The beauty of this band is they work together so well. yes, the clarinetist is a thrill. She is mastering her instrument. And if this ain't Ragtime my 50 years of playin' were misled. It's the body, babe.
Thank you. Its great to know our music is in safe young hands. Just a small tip is to listen to the chords changing instead of reading. But it will come with time :) (My first gig was also in a café in 1958 and you sound far better than we did then)
I wondered how good the piano player might be, as during most of the song, she is simply playing repetitive chords. Then she played her solo and proved she can hold her own with the others in this group. I love this group, and especially the playing of Tamura Makiko.
That was the role of a 20s pianist - play straight 1/4 note chords and keep a steady rhythm for the horns to do their thing. Just listen to anything that Lil Hardin played with Hot 5/7. That's why it sounds more authentic compared to today's overplayed dixie bands
I have already become almost addicted to that superb trumpet sound of Kato Shinichi. On the other hand, I have a thought that if there is something that the whole of Japan is to be the most widely known by over the years to come, then it is that magnificent clarinet girl Tamura Makiko.
Actually, this song IS the Panama Rag. For comparison: Panama Rag (starts at 33 seconds): ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-gjMXOcH1ZMM.html Panama: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-C_ZOhGotoXU.html
Cuidado con los japoneses...todo lo imitan pero, finalmente, terminan haciéndolo mucho mejor. En unos años más, tendremos a la TOYOTA JAZZ BAND tocando en New Orleans y nada menos que en el mismísimo Preservation Hall.