The only canvas I use now is 100% polyester. Preferably in a simulation of organic weave so that it's not too mechanical. Unfortunately I can't find anyone who makes a ready made canvas this way, so one has to source furnishing fabrics for this purpose. They're not cheap but they do make heavy weight polyesters that look like linens. (I chose those that aren't scotch guarded) Being pure polyester they aren't responsive to humidity. They aren't going to swell, shrink, loosen, weaken and rot over the years. These fabrics are made to be durable hanging in bright sunny windows or on sofas that would ruin cottons in a few short years so I feel my paintings have a better chance for the centuries
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Figurative abstract had started in the 1950s in San Francisco with Elmer Bishoff, David Parks, Richard Diebenkorn, Joan Brown and others....i Think they would be proud.
Whoever is reading this, I hope you have a great day! Here is some artist inspiration for you 🎨 ✨ ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-OwQvrPaL4zI.html
so incredibly disappointed that the issue of 'limp' stretched canvas led to this... never mind the new- stretch ALL the canvas properly then tell about options...they listened too late. Loose canvas puts art at risk and many gallery wraps and cross bars do not allow adjusting. If it was tight- that's not the issue anymore
What are you blabbering on about. No piece of art is ever at risk from a loose canvas. You can always cut it off the stretcher and mount onto a wood panel. ALL canvas on a long enough time line goes limp or loose and will need to be adjusted, museum conservators have many many ways to do this. Chill out freak show!
I liked your content. You need to put out more work! Your illustration really remind me of Oli Mueller. His work sorta reminds me of Bayley Jae mixed with a bit of Andy Warhol! He is a awesome digital artist in the UK. Go see his RU-vid out and give the painter a like! 👉 #FreeOliMueller
lousy art. great copying techniques and all that, but nothing personal. you can google millions of these works and whatnot. just copy after copy. technique does not make art. many of the great artists knew nothing about Albers after him. Looks great of course, but perhaps emptiness is the best description of the present.
