tad smaller. BEAUTIFUL VOICE.. I LOVE! - PRINCESS

@byronloyd2489 3 года назад

He has a wonderful voice and great appeal. Anyone who says otherwise is seething with jealousy.

@tttelegraph 4 года назад

Not bad Italian but careful with the double Ls!

@sook-huipark7207 3 года назад

Singing, to him seems as easy as breathing Makes the audience relax and be comfortable, but Not too comfortable I hope

@saltburner2 2 года назад

More light and shade would be welcome. Listen to the greats, like Tauber and Patzak, or more recently Stuart Burrows.

@alvarogarciamartinez3228 2 года назад

I wonder if the teacher survived the pandemia with that tick of touching his face all the time.

@ricardobedini5345 4 года назад

Muy buena voz de Tenor Lírico. Pero emite la voz nasal, y algo abierta, necesita que sea mas cubierta. RIGIDEZ; debes cantar sin tensionarte, simplemente suelto de cuerpo. MUY BUENA VOZ::::::

@Darksaga28 4 года назад

Ricardo Bedini ciertamente tiene excelente voz. Solo le falta estabilizar la laringe, por su posicion (laringe alta) hace que el sonido sea un poco nasal, blanco, pierde cuerpo y brillo. Pero de verdad que tiene talento el muchacho.

@christophesingio9801 Год назад

The singer does not understand what he sings ?!!!!

@skytrainflying 4 года назад

So noisy.....sorry

@Verist4 3 года назад

Mosquito tenor. Nasal and constricted. He should learn to sing properly and perhaps could become a decent leggiero tenor. This guy will get destroyed by the orchestra in a live perforrmance unless amplified.

@celibidache1000 3 года назад

And in a couple of years his voice will be completely ruined from all the tensions and lack of chest.

@Bumblebeebeebee 3 года назад

Come on, guys, give young singers a chance instead of spreading your bitter hate comments.

@celibidache1000 3 года назад

@@Bumblebeebeebee Yes, by calling out bad teachers and bad technique, we want to give the young singers a chance to revise their singing, in hope of them singing in a way that is audible on stage and that can give them a career for many, many years. Trying to "be nice" and patting people on the shoulder is the death of opera. Opera is the Olympics of singing, and if you can't take critique or are constantly willing to learn new things, you will never make it.

@user-sc2vk1dv8q 7 месяцев назад

Well clearly the fact Josh is engaged all over definitely means he’s been destroyed by orchestras every where. Guess we’ll need to call Wiener Stattsoper to figure out why they keep engaging him in leading parts. You would think the Vienna Philharmonic must be so tired of destroying him.