Orpheus in the Underworld - French Can Can (Final: Le Galop Infernal)

Подписаться 445 тыс.

Просмотров 268 тыс.

50% 1

Full concert here: ow.ly/ZFfAu
Subscribe to our channel for more videos ow.ly/ugONZ
Jacques Offenbach - Orpheus in the Underworld
Laurent Pelly stage director
Agathe Melinand (Rewriting of the dialogs)
Chantal Thomas set designer
Michel Dussarat costumes
Laurent Pelly costumes
Dominique Boivin choreography
Joël Adam lighting
Natalie Dessay (Eurydice)
Yann Beuron (Orpheus)
Laurent Naouri (Jupiter)
Jean-Paul Fouchécourt (Pluto / Aristaeus)
Martine Olmeda (Public Opinion)
Steven Cole (John Styx)
Cassandre Berthon (Cupid)
Etienne Lescroart (Mercury)
Virginie Pochon (Diana)
Lydie Pruvot (Juno)
Alketa Cela (Minerva)
Maryline Fallot (Venus)
Sherman Pleismer (The violinist)
with
the Orchestre et Chœurs de l'Opéra de Lyon
and the Grenoble chamber orchestra
directed by Marc Minkowski
Recorded at the Lyon Opera House (Lyons, France), in 1998.
© France 2 / Bel Air Media
| Like us on Facebook : / medicitv
| Follow us on Twitter : / medicitv
Medici.tv is the first classical music digital channel, offering a catalogue of over 1 500 concerts, operas, ballets and documentaries in VOD, as well as 100 live concerts each year.

Развлечения

Опубликовано:

17 мар 2016

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист

Посмотреть позже

Комментарии : 90

@Mickyeahh 4 года назад

The first 28 seconds are very relateable.

@Hypnobunny1 10 месяцев назад

Went to see this at.the theatre when I was 14 my music teacher recommended I should go was fantastic my hands hurt so much from clapping. Think it was an Opera North production A great production thanks to my music teacher Mr Levy for recommending it 🤩

@m0zarts-animation 4 года назад

Natalie Dessay is a QUEEN, good god!!!

@jamescarrington3939 6 лет назад

Fabulous, taken at an impossible speed and it works, such joy

@JoshFreilich 2 года назад

One person who commented on this video wanted it EVEN FASTER STILL!

@itsthemaggieshow Год назад

When my friend told me that the Can Can was from the original Hadestown opera, I was like “I MUST SEE THIS”

@evelyns5258 Год назад

The tale of Orpheus and Eurydice has been adapted in opera ever since the mid-17th century, after the florentine camerata established a precedent for early opera focusing on Greek mythos, hundreds of years before Offenbach was even born

@XoIoRouge 3 месяца назад

@@evelyns5258 Aye! "Original Hadestown" - nah, it's a classic Greek tale. Hadestown is the first and original Hadestown, while each other derivative is their own work as well.

@Shaggystoned 5 лет назад

The costumes and dances aren't what I would have chosen but this cast's use of screeches is so far the best attempt I've seen, It actually captures what the opera is trying to convey.

@jsmithmultimediatech 5 лет назад

It's an Operetta though not an Opera exactly.

@jsmithmultimediatech 2 года назад

Being a stickler for accuracy I must correct myself actually yes it s a full opera, rather though called Orphée aux enfers. Was actually Offenbach's first ever full one as well (mostly gets associated though of course with Operetta's which are satirical in nature as often was/is the case, is poking fun at Napoleon III)

@martintobar7966 7 месяцев назад

@@jsmithmultimediatech damn you really came back to correct yourself 3 years later, nice

@jsmithmultimediatech 7 месяцев назад

@@martintobar7966 Then after a year of making my correction you make that pointless pitiful comment. Get a life lol.

@JoshFreilich 6 месяцев назад

@@jsmithmultimediatechand also Gilbert and Sullivan shows ARE operas. I said what I said.

@urssulas 8 лет назад

First 15s on repeat, plz!💙

@peterstudios7147 3 года назад

0:15

@timelessabsolution1681 5 лет назад

Wow now that's a performance.

@dragonmartijn 4 года назад

Great show, great female vocals!

@skybluey217 4 года назад

i’ve never seen this...but now i want to watch the whole thing!!

@dustinelian4098 3 года назад

A tip: you can watch series on Flixzone. Been using it for watching loads of movies lately.

@vincenzobrennan3305 3 года назад

@Dustin Elian Yup, been watching on Flixzone} for since november myself :)

@zyairebenson185 3 года назад

@Dustin Elian yea, I have been watching on flixzone} for months myself :)

@jeremiahcayden9125 3 года назад

@Dustin Elian Yup, I have been using Flixzone} for since november myself =)

@FredyGarcia528 Год назад

Wowww great performance....

@user-lx3fl2tl1y 2 года назад

これを日本人には絶対に出来ないだろうな、と思ってしまう。Bravissima!

@raphaeld.9664 3 года назад

Natalie Dessay makes me think of Kristin Chenoweth in Candide when she sings Glitter and Be Gay 😂😂😂

@robertperez2262 Год назад

But Dessay sings that song better!

@jaimehuizar6727 3 года назад

But some people you just can't tell if they're gay or european for no one can really tell if they're gay or european

@hamasakibibou7433 5 месяцев назад

Just not a retarded Muslim. Have some decent art. It’s not gay or anything. It’s opera mister baboon

@darkoprpic1670 23 дня назад

Grand finale. Bravisimo

@camembertdalembert6323 5 лет назад

Nathalie Dessay ! juste waaaooooowwww

@herveklein7720 7 лет назад

Le top!

