You can make it in most programs. Look for 'color dynamics' or 'color jitter' in brush settings. I added it to the default hard round brush. It's pretty easy!
@@leif1075 i have a huge amount of free references and writings that I've done in my discord. Youre also watching a free lesson right now in this video, I have dozens more!
It’s like how rhythm is more memorable to our ears than pitch. Super interesting. I should make myself a brush like this in Krita and practice. Thank you for sharing :)
Yep! Rhythm, intervals and relative pitch are more important than absolute pitch in music, the same way value, shape and relative hues are more important than exact absolute hues in visual art.
I feel like this becomes very obvious when studying in a classic way cuz u taught to do the underdrawing first before you even proceed with colors, where you could be making the entire painting in detail in monochrome until your values r abs perfect
this is somewhat of a misconception. Almost all the art that i show on this channel was not painted with an underpainting technique. including the image i show here. Almost all artists in the 19th century were doing a drawing and then painting with color directly over the top of the drawing with no glazes, layering or underpainting/grisaille.
@@JakeDontDraw Could you please show us the difference in technique between what the comment says vs what you are saying? I feel like I will only understand when I see it lol
@@IfYouMeetAWolfUnderpainting is when you paint the painting twice - first in one single colour so you can see where the light and shadows should go, then again covering the values in over the top, using the underpainting as a guide to tell you where to use shadow colours/highlight colours. It would be the same as here when he initially had his greyscale filter on, if afterwards he'd then painted the right colours over the top, using the greyscale version as a guide. OP says this is a classic way to paint. Jake is saying that's a misconception, and instead the classical artists in his vids skipped doing an underpainting, and just went straight into painting with colours over a sketch because they had enough knowledge of lighting that they didn't need the underpainting as a guide.
@@JakeDontDraw I honestly can’t remember which century what happened cuz we were taught technique separately from history but I remember doing oils in like 6 layers n up which was pretty damn satisfying
I purchased your drawing course because your shorts keep popping up on my feed and you break things down so well. Can’t wait to get into it once I get a chance to
I don't draw a lot anymore because of my tremors but I'm still into photography and this is a wonderful demonstration of why I love taking photos in monochrome instead of turning them monochrome in post.
I teach classes! I currently have a round of livestreamed classes going right now. Next one will be in late august/early september. I have a basics course on my gumroad you can check out all that stuff at jaketaplin.art
That's exactly why I love not choosing naturalistic colors in basically all my paintings! A monochromatic color palette is beautiful if you explore the values to their fullest and I like to show that in my art
This guy was lucky enough to have a very skilled mentor who wanted to learn the craft at its core. He reminds me of Madame and Franco Corelli who teach belle canto which is the most practical and wholistic approach to singing
i think you may have commented on the wrong video. hopefully the new warlock changes for the 2024 PHB will make it so we don't feel the loss of the hexblade too much!
u lowkey helped my skills feel better because i've got too much of a habit of focusing on one part of my art instead of the whole page in the beginning 💀
If you want it to read well without squinting your eyes than duplicate the layer make sure its above the non blurred one and blur it than lower the opacity of the blurred one and it has the similar effect but no squinting needed
As part of my computer vision project i have written some code that thresholds an image into as many shades as i like. Makes this all the more convincing. Even with a binary image (just black and white) you can read a lot of detail.
value is part of color. it separates red from pink, brown from orange, and white from black. just as hue and saturation is part of color. it's still color
As someone who casually draws for the past 29 years, It's funny, coz I didn't take notice of all these things, I just do it instinctively and only realising right now. ❤
I once did this by turning down the saturation of my monitor. The result looked like trash and I learned that the value is also dependant of hue. Saturated blue is always darker tgan saturated yellow, but the monitor will turn both into the same grey.
Important: Hues have lightness values independent of the value of the color you're using. Blue and red are always going to be darker green, yellow, cyan, ect. regardless of the numerical lightness value in the program, you're using. Blue is always going to be darker than yellow at the same value. That why you use blue for shadows and yellow for lights, because they stay saturated (also because blue light from the atmosphere bounces onto shadows in daylight)
Because you have zoomer brainrot and only shortform content can hold your attention. Basically, it's not your teacher's fault that you don't pay attention
For me, this issue is I draw differently depending on the tool, traditional medium, ipad, or my wacom tablet. For some reason, I can express my art as freely on a wacom. I think it's the pen, so Im gonna get a Huawei tablet. See if that helps.
do pen excersizes and stuff to get comfortable with the medium also just draw more, i hated digital art for a long time, took a few paintings to finally get comfortable enough to use it as my daily driver
@@harrietjameson I appreciate your help, I’ve been a graphic designer for 10 years but traditional artist for about 30 years. It’s more just about how a pen feels in my hand haha. I hate anything thicker than pencils and paint brushes since that what I grew up using. I’m just weird but appreciate your helpful suggestions, you’re great thank you.
I think color matters significantly in one very particular aspect: character creation. A recognizable color scheme is powerful. It’s why those character color block pictures work. But in day to day drawing, color isn’t so important, unless you are going for realism.
Creating neuralink with the intention of helping humans keep up with AI while also trying to create the leading AI superintelligence kinda feels like trying to deal with a fire by scrambling to make everything in the world flame resistent instead of trying to just put out the fire. I feel like 99% of elon musk's claimed motivations are a smokescreen for just wanting more power
I see what you're saying, although I'd word it as "colour is not what makes a painting readable" cuz colour can be very integral in making a painting look and feel good, but none of that matters if a person cannot read the piece very well. This is also why understanding colour values can also be important, because if you put together colours with values that are too similar, and don't have the lighting to change that, then two parts of your shape language are going to blend into one. I like your example, it's beautiful and a great way of showing the importance of lighting
Wait this is why they slap chop miniature painting method works isn’t it You make some sculpture do the hard work of making interesting shapes and forms Then use dry brushing the get cheap and effective value differences Then paint it whatever color who care too
Correct me if i'm wrong but isn't value the driving force behind showing form. A circle would not be a sphere without value. Lines are placed where there are value changes and the form turns away(overlaps, contour etc are in in essence also a value changes). Adding tone(value) in form of hatching the strokes can show directionality for extra clarification, but still, it's value placement?
i literally yap non stop about how form is king and by far the most important idea. You can watch my longer youtube videos if you want to actually understand my ideas. these videos are all cut down to hell to cram it into 60 seconds. The true hierarchy is Abstract (composition,proportion)> Form> Value> Color
Imo art is being thought all wrong in schools and universities. You cant jump into expressing your emotions and ideas. That comes after learning about colour theory, values, anatomy, art theory, aesthetics. Then you can use those tools and play with them. The example i use is picasso. He didnt start with cubism. He was a classical artist. But throughout his life , his style changes. Or the pre raphaelites. Without those foundations they wouldn't have been able to go against the establishment.
While you don't need the colors, I do feel like you're wrong a bit as color helps make things looks realistic. Colors don't matter if you are doing a certain type of art style. But in realism, they do. So yes actually they both do and don't matter, it depends on the art. Because those colors can make or break the realism in your piece.
