wow!!! What a fabulous performance. Both the piano soloist and the orchestra have worked unbelievably well to produce this marvelous recording. Both the sound and the video are particularly stunning!
Wundervoll gespielt sowohl von der Solistin als auch des gesamten Orchesters. Ich habe mir das gerade zum 5. Mal angehört und geschaut. 😍😍😍😍😍 Auch ein Riesenlob an die Kameraführung
Some of the cleanest and creative playing of this fiendish opus; especially the almost note perfect cadenza. Tempo a little slower at times, but enjoyed the easily absorbed listening of the musical nuances.
Anna's playing of this concerto is magnificent and as always this orchestra is outstanding. All I can say is, I am enamored with Prokofiev's music. It doesn't get any better than this. Thank you again for another wonderful concert. Love your channel.
Hermoso concierto. No lo conocía. (Tantas composiciones, realmente, que ahora están a nuestra disposición gracias a, por ejemplo, RU-vid...) Me gustaron y sorprendieron las transiciones, los cambios de tempo, como mostrando facetas de una mente compleja y rica en inventiva. Gracias. Saludos desde Ciudad de Córdoba (Argentina).
Hello hr.-Sinfonieorchester- Frankfurt. Danke for this wonderful video. I love Miss Anna Tsybuleva's performance and one of my most favorite Conductors Mons. Alain Altinoglu and your brilliant Orchestra.🌷(Holland)
Fascinating approach to the work. Structuralist rather than frenetic. Really interesting tempo choices that underline the architecture, especially a different vision of the Cadenza
BRAVISSIMO! of one of the hard concerts for piano and orchestra , the neo classicism is its maximum expression, together with the violin concert, great pianist Anna Tsybuleva , thanks again hr-Sinfonieorchester for this beautiful music , if the new year starts so, please go on....
Strikingly beautiful concert I was streaming today, was notified several days ago. Sergei Prokofiev : Piano concert No.2 is a gem that attracts many pianists.Anna Tsybuieva accompanied by hr- Sinfonieorchester led by by stunning conductor Alain Altinoglu was so powerful and emotional, undeniably making it a great success.
Wunderschöne und detaillierte Aufführung dieses spätromantischen und perfekt komponierten Konzerts mit klar artikuliertem doch elegantem Klang des genialen Soloklaviers sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Der letzte Satz klingt echt lebhaft und auch elegant. Der intelligente und ebenso geniale Dirigent leitet das ausgezeichnete Orchester in verschiedenen Tempi und mit künstlerisch kontrollierter Dynamik. Faszinierend vom Anfang bis zum Ende!
notarie 2: You always make your comment after the same scheme, If I have read one of your comments, I have read them all. Are you aware of that yourself? At first it seems to be a splendid commentary, but after reading it hundreds of times in different commentaries about music, it is not so fascinating. I now have to point this out, even if it kills me. I am so sorry, but sooner or later this has to be pointed out. I myself am for sure not the best in commenting music, but Im not the stereotype you are. Take this as an advice to be more personal in your comments, this is not a newspaper, and you are not the critic that has to behave properly. This is a commentator field where you can behave the way you want, even if it is annoying.
@@m4rlon97 Ich glaube dieses nahme notarie2 ist sehr erwartet. What does a second notarie do, noticing what is going on and then write it down. In this notarie2 is exellent.
A very emotional and deeply intimate performance. However, I found the tempo choice (extreme rubatos that slowed down the passion & fire that Prokofiev wanted to project) in the cadenza in the first movement a bit weird.
Maybe you are right about the rubatos, when I listen to this cadenza at 5:50 again I can understand your point. But as I have only listened to Anna Tsybuleva and Anna Vinnitskaya in this I have to say that I like them both vet much.
After comparing: both Anna Tsybuleva and Anna Vinnitskaya starts this candenza in a slow tempo, but after some time Anna Vinnitskaya has reached a much higher tempo, a more intense rendition of this cadenza, and I prefer her version!
My special love in this is a theme that occures at 24:17. It is almost a lullaby as I see it, and I still wonder if Prokofiev was inspired by some sort of this melody or if he invented this melody himself.
Elektrisierend. Der geistsprühende Übermut eines Wunderkindes. Voller Eigensinn, Einfallsreichtum, Raffinesse und herber Schönheit. Der pure Wille zum Mutwillen.
Great...Will you still air some of these live, as before? If so, when, as I enjoy those as well. Still impressed with your A/V quality and camerawork, thanks!
Ну затянуто в соло 1 части сильно!!! Однако, молодчина: такой сложный физически концерт донести до слушателя! Сражена наповал!!! Лучше лишь Сергей Давыдченко передал эту музыку.
At one point, I thought I was the only one Critical of Yuja Wang's appearance on stage to perform this music. I made some people quite angry when i quipped: " I came to a musical performance, live. And a Fashion show broke out " . The only criticism I have for this lady is, analogous to what Glenn Gould frowned upon.Too much self expression by pianist of today's crop. He was marginally correct to an extent. The music is the Star here. After conquering this concerto, perfectly. There is no need for theatrics. Throwing around one's arms and over expressively lifting up the hands. Like Rachmaninov's third concerto. Many pianist wouldn't touch it due to it's difficulties. Particularly after Horowitz's playing the piece that literally blew everyone away. ' same for this concerto. Super duper difficulties. Now anyone who can read it. ( usually), Can master it.
@ Dusan Holy. Poor Yuja! She even gets attacked when she is not performing. I find this quite a boring effort compared with YJ, but I never heard her before.
The orchestra doesn’t seem to be playing together as well as they normally do. In comparison for me to their performance of Shostakovich’s 7th symphony. The symphony there seem like one giant cohesive unit. There’s even a disconnect between the piano player and the conductor.