@Septimanien 6 лет назад

Bravo !

@putraberlian9791 7 лет назад

Awww, so cutee

@danielbonning 2 года назад

Wonderful ....................................

@HooDatDonDar 2 года назад

At the start of this, she has just realized she left her cellphone in a taxi.

@gustavomendoza6187 4 года назад

FRANCE: LE LUMIÉRE DE’L OUEST!

@runima Год назад

Every time I watch this I think of the end of the Bird Cage 🌸💗

@sixteenstringjack 4 года назад

Nice!

@martinkeith5543 5 лет назад

what a woman god I have lived this long fantastic

@RossCompose Месяц назад

Defines "WILD!"

@anonimoamonimo12 7 лет назад

Ce bal est original D'un galop infernal Donnons tous le signal Vive la galop infernal! Donnons le signal D'un galop infernal Amis, vive le bal Vive le bal Ce bal est original D'un galop infernal Donnons tous le signal Vive la galop infernal! Donnons le signal D'un galop infernal Amis, vive le bal Vive le bal

@gustavomendozajimenez2243 5 лет назад

VIVE LA FRANCE OHHHH LA LA!!!

@hapiphace6444 7 лет назад

la la la la la la la la ....

@QuikVidGuy 3 года назад

this isn't sped up??

@tonybarde2572 3 года назад

I want to go to the Moulin Rouge and watch a Can Can show

@dujmo9649 3 года назад

This is my fucking homework...

@abrahambenabou2647 4 месяца назад

Tout ressemble à la musique que c’est comme Let it be des Beatles ! Et la panthère noire en peluche du soldat rose ! Et La Cucaracha ! Et La chanson de l’extraterrestre de Émilie Jolie ! Et la chanson paillarde de David Bowie ! Et alouette gentille alouette ! Et les comédiens de Aznavour ! Et la chanson des petits pois et carottes en hébreu du dvd de Matan Ariel ! Et la chanson française qui s’appellera Malbrough ! Et diam’s! Et Kirikou ! Et uzi hitman ! Et jingle Bells ! Et la marche turque de Mozart ! Et Hamilton

@pogrx 4 года назад

Opera? .....

@witherblaze 5 лет назад

What is supposed to happen in this scene?

@justhereforthewatching1906 5 лет назад

Eurydice is happy she's not going to that dick Orpheus, that dick Jupiter or that dick Pluton, she's instead going to the absolute party man himself: Bacchus.

@MartyFox 3 месяца назад

In the Orpheus and Eurydice myth, Orpheus descends into the underworld and convinces the god Hades to let him lead his late wife back to the world of the living. Hades agrees on the condition that Orpheus is not allowed to look at her on the way. He, of course, does, dooming them both. In this parody of the myth, Orpheus doesn’t actually want to rescue Eurydice, but is forced to by Public Opinion. When Orpheus looks and banishes Eurydice back to the underworld, Pluto (Hades) is also sick of her and complains to Jupiter, the king of the gods. Jupiter resolves the situation by deciding she should become a priestess of Bacchus, the god of parties. This video starts with her being ejected out of the underworld and into Bacchus’s service, and the opera ends with a reprise of the song played during one of Bacchus’s parties in an earlier scene. After bows, the cast gives an encore of the full party number (the Galop infernal), this opera’s most famous song.

@gustavomendoza6187 3 года назад

LA FIN DU SIÈCLE!

@coltinanderson 3 года назад

1:32

@rolandwojciechowski8482 3 года назад

siema

@rolandwojciechowski8482 3 года назад

siema

@pogrx 4 года назад

@elis._axt3417 3 года назад

🇧🇬🇧🇬🇧🇬🇧🇬🇧🇬🇧🇬🇧🇬🇧🇬🇧🇬

@simonw2631 Год назад

Bruh, that was played waaaaayyy tooooo fast !!! You can’t even appreciate the melody a that speed

@simonw2631 6 месяцев назад

@@JoshFreilichare you a musician ? Or french ?

@billjohnroe2962 Год назад

2:58/2:59

@aliren6118 Год назад

Man, imagine waiting the whole opera to see Can Can just for that half-baked rendition.

@sigertjohansen 2 года назад

Ce n'est pas supposé être chanté ? Et les rares paroles n'ont même pas l'air d'être en francais. De toute manière elles sont incompréhensibles.

@denexo6101 5 лет назад

New perspective but without meaning

@MrOttotje 5 месяцев назад

meaning is overrated.

@Benedict2554 2 года назад

Наркоманская тусовка.

@tonytowers5889 7 лет назад

Inappropriate and unimaginative Cancan costumes.

@lesamisdelacuisineprovenca9534 6 лет назад

You prefer to see dancers wearing skirts and Rolling legs in the air like in the Moulin Rouge cabaret..... Petit coquin....

@yogawarriorgirl 6 лет назад

Ehem, do you even know what this opera was for? What it was making fun of at the time in the crudest way? C'mon, now. This is Offenbach we're talking about.

@21guns55 6 лет назад

bro, u need a tissue over there? goddammit man, just go somewhere else then

@Shaggystoned 5 лет назад

agreed. this whole scene looks awkward and poorly coordinated

@jsmithmultimediatech 5 лет назад

It's an Operetta though named Orphée aux enfers in French, Operettas being generally much lighter than Operas, shorter in length, light hearted and usually amusing too.

@tonytowers5889 3 года назад

I really dislike this version, especially men in skirts in the cancan.

@1EthanCC 3 года назад

Offenbach wrote it to be as over the top and offensive as possible, since the whole opera was meant to be a parody. Modern audiences aren't as shocked by it, so I think this version is more faithful to the original intent than most by going so far.