Peter Steiner & Constanze Hochwartner - Fly or Die (Gilles Rocha) 

Thank you 🙏🏻😊

@@PeterSteinerOfficial I also studied trombone and played for 8 years in the orchestra, but I am not nearly as good as you ;-). Keep it up, I love your play!

I mean, he went to Julliard...

Thank you, I appreciate your kind words 😀 there is always room for many good players!

@@PeterSteinerOfficial Did some more listening to your youtube channel and went to your website. I see we have at least two things in common: We have both performed Tommy Pederson's Cogent Caprice and we have both played with the symphony in Denver, Colorado (when I played with them in the late 70's, it was the Denver Symphony Orchestra...prior to the name change in 1989). I stopped playing in 2010...just didn't have it in me anymore. However, I gladly surrendered to the likes of you, and those like you, who make the trombone and bass trombone a glorious instrument!

After listening to them carefully I think that Peter has something more in the precision and speed of execution. The low notes are better because Lionel uses a low trombone.

Luigi Formicola - Bass Trombone*

Idk I thought peter nailed those low notes extremely well for playing a tenor trombone

I agree with you

why not both, it's not exactly a competition when it comes to music usually.

Thank you very much for your nice words, I really appreciate it!

He sounds out of tune and doesnt hit all the notes during the performance, hes amazing but still, that's just how I hear it. Just about a week or so of practice would fix this amazingly

Jonah Bacon he’s on tour so prolly doesn’t get as much time to work on one single piece

There is also the problem of taste.. if you play things like a pervert you will sound like a pervert.

Jonahbacon that was performed live and Not in Studio., you are sometimes right, but the feeling and the Sound is ,to me at least, much better as from the original Performer, Lionel Fumeaux, who Plays this piece on Bass trombone ,for what It was written for ...but with a dirtier Sound, less feeling

Spencer Lininger Get the sheet music now, you could probably get it down by the time you graduate

@@charleyhibschweiler4555 I've come a long way since I wrote that comment. I have almost mastered blue bells of scotland and I'm thinking about doing this or something a little easier for comments only next sólo and ensamble

@@TheStickyKey Wow! Blue Bells of Scotland?? You must be amazing! That sond is incredibly difficult!

Thank you very much for your kind words, I really appreciate it! I will be back in the US for a Tour in November 2018 and February 2019. Perhaps we will meet again then. All the best, Peter

🙏🏻😀

I would highly recommend investing in a tube of trombotine; it works wonders

Yamaha slide grease x Shires HydroSlide all the way!

If you like this, you should hear him now! I heard him perform this at ITF 2019 and it was incredible! He's so much better now than he was when this was recorded, and thats saying something.

Thanks so much, I really appreciate it 😁

kris I’m a string player and love this

😀🙏🏻🥳

Thanks 🙏🏻

Flight of the bumblebee, Carnival of Venice, just to name a few which are probably harder

@@Gabriel-yd4bq I don't know man this is a lot harder than flight of the bumblebee

​@@Gabriel-yd4bqflight of th bumblebee isn't even that hard, my teacher could play it with his FEET, he even showed it to me since I couldn't believe it. That was insane

Mark Johnson which one?

Good luck 🍀 I would recommend practicing very slow - be patient! Regarding the high register there is a „High Register“ Masterclass on my RU-vid channel 😀

Sounds more like a french horn or euphoneum to me

😀🙏🏻

Thank you 🙏🏻

I was thinking the same thing, I'm not sure if it's the player or just the acoustics (I'm not qualified to be talking about this.), but I think the piano in this sounds better than the live Lionel Fumeaux Version, It certainly sounded great. Additionally, with the Trombone, I favor the acoustics, I like Peter's sound, and I personally prefer it over the original as well. Though Fumeaux has become a role model for me in recent months, and I think both versions have their own benefits to them. I just prefer the way that this was written. But I think the piano in this gave it a huge bonus from the original, because this piano is a lot smoother and blends much better with the piece. Over all, I think this was an amazing performance by both of them, one of the best solo performances I've heard In a while.

The pianist happens to be his Girlfriend. Haha.

@@TheRiddie I think that‘s the secret behind the great blending 😉

Thanks so much 🙏🏻 Soon we will release our version of Towards the Light!

🙏🏻😀

Model BelCanto by Thein

nah, he's just improvising

It's a tenor trombone, the piece was arranged by the composer for me!

James Kihiu I'm on the team

James Kihiu :D

lionel fumeaux is better

They are both good lol no reason to put someone down after taking their time to post this

Fumeax has trash sound it’s painful on the ears

Bailey Barrett watch the bass trombone part it sounds like 5 times better

Tenor

Maybe because it's on a tenor trombone? Jesus christ some of these comments

@@noahmarez yeah, that's legit what Zachary was saying. Why do you have some kind of mission to defend this guy. Nobody is saying this is bad or that we could ever achieve it, but rather that lionel's sounded better.

Linkin Parke t’es sérieux ? C’est peut-être un des meilleurs trombonistes au monde ! Sa position n’est en rien dérangeante, chaque trombone a sa position...

Fumeaux is great but peter is a way more complete musician overall, 🤷

Go listen to his interpretation instead of putting down others. You also got some nerve to say that about Peter Steiner lmao