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Never Open That Door (No abras nunca esa puerta, 1952) | "Somebody on the Phone" - Clip [HD] 

Flicker Alley Clips
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AVAILABLE ON BLU-RAY / DVD AT www.flickeralley.com/
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"This extraordinary 1952 Argentinian noir … is probably the most bedarkened, beshadowed film I've seen, full of extreme closeups, unexpected sound effects and music. It deserves to be restored and reissued." - Paul Schrader
Preserved by the Film Noir Foundation in 2013 and now beautifully restored through the UCLA Film & Television Archive, Never Open That Door (No abras nunca esa puerta) is a significant example of the cross-cultural cinematic legacy shared by the United States and Argentina during the post-WWII era. Based on two short stories by American master of suspense fiction Cornell Woolrich (Rear Window, Phantom Lady, The Bride Wore Black), the film is brilliantly directed by Argentine filmmaker Carlos Hugo Christensen with extraordinary cinematography by Pablo Tabernero. Says FNF founder Eddie Muller about this recent restoration, “It is a revelation to experience the work of an all-American author, in Spanish, and rendered as well - or perhaps better - than any Hollywood adaptation of his work.”
Never Open That Door is one of the most evocative realizations of Woolrich ever produced, featuring masterful sequences of sustained suspense. Said Buenos Aires film critic Horacio Bernades, “Rarely has an Argentine film been more purely cinematic than this.” Originally a three-part anthology of Woolrich tales, Never Open That Door was released separately from the 73-minute film If I Should Die Before I Wake (Si muero antes de despertar) adapted by screenwriter Alejandro Casona and Christensen. An exceedingly rare archival conservation scan of If I Should Die Before I Wake is featured in this publication.
Bonus Materials Include:
• If I Should Die Before I Wake (Si muero antes de despertar, 1952) - an exceedingly rare archival conservation scan of Carlos Hugo Christensen's third part of the film trilogy
• Audio Commentary for Never Open That Door (No abras nunca esa puerta) - by author and film historian Guido Segal
• Cornell Woolrich: Fear Has No Borders (2024) - produced by Steven C. Smith and writer/film historian Alan K. Rode, and featuring interviews with writer/film historians Gary Phillips, Maria Elena de las Carreras, Halley Sutton, and Alan K. Rode. Featuring additional remarks by author, film historian, and "noirchaeologist" Eddie Muller
• Preserving Memory: Fernando Martín Peña on Argentine Cinema (2024) - Peña is a cinema historian and Argentina's leading film archivist
• Souvenir Booklet - with rare original photographs and ephemera
• New English Subtitled Translations
• Spanish SDH Subtitles
• Reversible Cover Artwork
• Blu-ray / DVD Authoring by David Mackenzie of Fidelity In Motion
• All Region Encoding (A,B,C/0)

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29 май 2024

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Комментарии : 18   
@avelinooroisfernandez605
@avelinooroisfernandez605 Месяц назад
Terrifically atmospheric! Yet another Argentinian Noir treat reclaimed from oblivion and restored to perfection. Keep'em coming, Flicker Alley!👏👏
@SimonBunuel
@SimonBunuel 14 дней назад
Wow , Amazing Quality !!! ..🔥🔥
@ProfessorEchoMedia
@ProfessorEchoMedia Месяц назад
WTF? I hope this isn’t supposed to be the most exciting scene in the picture. 🥱
@avelinooroisfernandez605
@avelinooroisfernandez605 Месяц назад
Oh, not at all! Rest assured there are quite a few explosions (with 1952 CGI), almost as much bodycount as in the last "John Wick" movie, and some very exciting car chases, all of it with fast as heck, short-attention-span-friendly editing, so brain engagement can be kept to a minimum and one can even watch it in the mobile phone during commutes, between Tiktoks, without losing much. Or so I've been told!
@oliviatheresa
@oliviatheresa Месяц назад
Film Noir is all about tense scenes and dark shadows and this scene is exactly that. It's not a action movie lol. It's the subtle suspense that makes it so great. 👌🏽
@ProfessorEchoMedia
@ProfessorEchoMedia 7 дней назад
@@avelinooroisfernandez605 So clever. But I’ve gotten burned on Flicker Alley releases of “Noir” releases before and they weren’t even Noir films, despite what blowhard Muller says. Plus Flicker Alley discs are not cheap so if this clip is representative of a highlight from the movie I’d say it’s pretty dull and doesn’t deserve my money. If you wish to use that as a way to further stereotype me, so be it, but I’m betting I’m much older than you are and have been studying film for longer than you’ve even known what it is. Hardly the attention challenged phone watchers that you incorrectly assume I am.
@ProfessorEchoMedia
@ProfessorEchoMedia 7 дней назад
@@oliviatheresa You don’t need to teach me about film noir, I’ve been writing and teaching classes about it since the 1970’s. The clip in question here didn’t exhibit any of the subtle suspense you so cavalierly seem to be giving it credit as having. Flicker Alley uses the term Noir too lightly for my tastes and I don’t consider some of the releases they have slapped the label on to be in the Noir style at all. My negatively implying a clip the label themselves have intentionally chosen to promote their product doesn’t mean I am expecting an action film as you infer, but neither does it make your implication that the clip automatically translates as emblematic of Noir accurate. I stand by my contention that the clip is dull and was a poor choice for marketing the title.
@oliviatheresa
@oliviatheresa 7 дней назад
@@ProfessorEchoMedia I'm not reading everything you just wrote lol!!!! I said what I said!!! Have a nice day💃👌🏽
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