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My WEDDING AUDIO gear settings + 1 preset to make recordings sound INCREDIBLE!

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Chapters:
0:00 - Intro
0:40 - Tascam DR10L & DR10X
2:24 - Sony TX660
3:01 - Rode Wireless Go 2
4:49 - Zoom H5
6:49 - Zoom H5: Why you should use mono recording
7:54 - Zoom H5: Why you should not use multitrack recording
8:20 - Why you need to use a channel EQ when editing
8:45 - Audio editing tutorial
11:30 - In-depth explanation of channel EQ setting
14:00 - Editing and unedited audio comparison example
GEAR I'M USING at the time of posting this video...
EDITING:
Monitor: amzn.to/3DyXr0l
Keyboard: amzn.to/3KaAe7g
Mouse: amzn.to/3K7YyXi
Travel Mouse: amzn.to/3K5CHji
Trackpad: amzn.to/3j3ZBvA
FILMING:
A Cam: amzn.to/3BIN23i
B Cam: amzn.to/3gineCx
C Cam: amzn.to/3peYNHn
Full Frame Lens: amzn.to/3oSjWH4
Cinema Lens: amzn.to/3CFrUbV
APSC Lens: amzn.to/3yAPAgF
F1.8 Wide Angle APS-C Lens: amzn.to/3StfWKr
Drone: amzn.to/3azfUj9
Drone ND Filters: amzn.to/3Pt6h4z
Gimbal: amzn.to/3d67a51
Gimbal Support: amzn.to/3SxO5Js
Follow Focus: amzn.to/3VtijyF
A Monitor: amzn.to/3bAIAca
B Monitor: amzn.to/3g4i1hg
AUDIO:
DJ Mixer Recorder: amzn.to/3EHW7az
Lav Mic: amzn.to/3bAzFUt
Wireless Mic: amzn.to/3bB8rRd
Sony Clip-on Mic: amzn.to/3TasOFu
Backup Recorder: amzn.to/3Det9BD
Attenuator: amzn.to/3CCMECh
Boom & On-camera Mic: amzn.to/3x08Jrf
Communication Headsets: amzn.to/3CG6JHJ
LIGHTS & SMALLER ACCESSORIES:
Fill Light: amzn.to/3Q3F7ls
Foldable Soft Box (90cm): amzn.to/3BElBUz
Reception Lights: amzn.to/2ZRcXFa
Light Stands: amzn.to/3BHzlPS
V-Mount Battery: amzn.to/3d2gR4l
Favourite Monopod: amzn.to/3QrDcXS
Power Bank: amzn.to/3CIyZcI
✅ Subscribe for more FREE tips on how to do wedding videography, BETTER: / raphealpers. .
📷 Follow me on Instagram: / raphealfilms
💻 Learn to edit better in Final Cut Pro! vip.starta.ca/...
📝 Enjoy 20% off on a HONEY BOOK annual subscription (for all the clients you'll be booking from how cinematic your films will be using this light) by using my referral code!: share.honeybook...
Edited with Gling AI: bit.ly/46bGeYv

Опубликовано:

14 авг 2024

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Комментарии : 3

@gillesmatheronpro Месяц назад

This "stereo emphasis" system is based on the well-known "physiologic effect". Location of a certain sound is given to the auditor by the high-frequencies component of the signal. This is why it often is really tough for most listeners to precisely locate where a double-bass is situated. Same for large drums, tubas, and everything emitting a sound lower than 100 Hz in the spectrum. This is also why, in many sound systems, only a single low-range enclosure is necessary. Especially home-systems. So, in these sound processors, sound engineers use this human ear sensitivity to higher pitched noises. By tweaking in the duration of the sound, its base frequencies and resonance frequencies, its volume relative to others, etc. they make us feel the sensation of facing a wider field of sound. Even with headphones/earphones, even though the smaller the transducer the tougher it is to create those "spatial" effects. Mainly because smaller membranes have a huge amount of work dealing with lower frequencies, they hardly can reproduce higher ones... they just can't handle both, plus those high-energy mid-tones that take lots of membrane travel to render properly. In low-end equipments, those systems are basic. But they get ultra-complicated in the better ones, such as what Sony recently released in their "home cinema" range : four enclosures create a sensation of be surrounded by 12 ones in the three dimensions, ceiling included. With this kind of small recorders, don't even bother using that function. Processors built-in can hardly do a good job. It shall be OK for recording conferences, because nobody knows how or have time to process the sound. But your skills and softwares enable you to do a way better job in your studio than this tiny thing ever will. Hope you have a better "picture" of how those sound processors operate...