Part 1/3 Bhajare Re Manasa |Abheri|Sankaran Namboothiri|Learn from the Legend |Learn Carnatic Music 

I have never seen a music teacher like you. You have put your heart and soul into teaching. It is just divine!

Fantastic singer , I have seen and heard you at Shriram seva mandali, Bangalore, Concert, in 1985, I am very happy to hear your voice, Thank you sir.🙏🙏🙏🙏

Great teaching and great voice

The Sangeetha Seva which you are doing is very great. Through this you are showing the path of our sanatana sampradayam to the children. Great teacher. pranamams sir

നമിക്കുന്നു 🙏🙏🙏ഇതിലും നല്ല ക്ലാസ്സ്‌ എവിടെയും ഇല്ല ❤

Very good melodious Ragam. One should have luck to get Guru like Sri Shankara Namboothiri for learning. Beautifull rendered Ragam Aabheri. May God bless you. My Pranam. From J. A. Vasudeva Murthy. Basavanagudi Bangalore -560004 Karnataka state.

Great class... Pranamam Sir... 🙏🙏🙏

Superb teaching. I really very happy

Excellent teaching sir

great teacher.🙏🙏🙏🙏

S JANAKI'S THAMARA KUMBILALLO BY BABURAJ, SHINGARA VELANIN DEVA. ARE TWO NOTED FILM SONGS

I still remember the mesmerizing concert he had in the yard of my home at Othara on the occasion of my 60th birthday. The audience comprised well known musicians and lovers of music the legend LPRVarma being the foremost among them.

Excellent and very pleasant way of teaching Sankaran ji. Small suggestion. Please make swara phrases in mandra, madhyama, tara sthayi as exercises so that the student would get acquainted with swara sthanams. Great job sir. Keep it up. God bless you with good health and peace in life. Namasthe.

എത്രയാ നന്ദി പറയേണ്ടത് എന്ന് അറിയില്ല ഒരു ഉദാര മന:സ്ഥിതിക്ക് ഈ അറിവ് പകർന്നു തരുന്നതിന്👍👍👍🙏🏻🙏🏻

Pranaamam Sir, exemplery mentoring skills 🙏

Talented musician .so much depth in neraval.

Really excellent 👍 teaching Very clear to understand. Thankyou fr. The great service.

Excellent

Very very learned Music and excellent teaching method. God bless him (Vadhyar).

You are a great guru sir...I followed most of you learning series...

Really mesmerising voice sir. Please sing Nanda tanaya...purandara dasara Kriti and upload. We will be glad to hear and learn sir. Thanks much much. 🙏🙏🙏🙏

Thank you so much sir My daughter is benifitted at the most level. She is learning Carnatic music . Very helpful sir. She learnt pakala nila padi song from ur teaching video thnku once again sir from Tamilnadu. 😊

Thanks for doing a video and appreciate how detailed it is taught that is missing even in live classes these days. Request more of these!

Super.. teaching..sir I am from Karnataka.

Wonderful but only if notation could be given it would it make it easier

Thank you very much for posting Sir, This training session is more amazing than an actual concert!

Beautiful training. Precious teaching

Thank you Sankaran Namboothiri sir

Super singigclssical songs🙏🙏🙏🙏👍👍👍

Bhukthi muukhthi pradam vaasudeevam Harim. Second variation...sir yourself took so much of strain 5 to 6 times.Hatsof sir. Let students put their efforts also. Concentrating second variation vaasudeevam Harim. Sir. Really great grest master . What a devine voice sir. Great great great Mesmerizing teaching sir Sir pls teach Thishra nade Aadithala m and Attathalam varnam . Thalam concept Thishra nade really helpful to so many learners sir.pls. Dedicate it.

Very excellent & helpful class

Very nice sir

Sir! Your voice is very musical, way of explanation is very very nice, you have excavated the sweetness in the krithi.

Very nicely taught Sir 🙏. Happy to see such an involvement. Hope I ll learn more from your videos..

Super super, super

Super sir lucky to have a wonderful experience of learning ragas from a Legend like you, also the notations will help those who play keyboard, harmonium. How these can be downloaded sir. God bless Sir.

extremely helpful and soulful , such a wonderful teaching , extraordinary and simplified to us , thanks a lot and lot for this , looking forward for more such krithis

Excellent God bless you

Namaskaram Very nice teaching .....

