Picado Exercise by Antonio Rey 

Thank you very much, one of the best instructional videos for picado and scale combined, and adaptable too. I've watched your other videos, you're a great player and thank you for taking the time to put make these and put them up for us, much appreciated...

Saúdo com muita alegria e, que toda bênção do todo poderoso Deus do universo seja para te. Maestro de todas as aulas postada no youtube, na minha opinião a sua fica em primeiro lugar, essas aulas me deu animo a voltar a estudar musica, depois de 10 anos meu violão encostado no canto da parede, estou pronto para os estudos, muito obrigado e um abraço deste Brasileiro que te admira.

Super instruction and virtuoso playing, really love your J Cardoso interpretation also. Fine playing

Thanks. More exercises coming up!

EXCELENTE, eso es lo que estaba buscando, mil gracias

Gracias Antonio, excelente...

Hey, good to hear from you, Benjamin. Yes this would be great for 3-finger picado.

great .. I just started to "picadorise" at close to the beginning of flamenco study... this was perfect... got it easily... but the speed and I M coordination is gonna take some serious practice time... thanks ... very useful

thank you for your kind words.

Thanks great instructions

Thanks!!!

muy muy bien...creo que ahora tengo que empensar a estudiar un poco de tecnica :) gracias de tu condivision :)

thank you , I practiced this all weekend, well mostly. I perfect way to get me alternating fingers ALL the time, thanks

thank you maestro

Yes, Nunez has a very similar exercise done with three fingers.

Great my Dear friend Orhan, saludos Jesús Mayoral.

Man your so good at it and generous thx alot

Hey Atrafana,This picado exercise is great, it's more fun to play then most so it practicing picado not so bad. Thanks!

Thank you for generous

Thank ypu

true!

you love the picados my friend! and I like your picados!! ;) amazing!

I learned the same one from Santiago Lara, but he did it as a three finger picado as well.

Thank you so much for this video! Do you have a tabs for this in your website?

como se llama la cancion esta? de donde sacaste el picado?

what a great excersises !!!! But I have a question... I see that you "break" your wrist to this....Do you do that always regardless the technique or just to do "picados"?....

I noticed that the exercise is in E harmonic minor at the beginning (Bmaj to Cmaj) but switches to E minor up the neck (C maj to D maj instead of D#mib5.) Is this by design to by-pass the tone-and-a-half jump in the scale? Maybe another way of asking is this. In E harmonic minor, would the D# ever act as a root note to a chord or is it more common to play D as the root note of a progression to avoid confusing it's harmonic function?

Excellent! Tabs?

WOW, you´re great. Incredible technique and musicianship, how long do you play? Did you study classical guitar or only flamenco? :) Do you play some concerts etc.? :))

Excellent lesson! May I ask why you use the 1st, 3rd and 4th finger to play the 2 whole steps in a row passages as opposed to 1st 2nd 4th? Is it just preference or is there another reason? Thanks for all the wonderful videos! I have subscribed.

Este estudio es de Gerardo Núñez.

this exercice is originally from gerardo nunez... not antonio rey...

Este ejercicio es de Narciso Yepes ...y lo lleva Manolo Sanlúcar cuando hace algún máster Antonio rey lo cogió de hay seguramente....saludos

Este ejercicio se lo enseño David cerreduela a Antonio rey pero en verdad pertenece a José Jiménez ( VIEJIN)

HI . My picado is pretty developed for the beginner-intermediate level. However, it seems I hit a plateau in my development, and I don't think it has to do with my right hand. I get a feeling my left hand is the culprit here and is not syncing with the right hand properly. Both of my hands are quite fast and accurate, however I can't seem to get that crisp and uniform sound when playing scales at a higher tempo. My question is specifically about prepared playing and *continuous contact*. We know that in picado one must play staccato in a 'walking' type fashion, in order to prepare the finger for the next stroke. I was wondering if the similar principles apply to the fretting hand, if there are any. So far what I have been doing for ascending passages: The notes in brackets are planted by the left hand simultaneously. So after I play the 7th fret on E string, I plant the pinky on the 8th string and at the same time, my index finger relocates from 5th fret on E string, to the 5th fret on the A string. After the 8th fret is plucked on the E string, the index finger is already planted on the next consecutive note, 5th fret on A string, making the string-switching transition sound smooth. D----------------------------------------------------------------------------------------------------------(5)------------7--- A---------------------------------------------------------(5)--------------7----------------(8)----------------------------- E-------------5-------------7-------------(8)------------------------------------------------------------------------------- I have been doing similar with descending passages although it feels a little more tricky: D---------9-------------7--------------(5)------------------------------------------------------------------------------- A---------------------------------------------------(8)------------7-----------(5)---------------------------------------- E------------------------------------------------------------------------------------------(8)-----------7-----------5---- Is this a correct way to practice? Could you give me some advice or pinpoint me to some literature regarding this subject matter? Thanks ;)

👍👍

es de Gerardo Núñez

Does anyone know what chord is at 2:38?

Muy bueno lo de la dos cámara, pero si ambas cámaras estuvieran detrás del guitarrista todavía seria mucho mejor porque lo veríamos desde el punto de vista del guitarrista, que el mas real y tal como uno lo ve cuando toca la guitarra.

Can u share tabs pls

my bueno

bu calismanin dokümanı paylaşabilir misiniz hocam

i need sheet

first exercice is from gerardo nuñez...

good....antonio rey ( I M) gerardo nunez ( I M A)

i think this exercice is originally from gerardo nunez...