I thank Lord God for being alive to witness Preety Yendes's singing more so from my continent Africa and Country South Africa, excited and thankful how the 1st World embrace her,God is great indeed
SUCH A FABULOUS VOICE. Velvety, yet bright. Power, but no shrill, always extra in reserve. Smooth transitions. Great sustain and dynamics. Range. Her voice has every attribute desirable.
Her high notes are incredible!! She reminds me a little bit of Mrs Sondra Radvanovsky but she uses her gift in such a different way. I would love to listen to her in Puccinis Manon Lescaut and later in the pieces of Meyerbeer.
beautiful tone, great feeling for Mozart, immaculate technique-- Pretty Yende is one of the great young singers to emerge in the 21st century. Fine orchestra. Joshua Bell turns out to be a terrific conductor
La musique,du Faso est une source intarissable de douceurs. Elle permet de plonger au plus profond de soi et simultanément d'entrer en résonance avec son prochain, Yé Lassina Coulibaly❤❤❤❤❤❤❤
@dvoratrumer9016 A great singer, who invests emotion when she performs according to the piece, sings great, and very beautiful. I love her very much ( TRANSLATION)
She really nails it! Lovely sound, clean rapid articulation, real trills, tops not forced. Gracious and charming. She was well prepared for this. So why was her Met 'Regnava nel silenzio' rehearsal last week so vocally insecure?
Because she was a light lyric who could do coloratura and extremely high notes with no problem while her voice was still quite young, but now, at 30, the voice settles, and a Lucia doesn't suit her anymore (if it ever did, I mean depending on opinions, you have the Callas Lucia, or the Dessay Lucia - intense and dramatic, or birdy and light). She still wants to impress and push her voice into intricate fioriture and high notes but IMO her voice wants to be a Marguerite rather than a Lucia.
Camille - These are artificial distinctions. All singers should be able to sing rapidly, through their entire range - AND sing pure simple legato - all their lives. A voice beginning to mature and develop more weight, should retain the technical facility for 'coloratura' work.
Glorious Mozart singing, effortlessly produced tone on the breath. Superb coloratura and trills. I do wonder if this was recorded in 1965 in Adelaide though. I can't find any record of this in the performance schedule. Of course she did sing in Adelaide for the great 1965 tour but these were Lucias, Traviatas and Marguerites in Faust. To me the sound is more 1959/60. I can't hear any sense of an audience either. Probably no way of ascertaining for sure at this stage.
I could be bias,I am requesting global community to SUPPORT AFRICA,PLEASE guys and girls just do that, God is GREAT,HE REIGNS SUPREME,I'M FROM NORTHERN ZULULAND where she's born
Pretty jende dovrebbe SE mei fare SOLO CD. Non HA CARISMA né la minims PRESENZA E UNA DEI MOLTI NULLITA CHE DURANO 1-5 ANNI MASSIMO. MARTA BEATRICE DARDAY
This appears to be the same performance that I enjoyed on BBC Radio 3 "Afternoon on 3* July 13, 2016. It comes from the Verbier Festival in Switzerland in 2015. Joshua Bell conducted the Verbier Festival Orchestra from the first violin seat. Is she perfect? Perhaps not quite, but it was a joyful, lovely performance. A joyful performance makes up for a lot of imperfections in my book. For one of my favorites check out Sylvia McNair's performance here: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-u0fl17RA9Ww.html
No.... the voice is too heavy for Mozart.. interesting... or it sounds heavy... doesn’t sound ok to me... she is of course on pitch but the style is not there?