God Bless You Sir

Thank you so much for giving classes .

Very nice explanations you made , though it is in Malayalam , good & easy to understand 🙏🌿🌻🏵️🥀🙏

God blessed voice

Excellent sir very good teaching 🙏🙏🙏

❤

You are an excellent teacher! Thank you very much for sharing your knowledge. I really enjoyed your music class.

🙏 🙏excellent teaching 🙏🙏

Wonderful tutorial sir! 👌 But just a small correction, avarohanam is Chatushruti Rishabham, not Shuddha Rishabham @ 1:56. Other than that, really great tutorial 🙏

Super sir... Thank you for this song...

excellent sir.

Thank you sir,🙏🙏.....

മാഷേ.. നല്ല ക്ലാസ്സ്‌.. ഇഷ്ടായി

Wonderful teaching.My humble pranamas.May I know how to contact you sir. I am interested in learning with you. I am in bangalore.

Sir ethu Audava Sampoorna ragamalle.

Amazing ...will Guruji do Eppadi Padinaro....by D K Pattamal..please🙏

Super teaching . Thanks much. Please teach kritis sir. I am from Bangalore. Love music.

Nice teaching sir

Nice class 👍👌

Please sir chutamu rare arabhi kirtana

Namasthe. Is it Chathurshruthi Rishaba or Shuddha Rishaba? I am trying to play in C scale. C Eb F G Bb C / C Bb A G F Eb D C. Saw the note D mapping to Chathurshruthi Rishaba.

Gd teaching class but if will give notation we easily grasps

Sir, can we get the notation for this .

The standard reference source for Mysore Vasudevacharya's krithis, the 'Vaasudeva Keerthana Manjari', lists this song as being set to Abheri, which is characterized as janya of 20 Natabhairavi, but the scale is given as 's gi ma p ni S / S ni di p ma gi ri s'. The d is clearly chathushruti daivatham (d2), not shuddha. Wikipedia lists the raga as janya of 22 Kharaharapriya, with da coming as an anya swara. With 20, the di will be the anya swara. When you describe the d as 'small', it means da (d1), but you then call it chatushruti (di or d2) rather than shuddha daivatham (da or d1) or shatshruti daivatham (du or d3), and demonstrate it as clearly not da. The problem is, both da and di occur in the raga, either as a resident or as a guest. Your description is rather confusing. There is also a confusion when you describe the g as g1--strictly speaking, it is gi or g2. I think part of the confusion comes from the way you mix up Carnatic nomenclature with Hindustani (tivra). Hindustani 'shuddha' is the opposite of the Carnatic 'shuddha'. Stick to just one nomenclatural system? I point this out because you are a good teacher, so it is important to be consistent with your terms and descriptions of ragas.

Excellent.but you can avoid the command yea ,yea, will be clean and good.lission your own audio.

I bow to almighty with tear in my eyes and a joy in my heart ....

സാറിന്റെ മൊബൈൽ നമ്പർ തരുമോ

SUPER TEACHING SIR i am frm hyderabad

സർ, ക്ഷമിക്കണം തെറ്റാണെങ്കിൽ പൊറുക്കണം. സംഗീതത്തൽ അറിവില്ല. എങ്കിലും ഈ പഠനക്ലാസ്സ് എന്നെ പോലെയുള്ളവർക്ക് ഏറെ അറിവുനൽകുന്നു. സർ ആമുഖമിയി പറഞ്ഞിട്ടുള്ള ചില കാര്യങ്ങളിൽ ആരോഹണത്തിൽ അഞ്ചുസ്വരങ്ങളും,അവരോഹണത്തിൽ ഏഴുസ്വരങ്ങളുമുള്ള രാഗങ്ങളെ ഔഡവ സമ്പൂർണ്ണരാഗങ്ങൾ എന്നല്ലെ പറയുക,എന്നൽ സർ ഇവിടെ സൂചിപ്പിച്ചിരിക്കുന്നത് ഔഡവ ഷാഡവ രാഗം എന്നാണ്.ഇത് ആരോഹണത്തിൽ അഞ്ചും,അവരോഹണത്തിൽ ആറ് സ്വരങ്ങളുമുള്ള രാഗങ്ങളെയല്ലേ

Very nice sir