My Favorite Exercise: Glenn Zaleski Shares a Diatonic Voicing Workout 

This was awesome. Please do more videos with excercises like this!

Fantastic to see you both together!

another great lesson. many thanks to both of you!

Thank you Jeremy for this interesting interviews!

Pure gold. Thanks Glenn and Jeremy for sharing. I also love the connection with Danilo and Clare.

Another incredible video 🙏🏼🙏🏼 thank you for providing such great content

Love this video, I'm big fans of you both!

Great ! Very useful exercise ! lucky to have discovered your channel . Lots of very relevant advice. Thank you Jeremy.

Very nice follow up of Mortensen lesson on classical improvisation! But useful in every style of composition and improvisation!

I am a Glenn follower for some years and I heard about Jeremy in one of his videos. Nice to see both of them together! Please do more in the future! Ty for this exercise, I would love to see an application in a song context! 🙏💚

great, love it!

Nice presentation and great exercise. Is there a way I could find a PDF off this? I’d like to be able to look at it and give it a try. Thanks.

Love the exercise! It wasn’t too bad to figure out from this.

Valuable pearls of wisdom! You will have to get Geoffrey Keezer on this one of these days too!

Clare Fisher was an underappreciated harmonic genius IMO. His block chord(ish) solo on the original recording of “Morning” is still mind-blowing. I heard him play many times at the Cal State Northridge student union pub in the mid-80s. He played a version of “The Entertainer” as a set closer that was undescribable.

The whole book by Clare is great.

Hey Jeremy, when are you gonna do a video dedicated to left-hand impressionistic arpeggio style ballad playing? You know, the kind of Debussy Ravel rubato Erroll Garner crossover up and down ad libbed left hand type arpeggios. They are rubato in the sense that they are not a strictly patterned left hand arpeggio and therefore are guided by the phrasing of the melody itself and fit the melodic moment and not “in time”.

Ooh this is a fun one. Feels like I’m flossing my brain when I play it

I Googled 'Clare Fisher exercises for piano' and there's an image of the first page in his book. I'm sure it's Glenn's exercise.

Hey Jeremy, is there any chance of buying your transcription of "what the waves brought - tigran hamasyan"? i wanna play that at my final exam at uni!

Fisher’s rare videos are very impressive. I have a fingering question to the exercise.( I assume Glenn practices the other Fisher progressions called new distributions too.) The fingering is very poor in my sheet version and it seems that the composer is using only 5/1 and 4/2 but NEVER 3/2. Especially I the new distribution version is difficult, ver it says 5/2 and 4/1 and never 3/1. Is this true or I misunderstood something? Granted, it is very useful for the fourth finger but I am not sure this would be the only way…

15:45 wow almost like classical movements 17:05