Part 12 - Oil Painting a Decorative Smoothie - Common Loon - Laurie J. McNeil - [HD] 1080p 

Laurie continues painting the first pass of whites in the spots and in the neck patches and necklace. Laurie uses Gamblin "Fast-Matte" Titanium White with consistency of "cream", when mixed with 50% Grumbacher Turpentine/50% Grumbacher Painting Medium 1 (Matte). Important to be consistent from left to right scapular groups, the size and shape of the spots, as well as their distance away from the outer edge of the feather. On a more fully exposed scapular feather, leaving a portion down the middle for the quill to be added later, adding a portion of the spot being covered by the feather on top of it, breaks up the spot pattern to be more realistic. Squinting your eyes replicates seeing the bird at a distance. It will show the inconsistencies in shading of the spots, as well as their size and shape.

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