Luciano had the greatest voice of all times 🙂. Every time ☺️ he sang a song his voice out did anyone else....... Truly he is the King 👑👑👑👑👑👑👑 of opera.
I heard Pavarotti in a solo recital at Indiana University in 1975 and will never forget it. A critical audience of knowledgeable and advanced musicians, including singers who had performed on the world's top stages, recognized that here was something rare: the world's best tenor in his prime. I was "lifted" out of my seat before the last aria ended and was applauding wildly like everyone else -- I swear it would never have occurred to us to wait it out till the last note had finished.
Roger Martin Luciano was in his prime an excellent tenor, I must admit. I would also like to say that everybody is great at their prime time.. However, Alfredo Kraus was to me in the 60s and 70s the best example of art ad voice skill. Having said that. Luciano sung roles that Kraus would not there....
Potrei scrivere almeno venti tenori che l'hanno cantata molto meglio e con vocalità più adatta, mi limito a citare solo Franco Corelli, Aureliano Pertile, Francesco Merli e già basta e avanza.
@@Ilvermibaleno Davvero é possibile cantare meglio di questo?? Io ammiro tantissimo Corelli, lo ritengo un fenomeno unico della natura... Ma questo documento, siamo sinceri, é un miracolo, semplicemente. Questa voce era un miracolo... Basta sentire questo per rendersi conto.
For all those who have doubts about how full and strong the voice was, this is a great example to understand why Luciano didn't need any microphones when singing at opera houses. His was a rich beautiful lirico-spinto voice, with harmonics that were unique, like a brilliant diamond. A real one of a kind. Just like Caruso.
Caruso Voice Broke many times; He was a True baritone whom could sing Tenor NOTin the UPPER REGISTER.. Luciano performed more years than Caruso & or Lanza LIVED.
The whole point of opera is to sing without microphones. Also, Pavarotti recorded absurdly well, so recordings aren't necessarily the best guide for how he sounded live. That being said despite having an average sized voice he never sounded small, as long as he sand the right repertoire. He was certainly no lirico-spinto. It is obvious from his high notes that he was no lirico-spinto. Filippeschi was a lirico-spinto, listen to his Nessun Dorma if you want to hear an actual lirico-spinto.
@@ILBARONE45 how Caruso broke his voice? He is a true dramatic tenor, he sings very well until dead, but LP was fool and chocked his voice such as that aria... He shouts here, suffering... Poor mosquitto... Don't try compare that mosquitto with Lanza! Lanza can sing all, Pavarotti ruined his voice, he became terrible...
🤣🤣🤣 You a true fan-boy, living in that dreams, like your mosquitto! He was lyric!!! And ruined voice in dramatic repertoire!!! He became a disaster of opera!!!
@@Monnarchmonnarchy Oh please. I presume you know everything. I heard Pavarotti live. Not a small voice at all. As you mistake squillo for yelling, I will refrain from further comments. You and your likes will worship Gigli and Bjorling, but God forbid if Luciano sang anything dramatic. Come on. You are incredibly self assured. Let us conclude that we do not agree.
Bravissimo come sempre ! Luciano Pavarotti (1935-2007) continues to bring joy to millions eleven years after his death at the age of 71. Thanks for posting this video.
LUCIANO PAVAROTTI ammantava con la sua voce meravigliosa tutto il teatro!!!Chi ha avuto la fortuna come me di sentirlo dal vivo può capirmi!!! Grazie di 👍❤
12 años ya maestro que te has fundido con la luz del universo. Descansa Luciano. Igual, son 42 de Callas, 20 de Tebaldi, 19 de Krauss, 18 de Lorengar, 17 de Shutherland, 15 de Corelli, 10 de Pippo, 8 de Licitra, 5 de Oliveros, 1 de Cabellé, todos nos vamos. La única que se queda es la musica.
Se sentite questa romanza nel film che ha fatto in Yes Giorgio, secondo me è la migliore interpretazione che ha fatto su questa romanza dove la canta due volte di seguito e la seconda fa un acuto che dura quasi 20 secondi, da accapponare la pelle. Penso che Puccini l'abbia scritta per lui sapendo che prima o poi ci sarebbe stato un tenore che l'avrebbe portata alle stelle!
I think, more like a superb conductor who kept the orchestra softer to allow that voice to fly! Tho, even thru the pianoforte of the orchestra, that resonating, round, voice kissed by God, is unmistakable!
Thank you for this- I was not even aware that he had sung this prior to his playing the role in 1979. It is very good, isn't it? An early Christmas present for all of us!
If this is 1976, the title is misleading. Pavarotti would have been 39/40 - that is not young. He had sung on tour with Joan Sutherland in 1965 which might have been considered young - 29 - for an opera singer.
You er very arrogant, you don`t even understand the words of the aria and judge.Here Pavarotti is fantastic period. I like Bjørling very much but here pavarotti is incredible
y pese a tan concluyente evidencia todavía hay quienes se empeñan en comparar a "placi mingo" con Pavarotti, aunque no se trate de comparaciones, ¡he aquí el tenor por antomasia!...y del otro lado, el tenor formado a cincelazos...
Guido Tejos No hay comparación. La voz de Pavarotti tiene mucha mayor proyección, es más alta, mejor timbrada, más bella y tiene capacidad para la media voz y el piano. Solamente compara este si natural con cualquiera en vivo de Domingo. Siempre hay borde del quiebre y con un vibrato feo que demuestra el sobresfuerzo. Por algo a los 50 años ya se tuvo que ir cambiando a barítono y Pavarotti cantaba La Boheme en tono a los 60 para el centenario de su estreno
@@juancruzgamarra5259 Muchísima mayor y mejor proyección, exactamente... Es como oro líquido brotado a maniantales que te "hiere", con goce exquisito, penetrando el oído y el espíritu... Es como comparar al divino Leonardo Da Vinci con un pintor de brocha gorda que no sirve para más que embadurnar paredes; o el más sublime sonido brotado de un Stradivarius con el rebuzno de un asno... No exagero. Cualquier oído refinado; cualquier alma refinada y sutil, que ama lo bello y rechaza lo burdo, puede comprender lo que digo.
The sound is round and full. The voice seems ready to sing whatever you give it. Unfortunately he did not perform some roles he could have left a mark on: Don Jose in Carmen, Alvaro in La Foza Del Destino, Werther, Maurizio in Adriana Lecouvreur. Some of these he cancelled just before going on air. It would've been nice if any of these efforts would have been at least recorded( I don't speak about individual arias and duets he recorded).Who knows, maybe DECCA has something in their archives....
Why can't audiences wait until the tenor actually finishes singing the damn aria, yes this was in 1976, but it still goes on today. While we are on that subject there is also an Orchestra that I like to listen to let them finish as well.
Registrazione truccata, questa non è la vera voce di Pavarotti, è una chimera . Dal vivo e senza microfono 🎤 Luciano Pavarotti aveva una delle voci più piccoline del tenore leggero. In questo repertorio era ridicolo . Viva il pop moderno ! il vecchio
