An arborist in the know becomes an arboriculturist. Learning all aspects of bonsai goes a long way toward that end as well. An arborist unaware of soil morphology park's heavy equipment under a tree. Susceptible species can suffer from chlorotic conditions producing Telltale yellowing leaves. There is enough iron in the soil, just not in usable form. And why we add iron smelling chealates applied in a soluble drench. Now you also know why adding organic matter to dilute surface clay does not function as expected. If only we could turn compacted clay into soluble form in order for too much clay to get out of roots way and allow atmospheric oxygen deeper. And don't get me started about commercial development where they excavate and haul away everything down to Clay then truck in not enough soil and expect things to grow.
When "architecture" is understood as "art and science of building" (The Green Yellow Oxford English Dictionary), so we come to notions on architectures of houses and the likes, landscspes, computers, and the Internet. What are about arts and sciences of building soil ...? - supposedly it is understood as matters on men working artistically and scientifically on building (processes)-related/constructive elements which are soil textures, soil structures, soil bulk densities ...? "Architecture" may be defined as "frame"; and, there is one with such nuances "parergon". In order to propose what should be understood as "concept", "percept" & "affect", thus as "philosophy" & "art", Deleuze & Guattari ("What is Philosophy?") mentioned architecture as the first art as art begins with house: that of which "the most scientific architecture continually produces and unifies planes and sections... it could be defined as "frame" with a connection among various frames oriented differently, applied to other arts...(There is) a composite system consisting of points and counterpoints... (there is) a matter of sensations (percepts and affects) combined... (While) the system still needs a composition plane run "deframing" opening ways from house territory to city-cosmos, the system in which there are cosmic forces to create new affects...". There is "asthetic composition" as the working of sensation which is, so they said, the definition of art... To Deleuze & Guattari's "architecture as frame" there is one with such nuances: Jacques Derrida's "parergon" meaning, among others, frame, "both in the sense of physical limit around a painting and also in the more conceptual sense of a "frame of reference". It is Cheetam's attempt "to deploy his (Derrida's) reflections on the sublime within a narrative about disciplinarity. (Cheetam, Mark. A, "Kant, Art, and Art History, Cambridge University Press, 2001 pp. 103-14, especially p. 104) Of the constructive elements of soil mentioned in this lecture: soil structure may enable such a direct link to a notion on "frame" --while "bulk density was not explained this lecture: " (minutes10://) Soil structure -Spheroidal or granular - Plate-like - Prism-like (columnar, prismatic) - Block-like (angular blocky, subangular blocky) - Massive .... (Minutes 19://) ... soil textures impact the nature of soil structure ... Soil structures, individual soil textures, and individual soil particles determine the nature of the interface between the solid part of soil and the void part of soil ...".
