Though it is -18dBFS RMS (300~600ms timeframe). Thus we have 18dBFS "headroom" for the Peaks (they will be usually about -12, -9 or in rare cases -6dBFS) till we clip to 0dBFS (clipping in this case the ADC: analogue to digital converters in the audio interface, which we do not want to happen, despite the fact we can restore such clipped peaks using audio editor such as Audition, Acoustica, RX9, etc!). If you'd like to work by Peaks, then aiming for Peak values at around -9dBFS should be fine in most cases. Inside the DAW we can always "Normalise" values to -18dBFS non-destructively, which should be made to happen anyway during media Explorer browsing, a.k.a. Preview and upon Import, thus we can have relatively consistent perception of the loudness for each audio event we want to preview\import in our project.
Always to the point Kenny ... great info for everyone to know about .. for sure tracking in the sweet spot of the preamps is mandatory if you are looking for a gretly sounding mix ...
Been watching a ton of your videos recently and just want to say THANK YOU. This video especially is one I've been trying to get answered for years and can never get a straight answer.
Ur teaching is sooooo Smooth brother ! I do appreciate ur teaching art ! I understand better than the one with my own language !!! subscribed for sure!
Hey Kenny! Love your tutorials. Is there a way to automatically remove breathing sounds on a long vocal file? Like you did with ReaFir for background noise. Muting or cutting them manually takes eternity.
If you don't mind shelling out about $30 Waves DeBreath plug in has worked great for me. Pretty much throw it on vocal tracks and works with little to no tweaking
Good video. Back in the day of recording to multitrack 4" (?) tape wasn't it the case that one should record as high as possible, as close to 0db as possible? Although I haven't recorded to tape in forever, I learned recording to tape and that is stuck in my memory. If true, maybe that's where people get the idea that one should record as hot as possible in digital?
Yep because a lot of people don't understand that digital zero is equal to about + 18 dB on the analog scale. I blame the DAW manufacturers for not setting the red levels around -8 and the yellow levels around negative 12 dBFS.
What about electric guitar, Kenny? Some of the plugins I use for distorted tones, claim that their ampsim works best by getting the input signal from the audio interface to be just below clipping. This way the signal is louder than the hissing.
You can raise the volume of the recorded item later after recording process for that purpose and you still maintain the clean recording you can return to. There is really no sense of risking clipping your take, because then you're left with less options.
I've done exactly what you're saying while trying to record my guitar cab. SM57 panned left and a Sennheiser e602-II panned right on on a mixer from a Vintage 30. My levels are perfect before and during the recording; upon playback it sounds really good but I seem to lose 20db. However, when I record vocals, that doesn't happen. I'm confused.
Thanks Kenny 😉 ... also for the other two videos! Question: How can I get Meters like yours (... zero on top and -6> -12 etc) ??! Do you have a video where you have already explained this? You can remind me
What if you're recording vocals or guitars with effects? Do you set the volume with the FX disabled then enable the fx before recording? Or do you set the level with FX enabled? Additionally, taking into account that you can "record" the effects live or just "hear" the effects while recording but only record the "dry" signal. Please explain the target level for these two recording options. Hope this makes sense.
Thanks for this Kenny. Quick question - why wouldn't you use a plug in, such as ReaComp, or even the JS: Volume Adjustment to automatically keep your level at -18dBFS? I can see that if you are recording quite a number of people simultaneously, that would place a strain on computer system resources, but that is the only reason I can think of not to use some form of compression or volume suppression to keep you at or around -18dBFS.
hello. How about recording electric piano? Which volume level should be set in output/phones of el. piano? I can set output level of piano, and preamp level in audio interface. For example I can set max level at piano and lower level at preamp or minimal level at piano and approperiate level at interface or sth beetween. Which is the "golden level"?
@@REAPERMania Guitar DI input at -18. And then with the guitar plugin we can tweak gain/mids/master & level to make it louder correct? Or in which step do we have to bring the level to -6 db??
@@ReNoMellow It doesn't even matter how many "bits" are in ADC in your audio interface. Maximum digital value in any ADC corresponds to some maximum voltage on its analog input (signal voltage after preamp). Clipping occurs if analog signal voltage exceeds the maximum allowed ADC voltage, regardless of the bit depth of the ADC.
@@ReNoMellow ADC bit depth only affects the ability to correctly digitize weak signals. For example, if you decrease preamp level to -18 dB you will "steal" 3 bits from signal samples, so for 24bit ADC it's OK, but for 8bits ADC it is catastrophic.
