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Orchestrating Woodwind Textures 

Alex Heppelmann
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1 окт 2024

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Комментарии : 24   
@sarahaprincesa
@sarahaprincesa 11 месяцев назад
👏🏻👏🏻👏🏻
@1teodebeo
@1teodebeo Год назад
Version 5 is my favorite! Sounds like a very good tension builder. And you have the new contrabass clarinet in there? A real beast that refuses to be tamed imo. Endresult is very sophisticated and inspiring to explore the new colors in the updated bundle. Thanks!😊
@AlexHeppelmann
@AlexHeppelmann Год назад
Thanks so much! Version 5 is the one I'd probably continue if I had the time to expand further -- and yes, the OT contrabass clarinet is awesome!
@rubenmolino1480
@rubenmolino1480 Год назад
Wonderful... the composition and orchestration,... I congratulate you Maestro!
@AlexHeppelmann
@AlexHeppelmann Год назад
Thank you!
@SuonoReale
@SuonoReale Год назад
Excellent video! These are some of the most practical videos out there! As for composition methods, I've found that having a "musical idea", in the Schoenbergian sense, and making the whole piece a derivation/development of said idea, has made things easier-- it will inevitably have a sort of gestalt cohesion, even if not on a surface level, musically speaking.
@AlexHeppelmann
@AlexHeppelmann Год назад
Agreed! Thanks for watching!
@karim0302
@karim0302 Год назад
I'm not even interested in writing orchestral music (for now), but I somehow find your videos really fun and engaging to watch. Thanks a lot for making them!
@AlexHeppelmann
@AlexHeppelmann Год назад
That's great to hear, thanks for watching!
@nickbowd
@nickbowd 5 месяцев назад
The original melody is so beautiful and I’d think that if you were writing a full arrangement you’d have a lot more time to develop the ideas. I really think the minimalistic first version gives the beautiful alto flute the space it deserves. It gets swamped pretty quick. I play woodwinds and have played alto flute. It’s beautiful but not loud. Particularly in the middle and low register. Just like flutes it can cut above it’s written D above the stave but there it’s real flute range but in my opinion it’s better lol. It’s a thicker and richer texture. Not every flautist owns one. Pro orchestras yes. Also enjoy finding contra bass clarinets and bassoons. They sound great though. Thanks for explaining your process. Everyone writes different and seeing this helps me refine my process.
Год назад
Brilliant! Regards, Joris
@socmus2000
@socmus2000 Год назад
I love this process!
@sivaramakrishnanmeenakshis167
Have you switched to studio one?
@AlexHeppelmann
@AlexHeppelmann Год назад
I use it occasionally, but Cubase is still my main DAW. Are you using one of them?
@jade8538
@jade8538 Год назад
Yes, I noticed your use of Studio One as well. It's the only DAW I use ... I find it easy to use & powerful. With every version it gets better and better.
@sivaramakrishnanmeenakshis167
@@AlexHeppelmannI use both too but leaning towards studio one lately
@listeningcolors9888
@listeningcolors9888 Год назад
Thanks for this beautiful lesson Alex❤ Getting to understand the use of pitch collection in harmony instead of using chords. This is a nice perspective 🙌😄
@AlexHeppelmann
@AlexHeppelmann Год назад
Thanks! Glad you liked it!
@winknotes
@winknotes Год назад
Great video Alex. As always it's really helpful to hear the thoughts behind the decisions you make and I appreciate seeing how you sketch things out as well.
@AlexHeppelmann
@AlexHeppelmann Год назад
Thanks, Steve! Glad it was helpful!
@cherrysound
@cherrysound Год назад
That’s very helpful 👍🏻 Thank you!)
@AlexHeppelmann
@AlexHeppelmann Год назад
You're welcome!
@orchestrazionepratica
@orchestrazionepratica Год назад
Beautiful lesson!
@AlexHeppelmann
@AlexHeppelmann Год назад
Thanks!!
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