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Peter Benoit - Lucifer 

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Peter Benoit (1834-1901)
Lucifer (1865-1866)
Oratorio
Part 1 - No.1 [00:00:00]
Part 1 - No.2 [00:10:23]
Part 1 - No.3 [00:19:50]
Part 1 - No.4 [00:22:27]
Part 1 - No.5 [00:28:00]
Part 2 - No.6 [00:36:20]
Part 2 - No.7 [00:42:18]
Part 2 - No.8 [00:47:24]
Part 3 - No.9 [00:52:15]
Part 3 - No.10 [00:57:39]
Part 3 - No.11 [01:09:38]
Performers: • Peter Benoit: Heaven a...
Score from: imslp.org/wiki/Category:Benoi...

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17 июн 2024

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Комментарии : 4   
@SPscorevideos
@SPscorevideos Месяц назад
Antwerp Symphony Orchestra, Octopus Symfonisch Koor, Choeur de Chambre de Namur, and Kinderkoor van Opera Ballet Vlaanderen conducted by Bart Van Reyn; singers are (if I got the album info right): Renate Arends, Maria Fiselier, Marcel Reijans, André Morsch, Werner van Mechelen.
@BenzemonstreENTs
@BenzemonstreENTs Месяц назад
La partition est belle, mais quelle est l'explication de cette oeuvre ? Est elle satanique ? En tant que catholique ca me derangerait beaucoup d'apprecier une oeuvre a la gloire de Satan...
@owengette8089
@owengette8089 Месяц назад
Oh, he absolutely is not glorifying Lucifer. This was written by a Belgian composer in the 19th century and the prospect of a satanic oratorio having any success, in that setting especially, is ridiculous. The piece is about man overcoming Lucifer's attempts to overpower the Lord.
@christianwouters6764
@christianwouters6764 Месяц назад
Benoit is enormously underrated here in Belgium for political reasons. He was part of a nationalistic romantic movement that was common to the whole of Europe then. Like Dvorak, Mussorgski and many others. But the peculiar nature of the unnatural Belgian nation dominated by French influence made that his Flemish orientation was ridiculed and rejected. This survives till today.
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