Painting an Oil Glaze Over a Charcoal Moose Drawing

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Just experimenting here with a new idea for my charcoal drawings. I drew the charcoal moose following my usual process, but then decided to add a sepia tone by glazing over it with oil paint and then using a subtractive technique to lighten values. Overall I'm very happy with the outcome and the process is an absolute blast. Hope you enjoy watching. Thanks!
Available artwork: joelpilcherart...

Опубликовано:

18 сен 2024

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Комментарии : 31

@donitafichter8298 4 месяца назад

Absolutely stunning work! Simply amazing and captivating to watch. You are so brave with each step! Thank you for sharing your gift.

@eddielopez350 5 месяцев назад

I try this method in a oil painting of my nephew and it works like a charm

@Sabelnikova Год назад

Another amazing work from amazing artist 😊 Respect from Bulgaria 🇧🇬

@elviscoles4728 Год назад

Absolutely stunning,love the process.

@andreapiedmonte1954 Год назад

It's always so exciting to watch you work...so many opportunities to mess the whole thing up, but you get that incredible, dynamic result!

@JoelPilcherArt Год назад

Thank you so much!

@yoichi6758 Год назад

Woooow, @Joel Pilcher! Nice comeback!!! I got a lot of mixed emotions and anxiety after you put brown paint and decided to smudge and I was like, "Oh no, here comes a disaster, he should'nave done that!". But then, the outcome was AMAAAAAZING!!!

@lyndiekempfer1855 Год назад

Once again...WOW! The work you do is so incredible!!!❤🎨

@JoelPilcherArt Год назад

Thank you very much!

@texridder479 Год назад

Another Beautiful piece of art Joel ! Love it.

@satyademasson 8 месяцев назад

superb work... love watching the process

@leonoradupreez9550 Год назад

Love it, you inspire!

@shirleymontano9657 7 месяцев назад

yikes! Got scared again with the oil glaze. Beautiful outcome. Fun, like a roller coaster ride though.

@PLIG_ Год назад

I like

@vickim6990 9 месяцев назад

This technique is amazing. Do you have a video explaining this process? Maybe the dos and dont's too

@ianwebb4711 2 месяца назад

Looks great. How did you prep the charcoal for glazes in oil? Thanks!

@manicsPerumbavoor 3 месяца назад

Amazing..did you use linseed oil with mineral spirit?

@gilliandobson5811 10 месяцев назад

Amazing work. I love your whole process. What do you make the oil glaze with? Do you just mix linseed oil with the oils? Our some other medium?

@JoelPilcherArt 9 месяцев назад

Thank you! Oil paint thinned with mineral spirits for the glaze.

@vlexlockheart5615 Год назад

Amazing as always.. Is that water your spraying??

@JoelPilcherArt Год назад

Acetone (nail polish remover). Thanks!

@ja48067 Год назад

Joel, what did you use to fix the charcoal and prepare for the oil glazing? Great work as always. Thanks for sharing!

@JoelPilcherArt Год назад

I sprayed the charcoal with Krylon workable fixative before applying the oil glaze. Thanks!

@kengambrell5995 Год назад

Did you use anything to get the bubbles out of the varnish, or did they just go away? I'm working on a 36 x 48 acrylic that is the largest I have ever done. The varnish part has me a little uneasy.

@JoelPilcherArt Год назад

They went away. I always do a test before the final art if any part of a new process is making me nervous. Thanks!

@elifd6635 11 месяцев назад

How much time do we need to wait before varnishing? By the way you did amazingly great job😊

@JoelPilcherArt 11 месяцев назад

I usually give it an hour or so. Probably less would be fine. Thanks!

@suvropbasu9864 8 месяцев назад

How did you substract the glaze with the intricate detailed areas like the horn, fur...since the video was in timelapse mode, unable to understand it

@JoelPilcherArt 8 месяцев назад

I use a combination of Q-tips and pastel tools to remove the oil paint in the more detailed areas. Thanks!

@markavandyk Год назад

I have never in my life seen so many needless steps. Dude, just draw the damn thing.

@SandraCarrigan-p3l 11 месяцев назад

I have been giving this process a try. The repeated steps definitely create depth and soften the blending at the edges of light / dark. It increases the sensitivity of the piece. If it is not your thing, ok. Personally, I am with Joel all the way :)