@@pakyintsang5731 I honestly enjoy Yun’s sound over Baborak’s, not to say he’s a superior player, but I just think that he’ll develop into a player of his own unique style
What a performance, bravo! I loved every second of it! Whoever clicked dislike it's because they're jealous and can't play like him! Well done! Huge respect from Hungary 🇭🇺🇭🇺
I really feel as though the French Horn pushes, carries, and swells so much emotion throughout the pieces that utilize it. You know he has mastered his instrument because you not only hear it - you feel it.
Every single drop of sweat paid its worth, Amazing, stuning, overwhelming performance. Magic Zeng Yun. Great clap for him and the conductor and its orchestra
Słuchać takiego koncertu w Pana wykonaniu to jak prezent na Gwiazdkę. Przez przypadek słucham tego 25.grudnia. BRAWO, BRAWO. PRZYJEDŹ DO POLSKI NA KONCERT.
A eso en España, se le llama. " Sudar la gota gorda". Es admirable como la Música nos hace a todos iguales. Ni razas ni nacionalidades. Viva la MÚSICA!!
Bellísima interpretación. Para los amantes del corno que saben apreciar lo difícil que es tocar este instrumento. Mi shitzu huye no más empiezo a practicar el corno. En cambio con este concierto se quedó echado en la alfombra como si nada. Por alguna razón cuando toco saco mucha saliva y tengo que drenarla constantemente. Después de un concierto así hubiera llenado una cubeta…
0:12-7:42 Tchaikovsky, String Quartet No. 1, Op. 11, Ⅱ. Andante cantabile (arr. for French horn & Orchestra, in B major) Glière, Horn Concerto in B-flat major, Op. 91 8:40 - 20:42 Ⅰ. Allegro (cadenza 15:04-17:40 at bar 175) 20:44 - 27:21 Ⅱ. Andante 27:29 - 33:32 Ⅲ. Moderato - Allegro vivace Time stamp from 남남서 I am too lazy to scroll down
Какая реклама для самого красивого, но и сложного для исполнения концерта... У этого исполнителя великое будущее. Хотелось бы его слушать и слушать. Ему есть над чем поработать, но результат завораживает. Звучание от нижних и до верхних тонов идеально, интонация изумительная, тон живой и полный... Владеть таким звуком совсем не просто, но это исполнителю удаётся. Мне лично больще нравится звучание аля Александер 103, но здесь и Е. Шмид звучит на все 100
I am a reasonably competent amateur horn player. I can attest that his tone is great. His technicality is superb. As any horn player knows, it's almost impossible to play live without splitting the odd note. His expression is very good indeed and his cadenza is a firework show! The only thing I'm not so keen on is the vibrato. It's not really the classical style, and not my preference. But that's an opinion of course. I would certainly have given him the prize. Wish I could play the Gliere that well!
Yeah, wtf, I wonder if he was making that face because he was trying to be expressive and all or in disgust by the lack of awareness of the clarinetist
Uh... That is a clarinet solo in the orchestra that provides a counter-melody along with the what the horn soloist is playing at that time. They're supposed to be doing that. I've heard many recordings of this piece and find myself disappointed when they clarinet doesn't bring out that solo.
It’s not actually fisting the horn. He’s simply resting it on the inside edge of the bell. The sound is made slightly darker and more mellow by doing this, but it’s also to have quick access to tuning the instrument. By changing how much of the bell you’re covering, you can change the intonation in small or large ways. It’s mainly just a persisting characteristic of the instrument from when the natural horn was still primarily used, rather than modern “french” horns
