Domingo tripping over that chair was an amazing moment tbh. It adds a bit of character to the performance, and I'll be damned if he didn't play off that fall like a champ. Absolutely amazing performance.
Después de ver a varios interpretes de esta aria, me quedo con la de Placido Domingo. Literalmente trasmite la angustia, frustración, celos y coraje, excelente! ❤
This is a blinding piece of theatre. Most actors could not inhabit their roles with the same intensity as Domingo and Stratas. The point at which Domingo stumbles over a wooden stool simply adds to the character's pathos. Awesome.
Al margen de que el Sr. Domingo pueda gustar más o menos, y de aquellos que siempre lo han perseguido de forma implacable....... Aquí nos "regaló" una actuación soberbia, impresionante a todos los niveles: teatral, gestual, de canto. Sabe sacarle incluso un mayor valor dramático al tropezón con la silla. FABULOSO. Es de bien nacidos ser agradecidos. Y eso que yo, no soy uno de sus seguidores.
Fantastic Domingo & Stratas. I've only seen three Canios in the theater, but they were great: Vickers, truly terrifying; Pav, sang beautifully but just stood like a lamppost; Domingo, who combines the opulent voice with an overwhelmingly character. Watch out for stray chairs!
There are another two great Canio"s - Ronald Dowd and Donald Smith , both Australian and of international standing . A must to listen too . Oh , and 'boy' could they act out the role -superb like Domingo .
This is an incredible performance. Domingo and Stratas are truly the best vocally and in acting. The anguish of Canio and the fear of Nedda are palpable. And listen to their voices.
Diamoci una regolata se Domingo è grande che dobbiamo dire di Corelli colossale o di MDM eccellente??? Oddio certo che di fronte a Kaufmann Domingo tutta la vita...!!
Bravo !!! Bravoooo !! What a master of the interpretation Domingo was!!!. I listened to other opera singers who sang very well the aria "vesti la giuba", but the best performance of Canio during the masterpiece "Il pagliacci" belongs to Domingo. He's the master!!!
una majestuosa interpretación del gran maestro placido, y si el propietario del canal lee el comentario por dios mismo me saco la lágrimas no me pude contener! es una de las mejores interpretaciones que he visto después de la de mario del monaco el supremo. saludos a la comunidad y al inmenso arte de la opera.
Sobre todo si tenemos en cuenta que no ha parado ni después de pegarse una h0stia con el taburete. Fuera de bromas este tío es lo más grande que ha dado la ópera.
Tremendous performance. Both Domingo and Stratas, superb singers but also able to act their roles to the fullest. You can just see the play character taking over Canio's better self. And you can see the very moments when Nedda first realises something is wrong, and then that Canio knows the truth, and she has a portent of what is to come. Best performance I'll see in my lifetime.
Un immense artiste ,il n'a pas perdu son sang froid et T.Stratas a très bien réagi quand il l'a entrainée dans sa chute.Deux grands acteurs et chanteurs.
Le cuento que vi a Placido Domingo dos semanas después de esta actuación, en una reunión de muchos amigos de juventud y me mostró su pierna, todavía morada... Se lastimó en serio pero no dejó de hacer su extraordinaria actuación (Sergio Berlioz).
@@arietrece Gracias por compartir esa anécdota debe de ser una experiencia hermosa tener el contacto con personajes que hacen historia y dejan una huella en nuestro camino de vida.
Mille mercis,une mise en scène théâtralisée avec ce sublime opéra, que du bonheur et M. Domingo donne comme à son habitude de l'émotion et de l'intensité dans ses personnages,de l'art à l'état pur ❤️
Wonderful Domingo and Stratas. Placido owns this role just as Tito Gobbi owns Scarpia and Callas owns Tosca. And Rosa Ponselle owns anything she wants.
White heat. How well I remember seeing this on PBS in the spring or very early summer of 1978, when I was 18. This was actually a Cav and Pag from the Met. Domingo was the Turiddu as well as Canio. If memory serves, Troyanos was the Santuzza and Vern Shinall the Alfio. Milnes was of course the Tonio; his Prologo from this production is readily available on RU-vid. Quite sure that Levine conducted both operas --
Fantastic combination of voice and acting. Domingo was a brilliant actor with one of the greatest tenor voices. Unfortunately greater voices (Pavarotti) couldn’t act.
