Mozart - Requiem K 626 (r.rc.: Nikolaus Harnoncourt, Wiener Staatsopernchor, Concentus Musicus Wien) 

❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr Wolfgang Amadeus Mozart (1756-1791) - Requiem KV 626. 🎧 *Find this recording in our Spotify playlist* : spoti.fi/3noAFjR *Click to activate the English subtitles for the presentation* (00:00-03:46) 00:00 Introitus: Requiem Aeternam 04:17 I. Kyrie 06:59 II. Dies Irae 08:51 III. Sequentia _ Tuba Mirum 12:35 IV. Sequentia _ Rex Tremendae 14:32 V. Sequentia _ Recordare 20:52 VI. Sequentia _ Confutatis 23:32 VII. Sequentia _ Lacrimosa 26:28 VIII. Offertorium _ Domine Jesu Christe 30:15 IX. Offertorium _ Dominehostias 33:20 X. Sanctus 34:48 XI. Benedictus 40:05 XII. Agnus Dei, 43:26 XIII. Communio: Lux Aeterna Rachel Yakar: soprano · Ortrun Wenkel: alto Kurt Equiluz: tenor Robert Holl: bass Konzertvereinigung Wiener Staatsopernchor Chorus master: Gerhard Deckert Concentus musicus Wien Nikolaus Harnoncourt: conductor Recorded in 1981, at Vienna REMASTERED IN 24-BIT/192KHZ FROM ORIGINAL TAPES AT ART & SON STUDIO, ANNECY Nikolaus Harnoncourt offers us something different than the more classical versions we have in reference (Some strong choices in dynamics, expression and musical phrasing). As time went by we were charmed by his vision. Harnoncourt describes Mozart’s Requiem as “an intensely personal confrontation, frightening and moving in the case of a composer who normally kept his life and experience divorced from his art to an astonishing degree”. This famous recording uses an edition published by Eulenberg in 1972; seeking to come closer to the spirit of the composer himself, it replaces the familiar instrumentation of Franz Xaver Süssmayr, who completed the Requiem after Mozart’s death. For the 40th anniversary of this recording Warner Classics have newly remastered it from original tapes in High Definition 192kHz/24-bit and will release it on vinyl, on CD and in digital, both in HD and in Dolby Atmos mix, with original cover artwork: www.warnerclassics.com/release/harnoncourt-mozart-requiem Bach - St Matthew Passion / Matthäus Passion BWV 244 (reference recording: Nikolaus Harnoncourt): ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-5ZtyHJWBR1s.html Wolfgang Amadeus Mozart PLAYLIST (reference recordings): ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-K2doJV0FR8Q.html

Nikolaus Harnoncourt offers us something different than the more classical versions we have in reference (Some strong choices in dynamics, expression and musical phrasing). As time went by we were charmed by his vision. Harnoncourt describes Mozart’s Requiem as “an intensely personal confrontation, frightening and moving in the case of a composer who normally kept his life and experience divorced from his art to an astonishing degree”. This famous recording uses an edition published by Eulenberg in 1972; seeking to come closer to the spirit of the composer himself, it replaces the familiar instrumentation of Franz Xaver Süssmayr, who completed the Requiem after Mozart’s death. For the 40th anniversary of this recording Warner Classics have newly remastered it from original tapes in High Definition 192kHz/24-bit and will release it on vinyl, on CD and in digital, both in HD and in Dolby Atmos mix, with original cover artwork: www.warnerclassics.com/release/harnoncourt-mozart-requiem Click to activate the English subtitles for the presentation (00:00-03:46) 🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr 🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2 ❤️ If you like CM//RR content, please consider membership at our Patreon page. Thank you :) www.patreon.com/cmrr

As though my favourite composer was born just to astonish me with his musical wonders! I am lucky enough to be enthralled by the magnificent music of Mozart who must be breathing a sigh of relief from Heaven that the very same music which made him perpetually in debt, when he was alive, made him a very popular and versatile genius in our era! Hoping to be enlightened by other musical creations of Mozart the great .Gracias.

