Thanks for this.. have a question. Did this on a bass guitar track and with some warp marker tweaking it turned out really good. However.. tried multiple times on electric and acoustic guitars and no matter what I do even if the beginning and the end are okay whole sections in between sound like nonsense! Tried adjusting and deleting but seems to be much more of a pain than it should be. Wondering am I supposed to be in Tick mode instead of samples to do this kind of work?
Sorry, I need more information from you. When you quantize, are you making sure that your tracks are grouped? In other words, it should shift the audio the exact same on all of the tracks. Do you see that happening? Next, are there excessive analysis markers causing more audio to be shifted then needed? Are all of the tracks in the same elastic audio algorhythm? Does the phase happen right after you quantize?
Also after you are done with your edits,switch to X-form mode and render the track/s.X-form is of much better quality than other modes that work in a real time
Kids, unless you’re trying to drastically change tempo and absolutely need elastic audio, just edit the transients and use short pre-fade crossfades. There’s also beat detective, you base your detection off the close mics, then once the markers are set you add the other mics to your selection and separate/quantise/smooth edits for a way cleaner result with phase coherence and no digital artefacts.
