Nikos Skalkottas: Concertino per oboe e pianoforte (1939)

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Nikos Skalkottas (1904-1949): Concertino per oboe e pianoforte (1939) -- Alexeï Ogrintchouk, oboe; Nikolaos Samaltanos, pianoforte --
I. Allegro giocoso
II. Pastorale: Andante tranquillo
III. Rondo: Allegro vivo
-- painting by Willi Baumeister
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Опубликовано:

2 окт 2024

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Комментарии : 20

@johngeorgiou9983 4 года назад

Great music; it grows on you

@Nutterbutterz95 12 лет назад

I feel like I would appreciate this a thousand times more if I had even the slightest education in music theory, and especially in Schoenberg's own additions to it. I love, love, love this piece, but I still feel as though I am missing out on something great because I don't understand the musical implications of it.

@bronktug2446 5 лет назад

Nah, trust me m8 even with a musical theory education it still is atonal jibberish! XD

@dskinner6263 3 года назад

That you feel drawn to the music is enough - all you need is ears! You may find that you “hear your way into the music” more with repeated listenings. Understanding the basics of music theory, in a very general way, can help you to follow the small-scale development of musical ideas, and to apprehend the large-scale shape of the work. But you don't need any kind of particular training to follow a piece of music like this, any more than you would to enjoy a poem, a dance, or a painting. Whatever you learn along the way about the context of a work will inform your understanding, but studying music theory is only sometimes helpful - sometimes it can get in the way of just hearing what's there.

@erics3317 2 года назад

If you love it then that's all that matters. Understanding the theory behind it probably isn't going to increase your appreciation of it, the same way that it isn't necessary to understand tonal theory to enjoy listening to tonal music. If you are curious about atonal theary then by all means study it and learn, but it isn't necessary to enjoy the piece.