The voice of the century. There was Pavarotti and then the rest of pack chasing. They never caught him! He made this aria world famous even in the world of sport. Single handed! RIP Maestro. We will have to wait for your successor to be born……..
Everything appears normal - a large singer, hanging on to a piano, singing. But nothing is normal; this was the greatest male vocalist of all time and probably any time, at around his absolute peak, early to mid forties. This is a unique snapshot of very fleeting time that will never happen again.
He once said that he never could be as grat as Jussi Björling, the swedish tenor. ♥️ He never thought he could but, they both lived in another time. I think when i see Pavarotti, that he looks very sweet and he's voice, are as nice as Björlings. ♥️
Wow! Supreme! What an interpretation, what a voice, what a performance! He enchants you with everything! The greatest tenor ever! A legend! Thanks so much for the rare video! Regards from Greece! OperaMyWorld
How a tradermark aria Pavarotti gained legend. And more, what a time of the Golden Age, that was so rich of endless treasure chests opening, too. I am grateful of his mentorship to husband then, hearing his performances, and meeting his genuinely celebrated personality. Who could have guessed 'the secret out,' Luciano Pavarotti could not read music. The soul has an ordained memory. Bravo, Luciano Pavarotti, and miss that squillo...!🌹
The immense concentration and energy needed to sustain those notes… Wow! Absolutely thrilling; you can’t help but jump to your feet with applause after witnessing a performance of this magnitude.
Wow, what a performance, such a great video, you can really hear in this video how powerful his voice was in his prime and how much it filled the auditorium. Simply sublime work from the maestro.
I wish there were more videos of him from the late 60s. And early 70s. I wish there was a video of him when he made his American debut in Miami in I think 1966. Also video of him when he went on tour with Joan Sutherland to Australia in the 60s.
AAAH, ME MUEROOO. POR FAVOR, POR LO QUE MÁS QUIERAS EN ESTE MUNDO, SUBÍ EL NESSUN DORMA DE PAVAROTTI EN EL LINCOLN CENTER DE 1979 CON BUEN SONIDO. AAAAAH... QUÉ DELICIA, DIOOS.
PAVAROTTI brilhando sempre na Terra e no Céu. Imortal , eterno, inesquecível... PAVAROTTI sempre vivo em meu coração, muita tristeza em vc não está mais aqui, viva em paz junto com DEUS. Tradução para o português do Brasil.
@@e.g.8454 Corelli is better than Pav I'll admit that and if I could find a remaster of Corelli's version I'd listen to it all the time. Of the versions I can find the sound quality in Pav's is better but that's only cuz his are newer recordings.
Franco Corelli ist in dieser Arie etwas besser, männlicher und markanter! Aber was soll es, trotzdem ist Pavarotti einer der herausragenden Tenöre des 20. Jahrhunderts! Ich habe Pavarotti 4 mal live im Konzert erlebt, Corelli 3 mal live im Konzert und auf der Bühne! alles unvergessliche Momente! Goldene Zeit der Oper! Und heute????
Siempre viene otro hace lo que hizo sobre la base de otro y sigue evolucionando el tono y la resistencia del aire como en el caso de nino bravo lo dice Un mudo que lo vivió y lo vive pero somos niños aprendiendo de otros pero el don es divino de Dios fuimos hecho a su imagen sin fin.
Pues digame quien a aprendido y evolucionado sobre Pavarotti. Siento decirle que este tenor "rompió el molde". pero si usted cree que hay otro, no mejor, si no parecido en activo, por favor, deme su nombre.
@@e.g.8454 aunque así fuera, el comentario es cierto, estos tenores que usted nombra, no solo son anteriores, si no que demuestra que usted es incapaz de apreciar la opera en estado puro, el llevar la voz totalmente en perfecto compas con la musica, la belleza absoluta del sonido de la voz humana y un largo etc que no merece la pena enumerar. La miel no esta hecha para la boca del asno.
@@davidplazamarin8803 Aggiungo Miguel Fleta Enrico Caruso Antonio Cortis Ludovic Spiess Peter Lindroos Hans Beirer Ferruccio Tagliavini Set Svanholm Leonid Sobinov Francesco Tamagno Giovanni Zenatello Giuseppe Campora Gianni Raimondi Nikola Nikolov Jon Buzea Dimiter Uzunov Eugenio Fernandi Ramon Vinay Franco Bonisolli Hipolito Lazaro Giovanni Martinelli .
@@e.g.8454 si hay tantos tenores que tienes como buenos, incluso muy buenos, es una pena por tu parte, ya que andarás todo el tiempo analizando sus tecnicas, fallos, etc. yo no me baso en eso, si no en sentir la belleza de una voz en una interpretación. Carezco de conocimiento musical, solo sé que algo me gusta cuando me transmite emociones que me llevan a la felicidad, la tristeza, la melancolía la exaltación, etc, sin más análisis que el de mis oidos analfabetos.
Es el MEJOR TENOR DE TODOS LOS TIEMPOS, no ha bido ni hay nadie que se le acerque, si, otros con diferentes estilos, que hacian "lo que podian", pero nadie ha igualado al Pavarotti de los 35 a 50 años. Viva Pavarotti y la madre que lo pario !!!. Perdonen y no se ofenda nadie, he sido lo más objetivo posible. 😬
@@cristianr.f6465 y para que escuchas, e incluso opinas sobre mi comentario?. Yo escucho a muchos otros tenores, pero nunca rebato una opinión, porque ya se sabe que la belleza, en este caso musical, nunca es objetiva, y se supone que si hay una opinión como la mia es porque me apasiona este cantante, y no otro. O es que con lo "sobraditos" que soleis ir los "entendidos" en opera, hay que explicaros también esto?
@@TenoreMr he's grandstanding. He's performing he's not listening to Pavarotti. He's giving his own performance and it has nothing to do with the singer. As a singer I've experienced this too and it's a nightmare. The singer should not have to follow the pianist it's the other way around. You'll notice in the crescendo the Pianist is rushing and Pavarotti's trying to take his time as he should. But he can't if he's going to stay in sync with the accompaniment. This is what I mean. Accompanists are there to serve the singer not the other way around.
I agree. I think that is another reason, other than the obvious, that Pavarotti held the last note so long, bordering on unmusical. The singing was lovely, but the pianist rushed too much.
Pavarotti is THE BEST THERE IS, BEST THERE WAS, BEST THERE EVER WILL BE HE IS KING OF HIGH C HE SET BAR WAAAAAAAAAAAY HIGH NO ONE WILL BEAT IT EVVVVVVVVVER❤❤❤❤❤❤❤❤❤❤❤❤❤
![Luciano Pavarotti Encore: “Nessun Dorma” (Tokyo, 9/12/1977) [Rare TV Broadcast]](/img/logo.svg){kind=logo}
