Polytonality in Film Scoring Music | Mixing Lydian and Minor Modes | Tim Huling 

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In the video, Berklee Online instructor Tim Huling discusses polytonality as a tool in film scoring. Polytonal music can be used to create a surreal or bizarre effect. Using an example of a piece he composed for a nightmare scene, he shows how keeping the two keys-in this case, C minor and C Lydian-separate creates an unsettling, bizarre, yet familiar feeling in the music.
About Tim Huling:
Tim Huling is a composer, orchestrator, producer and educator who works in music for film, TV, video games, the concert hall, and more. His credits include films such as “Georgia Rule” and “Mad Money”; TV shows such as “Little People, Big World” and “Inside Passage”; video games such as “Planetary Annihilation” and “Skyrealm”; and installations such as “Hunger Games” at the Motiongate Theme Park and “Great Seattle Fire” at MOHAI.
In 2014, Tim was proud to return to his alma mater, the Film Scoring Department at Berklee College of Music, where he currently teaches film music composition, orchestration, and technology.
About Berklee Online:
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Film Scoring | Scoring for Film, TV, and Games | Berklee | Berklee College of Music | Berklee Online | Composer Corner | Tim Huling | Polytonality | Polytonal Music | Hunger Games | Georgia Rule | Mad Money | Little People, Big World