Einzigartige doch wunderschöne Interpretation dieses ewigen und perfekt komponierten Requiems mit gut harmonisierten Stimmen des ausgezeichenten Chors und herrlichen Stimmen vierer genialen Solisten sowie gut vereinigten und perfekt entsprechenden Tönen aller Originalinstrumente. Der unvergleichliche Dirigent leitet das kompakte und ausgezeichnete Kammerorchester in verschiedenen Tempi und mit künstlerisch kontrollierter Dynamik. Wahrlich hörenswert!

Beautiful and richly dramatic performance. Harnoncourt liked to say music should not soothe but rather move you, even disturb. It was not meant to just be in the background, music

Certainly one of the best versions I have ever heard

Requiem, excellent for when my death is, listening to it I feel a pleasant rest, I enjoy it with my eyes closed and in the dark more.

Thank you. Absolutely extraordinary, i can't forget the first time I listened to it in the early Eighties; i was just over 15 years old. A lot of Harnoncourt's recordings of those years are exceptional.

Чудесная музыка в чудесном исполнении! Bravi a tutti, прежде всего гению Моцарта

Nikolaus Harnoncourt. Very fitting that his performance should be the reference recording.

Je connais bien cette version, je l'ai acheté e 1992 peut être début 1993juste après le bicentenaire de sa mort, je la trouve magistrale et tellement pure...Ds frissons me viennent à chaque fois... J'en ai usé le cd... C'est magnifique, Merci de ce partage...

your commentary was fascinating. I am slightly made uncomfortable by the very slow tempo here of the Kyrie and the Lux Eterna (which are notated to be in allegro), but can definitely see it as more of an determined or assertive plea to God in this performance. Very interesting, thank you.

Hallo ich bin Thomas. Es ist mir eine Ehre dieses schöne Requiem zu erleben. Ich denke an all den die gestorben sind. Mögen wir wieder Frieden bekommen. Danke Thomas.

Great stuff. Thank you.

I believe this is Franz Beyer's mostly slight revision of Sussmayr's completion. Sussmayr composed the Sanctus, Benedictus, and Agnus Dei, and most of the Lacrimosa since Mozart only wrote the eight measures. And although Mozart wrote the voice parts for the other movements, only the opening movement was completely orchestrated by Mozart himself.

ممتاز، عجيب و غريب. المشاعر الإنسانية موحدة في المواقف اتجاه ظاهرة الموت...تلك التي تجسدها موسيقى الابتهالات لموزار اماديوس فولفغاغنك، عن جدارة و إحكام

💎 ABSOLUTELY BREATHTAKING 💎 🙏💜🙏 💜🎵💜

Loved it

esecuzione che è una pietra miliare. Imprescindibile

The most powerufl version that I ever heard

merci pour cet upload !

Perfect!

Thanks!❤

Merci.

Une belle version…pour compléter une discographie abondante

Awesome..👍👏🙏🙌🙋‍♂️🔯

This is the Franz Beyer version a little different from the Sussmayer version Wich in my opinion is more Mozartian and beautiful than Beyer's version but this is gold because it is conducted by a legendary JS Bach period instruments specialist a great jewel to listen

Mozart's Requiem performed by the Vienna Orchestra is one of the best in the world, wonderful! though I love more with the director G. Von Karajan.

This is the most beautiful work of Musical composition in the world!

With a dude named "Wiener" in the lineup you know it's gonna be amazing

To my opinion, Niki turns a funeral mass into a symphony and continues it into a baroque piece for the resurrection of one's own soul. Brilliant.

🤝

💌💪

Transparency

There is the term “Sternstunde” in German. and this is one

My 700 like!

Trombone soloist: Hans Pöttler.

DXM perfect nightmare

Първо 19 април

Not quite my tempo.

I'm picky about Mozart. Don't like this recording. Makes Mozart sound like German military music. Mozart needs to be SUBTLE, not pound you over the head. Sorry, this is the very first CMRR I can't listen to.

No m'agrada gens. És desastrós