ORCHESTRAL SCORE STUDY #5: Overture to 'Candide' (Bernstein)

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DO NOT OWN THE RIGHTS TO THIS COMPOSITION OR THIS RECORDING, THEY ARE THE PROPERTIES OF THE COMPOSER, PUBLISHER AND PERFORMER. THIS VIDEO IS SOLELY FOR EDUCATIONAL PURPOSES AND HAS BEEN MONETIZED FOR THE COPYRIGHT OWNERS.
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composed by Leonard Bernstein
reduction and analysis by Anthony O'Toole
performed by the London Symphony Orchestra
conducted by Leonard Bernstein

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Опубликовано:

28 янв 2023

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Комментарии : 32

@aliciadalbey1201 Год назад

This made my night! The wind band arrangement of this piece by clare grundman is one of my favorite pieces ever!

@jamisonhouchell2116 Год назад

Same

@rynlazorchak574 Год назад

This is crazy, I'm literally starting rehearsals for Candide tomorrow! Great reduction and analysis!

@robertperez2262 Год назад

I performed this with a large community sax ensemble last summer… love Glitter and Be Gay and loved the fact that it had a segment from the aria in the overture. Also I kinda had to tell the ensemble that what they are playing is supposed to be Cunegonde’s maniacal laughter … which I think they enjoyed

@izhaanahmed3038 Год назад

Beautiful edits of Lenny. I found this transcription very enjoyable

@clc1801 Год назад

I always love the pics you insert during the music.

@monstrosa2735 Год назад

Just found your channel, these score studies are great. As a horn player that’s been playing for 13 years now, I’ve played almost all of the pieces that you’ve covered and it’s great to get a broader perspective of the piece than one gets from just playing their part. Thanks!

@sharonyyoung-rt7tk 8 месяцев назад

I loved playing this in highschool on french horn!

@jackaguirre8576 Год назад

The recording may not be perfect but I love me some Eb Clarinet and that Eb player was great!

@cayden3003 Год назад

Come Sunday by Omar Thomas would be one hell of a video

@aliciadalbey1201 Год назад

Also you should do Abrams pursuit by holspringer eventually

@AnthonyOTooleMusic Год назад

Donate to patreon.com/anthonyotoolemusic

@lollystacey Год назад

heyyy i’m playing this in youth orchestra!

@AnthonyOTooleMusic Год назад

I didn’t know Trisha Paytas was in a youth orchestra… odd since she’s like 35

@skittle8441 4 месяца назад

4:04

@VickieHenson-rj3kw 22 дня назад

Anthony do you have a favorite transcription of this piece? Grundman or Beeler?

@AndreyRubtsovRU Год назад

So at bar 52 at 1:05 is the notation wrong or piatti fucked up?

@AndreyRubtsovRU Год назад

Gosh, the player is all over the place

@AnthonyOTooleMusic Год назад

@@AndreyRubtsovRU player messed up

@AndreyRubtsovRU Год назад

@@AnthonyOTooleMusic three times!!! Is this a student orch??

@AnthonyOTooleMusic Год назад

@@AndreyRubtsovRU this is the LONDON SYMPHONY ORCHESTRA, it’s not my favorite orchestra for these type of things but it’s one of the cleaner recordings that isn’t at a tempo where the piece is falling apart constantly. Even Bernstein thought his tempo indication (150 bpm) was farcical, he revised it to 130 bpm and I honored the composers intent and went with a recording 1. With him conducting and 2. with the most up to date and definitive score.

@AndreyRubtsovRU Год назад

@@AnthonyOTooleMusic well... They suck 😂😂😂

@nicholaswerner8170 Год назад

ms. 116 should be Dm, F naturals.

@AnthonyOTooleMusic Год назад

Geez, you proof the thing a dozen times and you still miss dumb mistakes like that. Thanks

@whateverfin Год назад

this recording is all over the place 😂 no offense london

@AnthonyOTooleMusic Год назад

I personally am not a fan of LSO for 80% of music. The brass is too ‘tinny’ and unbalanced, the strings to lethargic. But this recording most accurately reflects the composer intent and his final, most definitive version. Go back and listen to his own recordings of it with NYPO and it’s so fast it derails and it (to me) uncomfortable to listen to

@robstockton2463 2 месяца назад

I’m curious who would be the target audience for this video. As a pit musician myself (and, I think, for any serious or professional musician), it’s far too superficial and haphazard to be useful in any way, but yet I don’t really see casual RU-vid viewers getting much out of it either. And then I must add, you chose a poor recording with audible mistakes on top of it, so it’s not even good purely as a listening experience. Couldn’t you at least have chosen a recording led by Bernstein? I just don’t get it.

@AnthonyOTooleMusic 2 месяца назад

Surely, someone out there finds some utility in this information presented as such.

@andrea7002 2 месяца назад

@@AnthonyOTooleMusic i do!

@AnthonyChmielewski_ Месяц назад

I'm sure the owner of this channel does these studies for his own enjoyment and learning, for one. I'd be surprised if this wasn't the case --- he has so many of them on this channel!

@jackiebrot959 Месяц назад

@@AnthonyOTooleMusic i love these videos! i learn so much :) i honestly thought the recording was altered in some way so that some parts would be more noticeable but i guess not. and even though most of the music theory in the vids are basic, interesting things are pointed out and if i want to do more analysis on my part, i can.

@AnthonyOTooleMusic Месяц назад

@@jackiebrot959 thanks for your comment and glad you enjoy them. I try to make these videos as universally enjoyable as I can, while understanding the majority of RU-vid users are age 13-25 so I have to speak to that level of musical understanding.