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Excellent Matteo, really interesting as always - thank you (also really pleased as it validates my own home-grown workflow too) - I would love to see a screengrab from the "Colour Management" tab of the project settings pane, and curious to see how you handle any potential gamma shift on the H.264 export.
Ciao Matteo. Thanks for sharing your edit work flow. I have a question. Your footage is 8K as you say and you set your timeline in 4K. When you finished editing and color grading you not supposed to change timeline to the original footage (8K or 6K for the BMPCC6K) in order to do the export? Exporting from 4K timeline an native 8K or 6K footage it's not a reduce in quality? Thanks in advance
Thanks for the walk-through. These 200.000 Kb/s in the export settings seem far over the top, though. The bigger files are essentially a waste of storage in my opinion. For 4K DCI I usually set it to 60.000-80.000 Kb/s which is plenty enough. I dare you to find any difference in quality.
@@matteobertoli but aren’t bigger files getting even heavier compression on RU-vid? I figure that uploading an efficiently compressed H.264 is the best bet because RU-vid will run it through less compression.
Hello Matteo how are you? I have a question, I don't have MacBook, I use windows PC, can you please tell me which settings are equivalent to the PROES EXPORT SETTINGS? I use the quicktime/ h.265 to export my video for my clients, but the results of the resolutions that im using, it not satisfied . I would like to know which settings would you recommend to me to have the best video quality like yours thanks 😊
i have 6k footage but running on a 1080p monitor...should i buy a 4k monitor to support the 6k footage? it never seems to run smoothly even on a High spec gamer Pc
I shot 1.5 TB of Footage on the 6k pro in Full 6k Braw Film Gen 5. Its a client project and I need to deliver it in the best quality possible for uploading on a website through Vimeo. I would like to color grade the footage in DaVinci and export it to After Effects while maintaining all the quality in 6k resolution for editing. What would be the best project settings and color space transform from start to finish? Blackmagic Gen 5 Color Space and Blackmagic Film Gen 5 Gamma to Davinci Wide Gamut and Davinci Intermediate and then that to Rec 709 and Gamma 2.4 / Cineon Film Log? Should I put the CTS in the start, end or middle? Can I deliver in Rec 709 as color space and Cineon Film Log as Gamma and still have it displayed nicely on all displays even tho it’s Cineon and not Gamma 2.4? What would be the best render settings or way to export the footage 6k lossless to after effects? I would really appreciate your answer!
Ciao Matteo! Con Davinci Resolve Studio, ci sono settings da impostare prima ancora di esportare per evitare l'effetto "washed out"/colori diversi rispetto alla timeline in quicktime, una volta esportato il video? Ognuno su yt da una versione diversa
Hey Matteo, I just did my first shoot with the 6K G2 (non corporate) and ended up with colour banding in the video: I wanted to ask if you have had this ever with the pocket, and if so, how did you fix it in Resolve. Lastly, do you know how to avoid this when shooting? Thank you.
@@matteobertoli that is living the filmmaking dream! Just purchased your Buttery LUTS and I am a big fan of the Natural and the Soft Gold for the 6K. Keep up the good work :)
Good workflow video, but...editing video interviews solely by looking at audio waveforms and playing them over and over again from the timeline is an old school approach. Very time-consuming and inefficient. New workflows exist that use a combination of advanced web based collaboration tools, AI, transcriptions and text based editing that are simply game changing for this type of work.
