I'd like to thank the many people who have shared their knowledge with me about the accordion's history over the years. In particular, I'd like to acknowledge Dr. Helmi Harrington (World of Accordions Museum), Joseph Macerollo (University of Toronto), Leo Niemi, Jelena Milojevic, Claudio Jacomucci, Henry Doktorski, John Torcello, William Cosby, Beverley Fess, and Charles Cozens.
As a beginning accordion player, I am totally blown away with the history and information that you have shared. Thanks for the inspiration and wonderful presentation!
pietro, guido, frosinni, and all those other greats are looking down on you( and wish they had this) . I like my midi and this is more than i can imagine looking forward to hear you again Thanks Michael
Exceptionally interesting with quality information about one aspect of the history of the accordion. I will be sure to pass this along to fellow accordion player friends. Many thanks, Michael!
Hi Michael I found your documentary very interesting however I do have one comment the volume of orchestral sounds only on the treble side of the Bugati Evo can be controlled independently using an FC 300 foot controller connected to the Evo this also works with the Roland FR8X. I have played with this facility a few times with medium results as my skills are a bit limited controlling two volumes at the same time i.e. foot control and bellows