Una histórica e increíble versión. Domingo es único en este role haciendo una perfecta interpretación y.Una magistral actuación...con Corelli son los mejores de la historia en esta Ópera. Del Mónaco, Vickers y Kaufmann es tan un peldaño abajo...y 2 peldaños abajo el resto
Thank you for sharing this with us, it is wonderful. Domingo carried on despite the combative stool and Stratas kept apace, even ejecting the offending prop for all our sakes. A very, very good version of Pagliaci. I hope one day to see the rest of it. After seeing this version, I think it works after all for Canio to say "La commedia è finita!" just as much as when Tonio says it. Domingo and Stratas worked together many times and it was glorious. I only wish more of their work were available on DVD. The world needs more like them. They're both quietly known for their humanitarianism. They don't need more attention for it, but more emulation.
DOMINGO AND STRATAS HAVE A BETTER RICORDING OF PAGLIACCIO AND DIRECED BY THE GREAT ITALIAN ZEFIRELLI, THAT IS ALL OF THEM CLOS TO THE IMPOSSIBLE. I MET DOMINGO WHEN HE DID TOSCA IN OSLO. IN 1980+ AFTER A NICE TALCK…..MY WIFE AND ME TRYED TO HEAR HIM MANY TIME WHEN HE WAS SINGING I BERLIN. AND OTHER OPERAS. WITH RESPECT…….BRYNJAR HOFF
Excelente opera,sin duda una demostración de las emociones que conforman al hombre, bien demostradas dentro de las actuaciones vistas y una gran producción de una pieza clásica Vengo de Mauricio Romero Suárez
Di sicuro c'erano tenori con accuti piu confidenti di Domingo, con voci piu grandi, ma nessuno, nessuno non aveva tanti emozioni, tanta tristezza e tanta amarezza nella voce. Nessun non poteva essere piu convincente nel ruoli dei eroi tragichi, dei maschi traditi, disperati. Solamente quelo chi fu tradito di una femmena puo capire questo. Ascolate come inizia al 3.27 "sperai, tanto il delirio" . Questo spizzia il cuore
Junto con la versión de Corelli y Vickers son las mejores de la historia. Una soberbia actuación digna de premio y una interpretación MAGISTRAL. Domingo siempre está en los primeros 5 de la historia en casi todas sus interpretaciones...
1. Franco Corelli 2. Mario del Mónaco 3. Luciano Pavarotti Domingo no está para las grandes ligas en lo técnicamente vocal, el marketing y los miles de "premios" son lo suyo.
Domingo está el primero o segundo, o raramente el tercero en la gran mayoría de los incontables papeles que ha representado. Es el más completo, el mejor tenor de la historia según los ingleses, creo que periodistas especializados
Ah... the famous Met audience. Never waiting until the final chord is finished with the applause. And I can't say that I'm a fan of giving Tonio's closing line to Canio. I have seen it in quite a few productions and never liked it.
What you really mean is the loudest shouter, thats all that MDM was good for, bawling away regardless at the expense of all the other musical attributes which he did not possess or did not chose to use.
Yes, because this is the scenery presented by the Metropolitan Opera in New York. The only difference is that the Domingo performance is in the 1970´s, while Pavarotti´s is in the 1990´s. Best Regards!
After listening to this and other famous tenor's renditions I have to admit that Kaufmann's strong and full voice does the most justice to this highly dramatic scenery. The most vigor which is an absolut must here. And I am not an all time fan of Kaufmann. Just compare renditions....
@@drjjpdc for me bjoerling was a beautiful tenor voice,maybe more bel canto than verismo,i feel personally that you need either a big spinto or dramatic voice for this role,bjoerling could project what was ezsentially a lyric voice that was not big,sure in recordings and i have the one you mention his voice sounds fine,but put him in the met,la scala,covent garden,arena verona and his voice is small.All that said as much as i am a fan of spinto,dramatic tenors i still have bjoerling,kraus,gedda,scmidth,gigli,young di stefano,arragal, in my top 10.
