Part 1--Choreography of the Hands: The Work of Dorothy Taubman 

Glad to know it's by Haydn. Can you tell me which number or key?

@@minhnguyen1908 Sonata in F major, H. XVI:23.

Thanks for the infos. It will now be in my " must learn" list

Luka Puka that was the style back in the day. i won't be surprise if it comes back in style. fashion does repeat itself.

very true

People looked hideous back then. WTH were they thinking?

@@lightball1414 People look even more hideous in 2023...

this bit didn't make sense to me, but your explaining it made it make more sense :)

The first thing you write is correct, that pain is a sign of bad playing. The second part is absurd, frankly. You cannot play half of Chopin without a wrist that is able to move in all directions; Octaves etude is the most obvious example. There is an infinite number of ways to play the piano well; there is no one-size-fits-all approach.

@@johnmilbauer7371 I had the same feelings as you did before starting to train with a taubman teacher. I was so totally wrong. It is really something you should try before judging.😊

@@johnmilbauer7371 Taubman and Taubman teachers all admit that players with rather larger hands can play 1-4 octaves without physiological problems, but it is rarely necessary and is unhealthy for smaller hands.

Haha. True!

zirbsssss I am interested in knowing the answer to this. I think she's saying if you are playing 2 black keys, do not use the 1-4, use the 1-5 instead. The 1-4 causes ulnar deviation I believe (aka "twisting").

Rachmaninoff Piano Concerto #3 in d minor

both are

liszt hungarian rhapsody no. 6 if you’re still interested 9 years later

Thank you very much for your acknoledgement and recognition ! I am happy to be able to help young pianists who love music and piano with all their heart and who endeavor to become true musicians. Maria Saboya

+Compte Monsuor I don't know whether you are still wondering, but I know of two very experienced Taubman instructors in USA. Robert Durso is in Philadelphia, PA, and Mary Moran is in Schenectady, NY. Both are co-founders of the Golandsky Institute for teaching the Taubman Approach. Ms. Moran has been involved with Taubman Approach since the late '70s and Mr. Durso since the early '80s.

I can confirmed the fact Maria is so helpful, she's my teacher I start with her one month ago and it's a litteral change of perspective, I totally relearn and it's a revolution for me ! Excellent pedagogist for shure

Hi Janis: you might try getting in touch with the Golandsky Institute (www.golandskyinstitute.org/teachers/) They work with instrumentalists of all kinds utilizing Taubman's ideas and have been quite successful applying her approach to other instruments.

I'd very much like to, but I'm not a conservatory kid or a professional. I'm a lifelong adult amateur pianist with some childhood training who has begun to play harp and has discovered that everything you AREN'T supposed to do on the piano you are instructed to do on the harp. And ... well, it hurts. And it worries me that so many harpists seem to be injured or have had surgeries on their hands and shoulders, and that I was an autodidact for two years without pain, but now that I'm taking more rigorous classical lessons, suddenly my hands hurt. The whole technique on the instrument appears to be designed specifically to damage the hands. :-( Being trained as a physicist, I'm willing to just start from first principles (forearm rotation) on my own, and while it would be nice to have some guidance, I am nowhere NEAR the level of virtuosity that would qualify me to talk to the Golandsky Institute.

I'm not sure your virtuosity matters here--you're hurting and you need help. I don't know anything about the technique of playing the harp. the question seems to me to be: is there a way to play the harp that doesn't injure the body. Golandsky's people are very good at analyzing movement. Maybe they won't be able to help you--but I'd say its worth a try. I don't know how much of Choreography you've watched, but there is a segment, I think in Part 3, with a flutist. Dorothy tells the camera how she'd never worked with a flutist before, but was able to help figure out the movements. That's what I'd hope for in your case.

Hayden piano sonata 23 I guess

Haydn Piano sonata

amat6690 Thanks! Do you know which one of them?

I've found it! It's his Piano Sonata no. 23 in F major. Thanks for your help.

can anyone tell me where that girl at 2:00 lives ?

Alloy Brendan lol

It can solve that as well!

I found nothing wrong with the sound when I tried it, and I spot checked throughout the 15 minutes of Part 1. Is it possible that your own sound settings are not set properly, or your volume is set to zero?

+Tore Bordal No, it is the Haydn Sonata in F major Hob. XVI 23 - I. Allegro moderato.

Hehe yeah, but didn't it remind you a lot of his 23rd sonata, first movement, one of the middle parts?

What a thoughtless comment.

@@RevantuZ ありがとごさいます

You're a wonker.