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Mozart: The Magic Flute [in English] Australian Opera (1986) [SUBS] 

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Richard Bonynge, Sydney Elizabethan Orchestra
(Recorded 21st August, 1986, Sydney Opera House)
Sarastro - Donald Shanks
Tamino - Gran Wilson
Speaker - John Pringle
First Priest - Robin Donald
Second Priest - John Pringle
Queen of the Night - Christa Leahmann
Pamina - Yvonne Kenny
First Lady - Nicola Ferner-Waite
Second Lady - Patricia Price
Third Lady - Rosemary Gunn
Papageno - John Fulford
Papagena - Peta Blyth
Monostatos - Graeme Ewer
First Boy - Anthony Phipps
Second Boy - Andrew Wentzel
Third Boy - Cameron Phipps
First Armoured Man - Sergei Baigildin
Second Armoured Man - Geoffrey Crook
The production was by Göran Järvefelt. The stage designs and costumes were by Karl Friedrich Oberle. The English translation was by Adrian Mitchell.
===============
ACT 1:
0:00:00 - Introduction
0:01:11 - Overture
0:08:13 - No. 1: "O save me, O save me, for death is upon me!" (Introduction)
0:14:51 - No. 2: "My name is known throughout this land" (Aria)
0:21:54 - No. 3: "Enchanting picture, full of grace" (Aria)
0:26:33 - No. 4: "Be not afraid, my dearest son" (Recitative and Aria)
0:31:32 - No. 5: "Hm! Hm! Hm! Hm-hm-hm!" (Quintet)
0:38:14 - No. 6: "O look at me, my dearest dove!" (Trio)
0:43:29 - No. 7: "A manly heart is filled with beauty" (Duet)
0:47:02 - No. 8: "Here lies the road which you must take" (Finale)
0:50:52 - No. 8: "O stranger, I must ask of you" (Finale)
0:57:20 - No. 8: "How strongly falls your magic spell" (Finale)
1:00:08 - No. 8: "Stealthy footsteps, quick as light" (Finale)
1:05:16 - No. 8: "Sir, full of guilt I kneel to you" (Finale)
1:08:09 - No. 8: "You haughty youth, just come this way!" (Finale)
ACT 2:
1:11:56 - No. 9: March of the Priests
1:16:15 - No. 10: "O Isis and Osiris" (Aria and Chorus)
1:19:11 - No. 19: "And will we never meet again?" (Trio)
1:26:17 - No. 11: "Beware of women and their scheming" (Duet)
1:27:15 - No. 12: "Why, why, why have you sought this place of pain?" (Quintet)
1:32:17 - No. 13: "Love is common to all races" (Aria)
1:34:41 - No. 14: "The wrath of hell within my heart I'll cherish" (Aria)
1:39:27 - No. 15: "Within this holy temple" (Aria)
1:47:19 - No. 16: "Here we have come with warmest greetings" (Trio)
1:50:40 - No. 17: "Ah, I know that all is ended" (Aria)
1:56:05 - No. 18: "O Isis and Osiris, break the darkness" (Chorus)
2:00:10 - No. 20: "A wife to kiss or marry" (Aria)
2:06:43 - No. 21: "Now marching down the road of morning" (Finale)
2:12:40 - No. 21: "Those passing by these arduous roads" (Finale)
2:16:37 - No. 21: "Tamino mine! Oh, wondrous joy!" (Finale)
2:20:16 - No. 21: "We traveled through the fiery furnace" (Finale)
2:23:12 - No. 21: "Papagena! Papagena! Papagena!" (Finale)
2:29:23 - No. 21: "Pa-pa-pa"..."Pa-pa-pa" (Finale)
2:32:12 - No. 21: "With quiet tread and lowered voices" (Finale)
2:34:14 - No. 21: "The radiance of morning" (Finale)
===============
"Die Zauberflöte" ("The Magic Flute") is an opera in two acts by Wolfgang Amadeus Mozart, with a German libretto by Emanuel Schikaneder. It was first performed at the Theater auf der Wieden in Vienna on 30th September, 1791, just two months before the composer's premature death.

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8 июл 2024

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Комментарии : 5   
@belphegor_dev
@belphegor_dev 25 дней назад
Best English translation of flute that i've heard so far.
@ColonelFredPuntridge
@ColonelFredPuntridge 2 месяца назад
Very nice! And the translation is singable and mostly faithful to the original German. Yvonne Kenny is a revelation. I had heard her voice in several fine recordings of various operas but never seen her acting before. Donald Shanks is always a treat, and the ensembles are consistently well balanced and effective, which is so essential to this piece. The Queen puts a bit too much lower-jaw-flutter into her vibrato, but almost all coloratura sopranos do.
@TimothyJonSarris
@TimothyJonSarris 2 месяца назад
Gran Wilson’s tenor is natural and unforced. Much as I remember it the first time I heard him in Washington Civic’s production of The Gypsy Baron, where he displayed amazing and numerous high Cs. Tamino doesn’t s allow for those kinds if vocal fireworks, which makes me wonder why he didn’t continue in those higher tessitura roles. Maybe he did and I just didn’t know about it.
@TimothyJonSarris
@TimothyJonSarris 2 месяца назад
Yvonne Kenny has an amazingly beautiful and vibrant voice. This and any other low soubrette parts, like Susanna in Figaro, are parts I hope that she would have eventually pursued.
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