Respirazione, tecnica, talento, compattezza vocale, intonazione, naturalezza, musicalità, dizione dell'italiano, intensità emotiva, sobrietà, potenza, controllo, agilità, pathos, grazia, timbro... possiede tutto! Mi chiedo come abbia fatto a conoscerla così tardi. Una delle migliori cantanti non solo di adesso ma in generale
[Google translation] , technique, talent, vocal compactness, intonation, naturalness, musicality, Italian diction, emotional intensity, sobriety, power, control, agility, pathos, grace, timbre... she has it all! I wonder how he* got to know her so late. *possibly "we" or Charles III
This lady is very well named - a 'pretty' young lady with a magnificent gifted voice, singing in the Prague Opera House - I place I happen to know - a beautiful place !!! Like Nelson Mandela, this lady has taken the world by storm and the world has responded by taking her to our hearts.
Beautiful, God bless her teachers and vocal coaches. I'd love to hear her sing "Green Finch and Linnet Bird" from Sweeney Todd. She transitions elegantly from classical repertoire to popular if her rendition of the Bernstein/Sondheim "I Feel pretty" is any example. A rare gift, she's another Stephanie Blythe.
mireille duboise Assena so am I. A fresh new voice and she's only 33 years old thank you so much for posting this beautiful ladies voice. Arnold bourbon Amaral
Une voix....une passion qui nous emporte au delà de l'émotion....depuis combien de temps attendons nous une tessiture et une technique comparable ? la renaissance du bel canto ? Bravo, mille bravos Pretty et merci !
00:28- Il Bacio (Luigi ARDITI) 04:50- Oh! Se una volta sola... Ah! Non credea mirarti... Ah! Non giunge (Vincenzo BELLINI, La Sonnambula) 18:11- Oh! Rendetemi la speme... Qui la voce... Vien, diletto, è in ciel la luna (Vincenzo BELLINI, I Puritani) 25:49- Les Filles de Cadix (Léo DÉLIBES) 29:46- Me llaman la primorosa (Miguel NIETO y Gerónimo GIMÉNEZ, El Barbero de Sevilla, Zarzuela) 34:50- I Feel pretty (Leonard BERNSTEIN, West Side Story) 38:53- Ah! Je veux vivre (Charles GOUNOD, Roméo et Juliette) 44:18- Ah! Tardai troppo... O Luce di quest'anima (Gaetano DONIZETTI, Linda di Chamounix)
Muy linda voz la chica, fresca, con un hermoso color y buena técnica, además de muy simpática u jovial, me gustaría más que no cortara los agudos en los finales, pero que orquesta mamma mía!, de primera. Me encanto el director, se ve muy carismático y galante, además de muy guapo. Felicitaciones a todos. Me maravilló su pronunciación en los idiomas que canto, más en Me llaman La Primorosa.
La musique,du Faso est une source intarissable de douceurs. Elle permet de plonger au plus profond de soi et simultanément d'entrer en résonance avec son prochain, Yé Lassina Coulibaly❤❤❤❤❤❤
Please, please, please. Pretty's voice is much prettier than that of Callas! Her top is clean, pure, not strident. Time will show whether she will be as great an actress and interpreter. But the voice is far and away better.
@@ericgarbutt8561 Uh ... Callas, strident?! ... undoubtedly some of them suffer from hyperacusis ... ;-) I never had to modulate the treble listening to the Callas ... but, I was'nt in the hall ... :-) The stamps aren't the same, that's all. For Pretty I agree that voice, technique and especially the tessitura are absolutely fantastic, phenomenal, close to perfection if it exists ... It remains just to grant the theatrical and emotional expression to the libretto... Anyway, Maria Callas' stamp will remain what it has been: unique. At the end of the interview she says that the foreign language she most liked to discover for the opera is French! ... I'm french. :-)
But her home language is Zulu, which although linguistically far removed from romantic languages , shares with Italian some similarities, with many open vowels,,no diphthongs to speak of, and a lilting quality easily transposed to music.
ERIC GARBUTT 00:28- Il Bacio (Luigi ARDITI) 04:50- Oh! Se una volta sola... Ah! Non credea mirarti... Ah! Non giunge (Vincenzo BELLINI, La Sonnambula) 18:11- Oh! Rendetemi la speme... Qui la voce... Vien, diletto, è in ciel la luna (Vincenzo BELLINI, I Puritani) 25:49- Les Filles de Cadix (Léo DÉLIBES) 29:46- Me llaman la primorosa (Miguel NIETO y Gerónimo GIMÉNEZ, El Barbero de Sevilla, Zarzuela) 34:50- I Feel pretty (Leonard BERNSTEIN, West Side Story) 38:53- Ah! Je veux vivre (Charles GOUNOD, Roméo et Juliette) 44:18- Ah! Tardai troppo... O Luce di quest'anima (Gaetano DONIZETTI, Linda di Chamounix)
Paso de ser políticamente correcto. Las negras suelen tener un instrumento vocal superior, por ejemplo Jessye Norman, mi preferida. Increible esta chica y aún le queda madurar a su voz.
@@stephencostan207 If you can do that, then you are fortunate. Unfortunately, I can not. Her name is not just silly. It is wrong. In the last ten years I have fallen under the spell of a pop-singer. A German pop singer. She has a perfect voice (within the genre). But I could not call her "pretty". That is not sufficient. She is astoundingly, spectacularly, preposterously, beautiful. If her parents had been of the turn of mind to name her for the way they hoped she would turn out, then she would be known as: "Astoundingly, spectacularly, preposterously beautiful, Fischer". But they named her "Helene" instead. By the way, I am not an interloper in this conversation. I am paul sutton, using a pseudonym.
Si vamos a buscar defectos,casi ningún cantante de opera, mujer o varón,no italiano, pronuncia bien el idioma, y lo mismo con el castellano,desconozco el frances
