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Patch Bay Expansion w/API BOX

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After having had the box console for a couple of months I've kind of figured out how I want to arrange it with the patchbay a bit more which will involve getting a fourth bay. just sharing my thought process and exactly how I'm laying it out and why.
#recordingstudio #apiaudio #musicproduction #mixing #producer #doylestown #patchbay #redco #audio

Опубликовано:

24 авг 2024

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Комментарии : 15

@tymiklic6463 2 года назад

love these videos you are putting out...phew....i think my brain just broke..ha..love your studio cheers Ty from s.oz...

@hopetownsound 2 года назад

🙏👍

@seanfonda3317 13 дней назад

So for tracking, are you implementing a workaround with the sends on 9-24 that allow you to insert an external preamp and run direct out of the Box into your DAW? That's something I'm a little unclear on with the Box consoles. Are you stuck with only 8 simultaneous tracking channels or are the summing channels able to be routed to preamps (or just directly to the daw if line level already) and then into the DAW, back in through the return on the Box latency free--essentially giving you 24 tracks into the daw for tracking simultaneously? (I hope I'm making sense lol) I'm a full-size inline console guy. Trying to wrap my head around signal flow for the summing channels. Thanks for the vids. Great stuff!

@hopetownsound 12 дней назад

Hi, yes this console only supports 8 channels of recording, for anything over that you just patch preamps into the DAW.

@lepelrecords 4 месяца назад

what is the best and most basic to record the program out of the console , do you patch your monitors and run the main 2 program outs to a bay so that you can patch in to your daw/and let half the signal run through to the speakers? This doesnt seem quite right in theory, and i wish they had a sum out to DAW feature.. so you can hear the full summed mix and track it at the flip of a switch? objective is to final bounce through the api, with compressor section engange and end up with one stereo wav file.

@hopetownsound 4 месяца назад

yeah, there's separate program out and control room out. Either have it normal in the patchbay to 2 inputs on your interface, or, I have it on loose cables, so I can patch the program output anywhere. and then monitor the recorded signal on one of the 2 track inputs.

@fieldsstudio Год назад

How do you route the talkback to you p16’s from behringer? Thanks for this video. It’s very clear to me now

@hopetownsound Год назад

The API sends the talkback to the Cue bus which i patch to channels 1/2 on the behringer

@fieldsstudio Год назад

@@hopetownsound oh now I get it. Thanks!

@fieldsstudio Год назад

I’ve got an second question. When recording a band. Do you make a monitor mix with the cue send and with the lynx software for individual tracks? Normally I use 16 ADAT outs from my interface. But I don’t like to make a cue mix with my mouse and software. Is it possible to use the 16 summing faders while recording to make a controlroom mix instead of my interface software?

@hopetownsound Год назад

if it's a band, then I'll take a zero latency fold back from the lynx inputs so each person can do their own mix. Most vocal sessions I just send the main mix to the cue so they're hearing what I'm hearing but it's always possible to do a separate mix.

@craigbrown7929 2 года назад

Can you ever have enough patchbays?

@hopetownsound 2 года назад

😂 not yet anyway lol

@craigbrown7929 2 года назад

@@hopetownsound I have 1/4” patchbays, and most of my studio is analog. I have an old Mackie 24-8 console, just got new MOTU 24Ai and 24Ao interfaces. Some outboard compressors, also just got my first 500 chassis along with 2 DBX 3 band eq‘s and the SSL UVEQ. My latest addition is an Otari MX5050 tape machine for mix down. I currently have 7 patchbays and will probably need a couple more.