London Symphony Orchestra & Olso Philharmonic Chorus conducted by Per Dreier.
Act I
I - Prelude: At the wedding garden. Allegro con brio - Poco Andante - Un poco Allegro - Poco andante - Vivace - Poco andante - Allegro con brio: 0:00
II - The Bridal Procession passes. Alla marcia: 5:19
III - Two folk dances: (I) Halling dance. Allegretto: 8:44 (II) Springar dance. Allegro moderato: 10:08
Act II
IV - Prelude: The Abduction of the Bride and Ingrid's Lament. Allegro furioso - Andante - Andante doloroso - Allegro furioso - Andante: 12:16
V - Peer Gynt and the Herd-Girls. Allegro marcato - Molto meno allegro - Poco più allegro - A tempo vivo - Tempo I - Quasi presto: 17:03
VI - Peer Gynt and the Woman in Green. Andante: 20:50
VII - Peer Gynt: ''You can tell great men by the style of their mounts!''. Presto: 22:49
VIII - In the Hall of the Mountain King. Alla marcia e molto marcato - Più vivo: 23:15
IX - Three norwegian dances. Allegro marcato (25:44) - Allegretto tranquillo e grazioso (32:35) - Allegro moderato alla marcia (35:02)
X - Dance of the Mountain King's Daughter. Allegretto alla burla - Presto: 38:38
XI - Peer Gynt hunted by the trolls. Presto: 40:35
XII - Peer Gynt and the Bøyg. Andante - Allegro - Andante: 43:47
Act III
XIII - Prelude: Deep inside the pine forest. Largo: 46:31
XIV - Solveig's song. Andante - Allegretto tranquillamente - Tempo I - Allegretto tranquillamente - Tempo I: 48:37
XV - The death of Åse. Andante doloroso: 53:51
Act IV
XVI - Prelude: Morning Mood. Allegretto pastorale - Più tranquillo: 58:23
XVII - The Thief and the Receiver. Presto: 1:02:22
XVIII - Arabian Dance. Allegretto vivace: 1:03:51
XIX - Anitra's Dance. Tempo di Mazurka: 1:08:52
XX - Peer Gynt's Serenade. Poco Andante - Allegretto - Allegro - Tempo I - Tranquillo e dolce - Allegro molto: 1:12:31
XXI - Peer Gynt and Anitra. Allegro vivace - Poco meno allegro - Prestissimo - Molto più lento, quasi moderato: 1:15:32
XXII - Solveig's Song. Un poco Andante - Allegretto tranquillamente - Tempo I - Con moto - Allegretto tranquillamente - Tempo I: 1:17:03
XXIII - Peer Gynt at the Statue of Memnon. Largo: 1:22:16
Act V
XXIV - Prelude: Peer Gynt's homecoming, stormy evening on the sea. Allegro agitato: 1:24:26
XXV - Shipwreck. Allegro moderato - Allegro marcato e sempre stretto - Presto - Andante: 1:28:11
XXVI - Day scene: 1:29:09
XXVII - Solveig sings in the hut. Andante: 1:30:36
XXVIII - Night scene. Adagio - Un poco Allegro - Andante - Poco più animato - Allegro agitato e stretto - Andante - Adagio - Allegro: 1:31:54
XXIX - Whitsun Hymn: ''Oh Blessed morning''. Langsam: 1:39:08
XXX - Solveig's Cradle Song. Lento - Tranquillo: 1:40:10
"Peer Gynt" Op.23, is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Grieg later created two suites from his Peer Gynt music. Some of the music from these suites have received coverage in popular culture.
Edvard Grieg was one of the definitive leaders of Scandinavian music and his influence was great. Although composing many short piano pieces and chamber works, the work Grieg did for Henrik Ibsen stood out. When Ibsen asked Grieg to write music for the play in 1874, he reluctantly agreed. However, it was much more difficult for Grieg than he imagined. "Peer Gynt progresses slowly," he wrote to a friend in August 1874, “and there is no possibility of having it finished by autumn. It is a terribly unmanageable subject.”
"The more he saturated his mind with the powerful poem, the more clearly he saw that he was the right man for a work of such witchery and so permeated with the Norwegian spirit," his wife wrote of him and his music. Even though the premiere was a "triumphant success", it prompted Grieg to complain bitterly that the Swedish management of the theatre had given him specifications as to the duration of each number and its order: "I was thus compelled to do patchwork... In no case I had the opportunity to write as I wanted... Hence the brevity of the pieces" he said.
Originally, Grieg composed 90 minutes of orchestral music for the play, he later went back and extracted certain sections for the suites. Peer Gynt's travels around the world and distant lands are represented by the instruments Grieg chooses to use. For many years, the suites were the only parts of the music that were available, as the original score was not published until 1908, one year after Grieg's death, by Johan Halvorsen. The complete score of the incidental music includes several songs and choral pieces. The complete score was believed to be lost until the 1980s and has been performed in its entirety only since then.
[Activathe the subtitles to read the lyrics].
Source: bit.ly/3CKQw5V
To check the score: bit.ly/3AZQR3a
7 авг 2024
