I love how clearly they were able to translate the "plague on both your houses" into movement. One of my favorite scenes from a ballet! Thanks for posting!
I love Shakespeare, this is just as powerful and dramatic without the words. Kenneth MacMillan created magic and drew the audience to respond emotionally to his ballets, he is the greatest choreographer ever!
In 1965, Kenneth MacMillan was choreographer at the Birmingham Royal Ballet (then Sadler's Wells Theater Ballet) and produced this version of Romeo and Juliet. It's brilliant.
Normally I don't quite "get" ballet or what makes a good dance as compared to say opera. If I'm listening to Tchaikovsky's ballet music, I don't understand what a good vs bad performance is. However, this is an exception. I can tell this is an amazing performance: the sword clashes and all of the acting and dancing are so well synced with the music, and I can follow along better than say watching The Nutcracker.
The Macmillan version was danced first by Rudolf Nureyev and Margot Fonteyn although the choreographer had designed it for the second cast Christopher Gable and Lynn Seymour. I don't think this is from the 2nd cast production, though, is it? And I don't know who played Mercutio either.
Mercutio was created for my father, David Blair, (Danseur Noble), of the Royal Ballet, who played this difficult role to perfection, Shinjinee Sen. Sadly this beautiful film has gone to DVD, and you can't see him do the great sword fight between him, and another great dancer of the Royal Ballet, Desmond Doyal, kill each other to my father's death.
@kimchilaion Not that weird. He kind of goes on and on in the play after being stabbed. It's all a part of his character. He really is a bit of a ham. :p
This is magnificent stuff ; only the Russians can interpret Prokofiev and it makes all the other European realisations look wet in comparison. But not available on DVD - why not ?
Sorry for replying to your comment from so long ago but I just wanted to highlight that this interpretation of Prokofiev's music was by the British choreographer, Sir Kenneth MacMillan.
I have seen many presentations of this moment, but Idk... just seems "gay as hell", for lack of a better term... too much actor showboating all around, the only believable actors were the stand ins/extras...