Parallel Filter Tricks: Highpass and Lowpass Filters 

just some dude explaining trivial nonsense that matters nothing. all that matters is making something good. that might mean there are phase issues who ENRICH the mix. If you remove phase issues you end up with this guys terrible sounding boring sound. focusing on trivial stuff like this distracts from the heart and soul of music mixing.

​@@Perenbarnthose tips are ment to be used when its not just an example

@@Perenbarn please enlighten us on how to achieve a higher level of sound engineering without understanding the science behind it. We're not talking composition or writing. Thanks

same. Same. same.

Exactly the same!!! Amazing tutorials

Yea Dan, I can’t wait to see your next tutorial sir! 🙏🏿

Indeed, he got me looking forward!

I was about to attempt this exact idea in a restoration piece where I'm trying to desperately boost a very thin range of freqs (buried acoustic guitar) from an old, not too great, stereo temp mix.

Yeah. That was a high drama cliff hanger for me!! Need that parallel band pass video now 😂

Nature loves courage. You make the commitment and nature will respond to that commitment by removing impossible obstacles. Dream the impossible dream and the world will not grind you under, it will lift you up. This is the trick. This is what all these teachers and philosophers who really counted, who really touched the alchemical gold, this is what they understood. This is the shamanic dance in the waterfall. This is how magic is done. By hurling yourself into the abyss and discovering it's a feather bed. Terence McKenna

@@sebastianosleah magic happens only if you are honest- and fair-minded. Dreaming the impossible dream understanding that your dream is impossible - sucks). Liars and betrayors are never graced because their selfish dreams suck and might lead to one's sole sucksass.

And Q at 0.707 is a 2 pole butterworth

Tilt filters can be useful. Also available in Pro-Q3 or Slick EQ GE or Slick EQ M.

Would it be formal knowlwdge? I mean, formal education? Or a raw mix of intelligence, curiosity, experience and excellence mixed to the next level?

Al was far less cerebral

Use your tears

Unfortunately, any saturators I tried in parallel broke and chewed my highs. Aprox. 9 - 15 kHz is a very uncomfortable band for saturation for me.

@@YuriKovalyov interesting, what genres are you mainly talking about?

@@lennartrauhe7194 unplugged instruments (incl. drums - 4 channel recordings mainly) + electric guitars taken from the cabinets without DI + vocals. When recording with my portable equipment I get clean enough sound, but with highly energetic high-end, e.g.: rides from the overhead position. Trying to tame this with the eq is a problem as the eq reduces the level not energy (i.e. the acceleration of high frequencies), taming highs with the saturators chews the highs (slams or turns them into porridge, as I like to say). New native Reaper's antialliasing might help somehow. Shall try soon. However, the trick Dan proposed might be great for properly recorded signals with mild highs.

I need to up my game with the clickbait titles, is what you're really saying...

@@DanWorrall 100%